Further amplification of pedimented windows is the chief detail to be observed here. Strangely enough, the numerous small pediments are almost baroque in character, unquestionably due to the broken pediments of the second story windows already marking for complete disappearance this characteristic feature. It is easy to see the short step that remains to Victorian frills, with brackets under the wide cornice, large cupola and exceptionally slender, square porch columns already or nearing that stage.

Revival details remain not only in the pediments, however, for here have been used flat clapboards and corner mouldings in simulation of stone work. Noticeable too, are the fine panels beneath the lower floor'windows.

But there is nothing Greek here either in proportion or design and little is worthy to be called Greek Revival. The style is lost and overwhelmed in the newly diverted exuberance of romanticism.