With a return to the principles of proportions employed in the State Salt Building (page 40), Syracuse achieved her second Parthenon. This, one of three structures known that accomplished more than four columns on the facade, is a wonderfully fine example with even closer approximation to classic forms than the Salt Building.

The original structure is thought to have been built by Alanson Thorp in 1798-1800. This was completely rebuilt in 1840 achieving the form seen here, a Temple of Theseus in the village of Geddes. Its perfection speaks for itself. With two columns added this would symbolize the hope and aspiration of all the average Revivalists.

Notice especially the extremely slender window mullions, and the square platform on the roof (figure 3) possibly intended for a cupola. The doorway ushers in tlle first example thus far of the "four square plan" in a private dwelling, with the facade frankly expressing a central hall and flanking parlors. That the entablature actively plays the leading roll of the Greek Revival is no more obvious than here with its great white width completely encircling the house and contrasting sharply with the darker bricks.

The bases of the Doric columns for the second time unfortunately destroy the perfection of the order*, but such a minor feature is easily overlooked in the face of such awe-inspiring classicism.

Figures 1 and 2 courtesy of The Post Standard.

Figure 3 from E. Q. Williams Collection

Note 1: See also page 56