Scope and Contents of the Collection
Books - Book files (by author)
Books - Correspondence-subject files
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Overview of the Collection |
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Creator: | Grove Press. |
Title: | Grove Press Records |
Inclusive Dates: | 1948-1998 |
Quantity: | 600 linear ft. |
Abstract: | Papers of the American publishing house founded by Barney Rosset. Collection contains a small amount of personal correspondence from owner Barney Rossett, but the majority consists of files relating to the company's production of books, Evergreen Review magazine, films and record albums. For any given title, this may include contracts, correspondence, legal records, photographs, publicity material, reviews, royalty statements, and production records. Notable authors represented in the collection include Emmanuelle Arsan, Alan Ayckbourn, Imamu Amiri Baraka (Leroi Jones), Samuel Beckett, Eric Berne, Paul Bowles, James Broughton, William S. Burroughs, Marguerite Duras, Wallace Fowlie, Robert Frank, Jean Genet, Allen Ginsberg, Maurice Girodias, Witold Gombrowicz, Juan Goytisolo, Nat Hentoff, André Hodeir, Eugène Ionesco, Jack Kerouac, D.H. Lawrence, Henry Miller, Pablo Neruda, Frank O'Hara, Charles Olson, Joe Orton, Harold Pinter, George Reavey, John Rechy, Kenneth Rexroth, Alain Robbe-Grillet, Michael Rumaker, Hubert Selby, Gilbert Sorrentino, Amos Tutuola, Parker Tyler, Tomi Ungerer, Alan Watts, and others. There are extensive legal records and clippings files relating to the censorship trials surrounding the American publication of D.H. Lawrence's Lady Chatterley's Lover and Henry Miller's Tropic of Cancer. |
Language: | Majority is in English; some items in German, Russian, Spanish, French, Swedish, Czechoslovakian, and Italian. |
Repository: | Special Collections Research Center, Syracuse University Libraries 222 Waverly Avenue Syracuse, NY 13244-2010 https://library.syracuse.edu/special-collections-research-center |
Grove Press began as a small independent publisher in New York City's Greenwich Village in 1949. Within three decades, it grew into a multimillion-dollar publishing company recognized as one of the twentieth century's great avant-garde publishing houses.
When Barney Rosset purchased Grove Press in 1951 after its establishment by John Balcomb and Robert Phelps, it had published only a handful of books. Ten years into Rosset's tenure as publisher, Grove's catalog included over five hundred titles, and the publishing house continued its expansion. Looking beyond books, Grove operated a film distribution business, a book club, a theater, the Evergreen Review magazine, and eventually became a publicly traded company. For a time, Grove even experimented with publishing children's books.
One of Grove's most well-known accomplishments was in introducing American audiences to European avant-garde theater. From Alfred Jarry's late nineteenth-century experimental works The Ubu Plays to the absurdist plays of Samuel Beckett, Harold Pinter, Jean Genet, and Tom Stoppard, as well as the epic theater of Bertolt Brecht, Grove frequently sought to disseminate new drama in affordable paperback editions.
Rosset's interest in another artistic genre, film, led Grove Press to enter the film distribution business in 1966 when it purchased Cinema 16, the New York City film society founded by Amos and Marcia Vogel in 1947. The acquisition gave Grove access to many experimental films such as those by Maya Deren and Stan Brakhage. By the early 1970s, the Grove Press Film Division catalog included over four hundred domestic and international short and feature films, documentaries, experimental films, animations, and classic Charlie Chaplin and Georges Méliès films.
Rejecting mainstream notions of obscenity, morality, and decency, Grove also gained a reputation as a controversial publisher committed to fighting censorship as it published some of the most well-known banned books. Grove's success in publishing D.H. Lawrence's Lady Chatterley's Lover (1959) despite attempts to censor the work by the Post Office paved the way for Rosset to publish another contested work that was ultimately cleared by the courts, Henry Miller's Tropic of Cancer (1961) and defend the Evergreen Review. After winning several battles over the printed page, Grove built on these victories and successfully defended the screening of Vilgot Sjöman's Swedish film I Am Curious (Yellow).
Censorship was not the only social convention Grove had a role in shifting. The defining movements of the 1960s -- the antiwar, civil rights, black power, counterculture, and student movements in the United States, along with revolutions around the globe -- were debated, exposed, and discussed in Grove's publications as was the sexual revolution. Grove's books challenged prevailing attitudes about sex through dozens of erotic books, many by "anonymous" authors; introduced the layperson to new directions in psychology through Eric Berne's Games People Play; and gave voice to revolutionaries around the world, including Che Guevara and Malcolm X.
While Grove was successful in fighting censorship and obscenity laws and introducing groundbreaking works to American readers, internal conflicts and challenges such as efforts to unionize the staff and feminist criticisms confronted Grove in the 1970s, as well as the departures of long-time editors Dick Seaver and Fred Jordan. After many celebrated achievements and a peak in staff numbers and office size, Grove reorganized and downsized its operations. Ann Getty and British publisher George Weidenfeld purchased Grove Press in 1985 for a reported two million dollars. Rosset left in 1986 and continued to pursue publishing and an Internet-only version of Evergreen Review until his death in 2012. Grove continues to exist today as part of publisher Grove Atlantic.
The network of interrelationships between Grove and its authors was both dense and complex. Some authors whose books were published by Grove also wrote for Evergreen Review or were involved in their film projects. Occasionally Grove would ask one author to read another author's book and give their opinion, either formally or informally, or to write an introduction for it. Grove editors often built personal relationships with their authors. For all these reasons, material relating to one author or organization may be found in several places.
William Burroughs is a good example. Files relating to Burroughs' books are in boxes 169-178, but Burroughs also wrote prefaces or introductions to J.G. Ballard's Love and Napalm (Box 71) and Larry Sloman's Reefer Madness (Box 662). He corresponded with Grove authors Don Allen (Box 4) and Maurice Girodias (Box 297), and with Grove generally (Box 890). Grove asked him to review Justine: Philosophy in the Bedroom (Box 620) and he provided feedback on Alexander Trocchi's Cain's Book. John Rechy wrote a letter on his behalf (Box 584). þPieces by him appear in an issue of Leroi Jones' Floating Bear (Box 392) and in a dozen issues of Evergreen Review (4/11, 5/20, 6/22, 6/25, 7/29, 8/32, 8/34, 11/46, 12/52, 12/60, 13/67, and 15/94).
For this reason, the researcher is advised to search the entire finding aid for occurrences of the name(s) of interest. With most web browsers, CTRL-F will bring up a search box.
The Grove Press Records are divided into eight series.
Barney Rosset personal papers is a small group of materials related to the personal life of Grove Press publisher Barney Rosset. It contains correspondence, lecture notes, invitations and similar items.
The two Books series comprise the bulk of the collection. Books - Book files (by author) contains editorial and production records for books published by Grove Press, arranged alphabetically by author and within that by title. These materials reveal Grove's practices as a publisher and document the history behind Grove's books in addition to the personal relationships Grove staff members had with many of their authors, particularly Samuel Beckett. Anything generated or used in the process of publishing a book may be included, but the most common types of material are:
The material in the collection pertaining to each book varies widely in both type of material and volume. For some titles, researchers can trace the book's history from initial contact with the author and contract negotiations through production and printing to newspaper clippings of book reviews following publication and publication of later editions. For other titles, extant materials are scarce. In some cases there is material for books that Grove considered (and may have had under contract) but did not end up publishing.
Books - Correspondence-subject files contains additional material related to Grove's publishing activities in general, including the company's network of literary agents and book scouts. There is correspondence with agents, booksellers, and publishers, book- and publishing-related organizations (American Book Publishers Council, Colorado Booksellers Association, Illinois Freedom to Read Committee, International Publishers Congress, etc.), as well as material on various topics of interest to the company (book rack displays, censorship, college adoptions of Grove titles, foreign translation rights, Polish and Yugoslav writers, etc.). There is also material related to Grove's children's books, and to special series and imprints such as Profile Books and Evergreen Pilot Books (a.k.a. Writers and Critics). Of particular interest are letters from readers or the general public that Grove deemed worthy of keeping (Compliments; Crank and derogatory letters; Humorous letters). There is also correspondence with some notable individuals, such as poets John Ashbery and Lawrence Ferlinghetti, authors Laurent de Brunhoff and Archibald Macleish, photographer Emil Cadoo, and book dealer Jeff Rund. Numerous folders of manuscript logs, reader's reports, and rejections give insight into the type of material Grove accepted and why.
The Business files series contains administrative, corporate, and legal records pertaining to Grove Press and its various business ventures including theatre ownership. The bulk of this series relates to Grove's finances, personnel, real estate, and sales, as well as legal issues (particularly obscenity cases), the company's stock, and its business partnership with Random House and Whirlwind Book Company. Day to day operations of the Grove office are documented in memos, phone message logs, and calendars kept by Barney Rosset.
The Evergreen Records series contains material related to Grove's short-lived foray into the recording business, including contracts, correspondence, and other material. The collection also contains a number of LPs (33-1/3 rpm phonodiscs) issued by Grove.
The Evergreen Review series documents the operation and production of Grove's literary magazine, the Evergreen Review. This series is divided into two subseries. The first subseries, By issue, contains material relating to all 98 issues of the magazine, including correspondence with contributing authors, layouts, advertising, and publicity. The second subseries, Correspondence-subject files, contains material related to the magazine generally. This includes organizations (Association of Literary Magazines of America, Globe Mail Agency, National Organization for Women, etc.), events (Australian seizure, Bread Loaf Writers Conference), individuals (Samuel Beckett, Paul Bowles, William Burroughs, Allen Ginsberg, John Lahr, Henryk Musialowicz, Tennessee Williams), and topics (complimentary subscriptions, complaints, index to issues #1-31, instructions for running Evergreen Review, legal issues, letters to the editor, publicity for the magazine in general, etc.). Also included here are manuscripts accepted but (apparently) never used, some by notable authors such as James Agee, Bertolt Brecht, Dianne di Prima, Eugene Ionesco, Octavio Paz, Larry Rivers, and Jose Yglesias. There is also, naturally, material relating to subscriptions including renewal lists and subscriber card files. A small amount of financial material completes this series.
The Films series documents Grove's role as a distributor of avant-garde and experimental short and feature length films. This series is divided into three subseries. Correspondence-subject files, contains material related to the magazine generally, including film companies, film festivals, film catalogs, etc. Of particular interest is a slide carousel with accompanying script labeled "Presentation to Volkswagen on behalf of Grove Press film distribution plan." The other two subseries, Feature films and Short films, contains material relating to Grove's feature-length productions and short films, respectively. Typical material includes contract, correspondence, film stills, lab invoices for printing, publicity, and royalty statements. For some films, there is information (mainly royalty statements) about distribution by the Cinema 16 Film Library which Grove purchased. The collection also includes more than fifty 16mm film prints of both feature-length and short films.
Publicity includes advertisements for Grove imprints (Black Cat, Evergreen Playscript, etc.), media coverage of the company and/or its productions, book exhibits, catalogs, files of clippings on censorship and obscenity and the impeachment of Justice William O. Douglas, various themed mailings such as "Survival Kit for Our Generation" and "Black Experience", order forms, and publicity photos of published books. Several scrapbooks spanning 1957 to 1963 contain press releases, advertisements, catalogs, order forms, photographs, book covers, and similar material, as well as one ("The Acid File") consisting entirely of copies of articles and clippings about LSD.
Series are arranged alphabetically by series title. Book files (by author) are arranged alphabetically by author; all other series are arranged alphabetically by title or topic.
The majority of our archival and manuscript collections are housed offsite and require advanced notice for retrieval. Researchers are encouraged to contact us in advance concerning the collection material they wish to access for their research.
One folder of resumes are restricted until 2057. Three boxes of stock certificates w/SSNs are restricted until 2057. Redacted copies are available for use by researchers.
Written permission must be obtained from SCRC and all relevant rights holders before publishing quotations, excerpts or images from any materials in this collection.
Published editions of Grove Press books have been transferred to Rare Books for cataloging. Please refer to the Classic Catalog for a complete listing.
Selected items from the collection have been digitized, and are available via SCRC Online, our digital portal.
For additional material related to Grove Press, see also the following:
Barney Rosset's personal papers are housed at the Columbia University Rare Book and Manuscript Library, which also has a small Grove Press Collection.
Preferred citation for this material is as follows:
Grove Press Records,
Special Collections Research Center,
Syracuse University Libraries
Gift of Grove Press, 1967-1987.
Created by: -
Date: 26 Feb 1993
Revision history: 1 Jul 2010 - converted to EAD (MRC);
29 Jul 2013 - added full inventory (SK);
30 Jul 2015 - final updates completed (MRC);
11 Sep 2015 - added 2d link to Columbia (MRC);
14 Sep 2016 - Box 1126 updates (MRC);
2 Aug 2017 - Molloy camera copy (MRC);
20 Oct 2017 - boxes 746, 1127 updated (MRC);
2 Jul 2021 - Garcia Lorca updates, Box 456 and 855 (MRC)
Note on alternate formats:
Selected items from the collection have been digitized, and are available via SCRC Online, our digital portal.
Barney Rosset, personal | |||||||||||
Box 1078 | 203 W. Houston property 1962-1963, 1969, 1973 | ||||||||||
Box 1078 | Agnini, Cristina (wife) 1981, undated | ||||||||||
Box 1078 | Austin Cooper 1967-1968 - car purchase | ||||||||||
Box 1078 | Better Government Association 1981 | ||||||||||
Box 1078 | Financial miscellany | ||||||||||
Box 1078 | Francis W. Parker School 1955-1956 | ||||||||||
Box 1078 | Hampton Waters property 1967 | ||||||||||
Box 1078 | Hiss, Alger 1966 | ||||||||||
Box 1078 | House and car miscellany | ||||||||||
Box 1078 | Interviews, radio and tv 1964-1965 - includes complete transcript of WNBC Open Mind episode, "Literature of License?" | ||||||||||
Box 1078 | Invitations 1964-1971 - parties, speaking engagements, dinners, serve on board of directors, etc. | ||||||||||
Box 1078 | Jefferson Market Courthouse 1959-1961 - efforts to save neighborhood landmark | ||||||||||
Box 1078 | Kennedy, Robert F. 1965 | ||||||||||
Box 1078 | Keys, Luise and Anthony 1966 | ||||||||||
Box 1078 | Lecture material - clippings, articles notes, etc. | ||||||||||
Box 1078 | Lindsay, John 1957, 1960, 1965-1966, 1969-1970, 1973 | ||||||||||
Box 1078 | Musialowicz, Henryk 1964 | ||||||||||
Box 1078 | New York University 1967 | ||||||||||
Photographs | |||||||||||
Oversize 31 | Barney and Frances Steloff | ||||||||||
Oversize 31 | Barney in office at 64 University Place | ||||||||||
Oversize 31 | Barney, unidentified | ||||||||||
Oversize 31 | Japan, visit to Kenzaburo Oē Mar 1966 | ||||||||||
Box 1078 | Unidentified sepia print, woman and boy | ||||||||||
Box 1078 | Porter, Rusty Loane 1972 - long letter about experience of working at Grove | ||||||||||
Box 1079 | Radcliffe College lecture 1960-1961 | ||||||||||
Box 1079 | Ranghuty, Sofia 1955-1958 | ||||||||||
Box 1079 | Remer, Phil and Sara 1956 | ||||||||||
Box 1079 | Rosset, Hannelore "Loly" (wife) 1966, 1974-1975 | ||||||||||
Box 1079 | Rosset, M.E. (father) | ||||||||||
Box 1079 | Seaver, Dick 1963, 1966 - majority are from Seaver to Rosset while Rosset was away traveling | ||||||||||
Box 1079 | Speaking engagements 1964-1969 | ||||||||||
Box 1079 | Travel, miscellaneous | ||||||||||
Box 1079 | Trinity College, Hartford 1962 - lecture notes | ||||||||||
Box 1079 | University of California, Berkeley 1961-1962 - "Berkeley paperback lecture"; includes essay, "The paperback in our contemporary culture" by Cyril O. Houle | ||||||||||
Box 1079 | University of California, Berkeley 1962 - "Popular Arts in American culture" lecture | ||||||||||
Box 1079 | University of California, Berkeley - "Speech apptmts." | ||||||||||
Box 1079 | University of California, Berkeley - "Speech material, misc." | ||||||||||
Box 1079 | University of Pennsylvania | ||||||||||
Box 1079 | Miscellaneous correspondence, A-Z | ||||||||||
Box 1079 | Miscellaneous correspondence, unidentified |
Books - Book files (by author) | |||||||||||
Abbott, Bruce | |||||||||||
Sign of the Scorpion | |||||||||||
Box 1 | Contract, Evergreen Book Club 1970 | ||||||||||
Box 1 | Production, Artwork | ||||||||||
Box 1 | Production, Camera copy (3 folders) | ||||||||||
Box 1 | Production, Manufacturing 1969-1970 - cloth | ||||||||||
Box 1 | Production, Manufacturing 1969-1970, 1981 - Venus edition; Eveline by Anon. mentioned in reprint order quantities | ||||||||||
Box 1 | Production, Setting copy | ||||||||||
Box 1 | Project file 1969 | ||||||||||
Abdel-Malek, Anouar | |||||||||||
Arab Political Thought | |||||||||||
Box 1 | Project file 1970 - correspondence, contract | ||||||||||
Abe, Kobo | |||||||||||
Friends | |||||||||||
Box 1 | Contract 1968 | ||||||||||
Box 1 | Correspondence, Author 1969 | ||||||||||
Box 1 | Correspondence, Translator 1967-1969 - Donald Keene | ||||||||||
Box 1 | Correspondence 1968-1970 | ||||||||||
Box 1 | Invoices 1969 | ||||||||||
Box 1 | Photographs, Authors | ||||||||||
Box 1 | Production, Manufacturing 1969, 1976 - includes photos, reprint | ||||||||||
Box 2 | Production, Plate proofs | ||||||||||
Box 2 | Publicity 1969-1970 - includes multiple copies of book jackets | ||||||||||
Box 2 | Royalties 1968-1970 - includes Donald Keene | ||||||||||
Abel, Lionel | |||||||||||
Absalom | |||||||||||
Box 2 | Rights and permissions 1962, 1971 | ||||||||||
Ableman, Paul | |||||||||||
The Mouth | |||||||||||
Box 2 | Correspondence 1970 - correspondence between Grove and The Running Man about publishing "The Mouth" by Ableman | ||||||||||
Green Julia | |||||||||||
Box 2 | Correspondence 1966, 1968 | ||||||||||
Box 2 | Contract 1966 | ||||||||||
Box 2 | Publicity 1966-1967 | ||||||||||
Box 2 | Royalties 1966-1970 | ||||||||||
Abrahamsen, David | |||||||||||
Who Are the Guilty? | |||||||||||
Box 2 | Correspondence, Author 1958-1959, 1961, 1963 | ||||||||||
Box 2 | Correspondence 1958, 1960-1961 | ||||||||||
Box 2 | Publicity 1959, 1962 - includes some in Italian | ||||||||||
Box 2 | Royalties 1958-1963 | ||||||||||
Abt, Lawrence and Leopold Bellak | |||||||||||
Projective Psychology | |||||||||||
Box 2 | Contract 1958-1959 | ||||||||||
Box 2 | Correspondence, Author 1958-1968, 1978, 1983 | ||||||||||
Box 2 | Correspondence 1959-1967, 1970, undated | ||||||||||
Box 2 | Photographs, Author | ||||||||||
Box 2 | Production, Manufacturing 1959 | ||||||||||
Box 2 | Reader's Subscription 1959-1961 | ||||||||||
Box 2 | Royalties 1959-1965 | ||||||||||
Box 2 | Royalties, Editorial Paidos 1965, 1967, 1969 | ||||||||||
Box 2 | Royalties, Longanesi and Co. 1960-1961, 1967-1969 | ||||||||||
Actibom (coloring books) | |||||||||||
Box 2 | Correspondence 1967 | ||||||||||
Acker, Kathy | |||||||||||
Blood and Guts in High School | |||||||||||
Box 2 | Production, Manuscript (3 folders) | ||||||||||
Adamov, Arthur | |||||||||||
Ping Pong | |||||||||||
Box 2 | Contract, copyright 1967-1968, 1987 - includes University Microfilms | ||||||||||
Box 2 | Correspondence, Author 1958-1959, 1961 | ||||||||||
Box 2 | Correspondence 1956-1963, 1969, undated - includes comments by Adamov on his plays; biographical sketch; except from speech given by Adamov at NYU shortly before play's premiere | ||||||||||
Box 2 | Photographs, Author | ||||||||||
Box 3 | Production, Camera copy (2 folders) | ||||||||||
Box 3 | Publicity 1955, 1959 | ||||||||||
Box 3 | Royalties, Editions Gallimard 1958-1969 | ||||||||||
Box 3 | Royalties, Richard Howard 1959-1968 | ||||||||||
Professor Taranne | |||||||||||
Box 3 | Correspondence 1968, 1970 | ||||||||||
Adema, Marcel | |||||||||||
Apollinaire | |||||||||||
Box 3 | Correspondence, Author 1954 | ||||||||||
Box 3 | Photographs, Author | ||||||||||
Box 3 | Production, Book cover | ||||||||||
Box 3 | Publicity, Clippings, reviews 1955-1956 | ||||||||||
Box 3 | Royalties, copyright, contract 1954-1959, 1969 | ||||||||||
Adler, Alfred | |||||||||||
Souvenirs Fresh and Rancid | |||||||||||
Box 3 | Correspondence, Author 1957 | ||||||||||
Box 3 | Production, Setting copy (2 folders) | ||||||||||
Adler, Arthur | |||||||||||
Box 3 | [unidentified manuscript, partial] | ||||||||||
Adler, Kurt and Deutsch, Danica | |||||||||||
Essays in Individual Psychology | |||||||||||
Box 3 | Correspondence 1958-1960, 1962, 1967, 1970-1971, 1983, 1987 - includes copyright, University Microfilms copyright | ||||||||||
Box 3 | Production, Manufacturing 1959 | ||||||||||
Box 3 | Publicity | ||||||||||
Box 3 | Royalties, copyright, contract, Individual Psychology Association 1958-1968 | ||||||||||
Agnew, Spiro | |||||||||||
The Wisdom of Spiro T. Agnew | |||||||||||
Box 3 | Correspondence 1970 | ||||||||||
Albee, Edward | |||||||||||
Who's Afraid of Virginia Woolf? | |||||||||||
Box 3 | Correspondence, Author 1959, 1962 | ||||||||||
Alberti, Robert E. | |||||||||||
Assertive Black, Puzzled White | |||||||||||
Box 3 | Correspondence, 1981 | ||||||||||
Alexandre, Marianne | |||||||||||
Viva Che! | |||||||||||
Box 4 | Contract 1963 | ||||||||||
Box 4 | Correspondence 1968 | ||||||||||
Box 4 | Production, Page proofs - uncorrected | ||||||||||
Allen, Ann and Ed [Peggy and Miles] | |||||||||||
Together Sex | |||||||||||
Box 4 | Correspondence, Author 1975-1977 - includes outline/content description and bibliography | ||||||||||
Box 4 | Correspondence 1976-1977 | ||||||||||
Box 4 | Production, Correspondence 1976 | ||||||||||
Box 4 | Production, Manufacturing 1976 | ||||||||||
Box 4 | Production, Setting copy (3 folders) | ||||||||||
Box 4 | Publicity 1976-1977 | ||||||||||
Allen, Don | |||||||||||
Box 4 | Contracts 1960, 1962, 1964, 1970-1971 | ||||||||||
Box 4 | Correspondence, author 1959-1976 - includes letter from William Burroughs (3 May 1966); correspondence about Native American book (1969) (2 folders) | ||||||||||
Modern Tradition | |||||||||||
Box 4 | Contract 1960 | ||||||||||
Box 4 | Royalties 1960-1970 | ||||||||||
The New American Poetry 1945-1960 | |||||||||||
Box 5 | Contract 1958 | ||||||||||
Box 5 | Correspondence 1959-1972 - Lawrence; Barral, Carlos; Trocchi, Alexander; Beckett; Murphy; Ionesco; Allen: Walt Whitman; Woolf; H.D. | ||||||||||
Box 5 | Production, Book Cover | ||||||||||
Box 5 | Production, Camera copy 1960 - corrections | ||||||||||
Box 5 | Production, Cover artwork and proof | ||||||||||
Box 5 | Production, Manufacturing 1960 - estimate | ||||||||||
Box 5 | Production, Manufacturing 1978 | ||||||||||
Box 5 | Production, Repros - master set (2 folders) | ||||||||||
Box 5 | Production, Repros - pp. i-381 (2 folders) | ||||||||||
Box 6 | Production, Repros - pp. 382-454 | ||||||||||
Box 6 | Production, Working copy | ||||||||||
Box 6 | Publicity 1960-1963, 1965-1966, 1969-1970 (2 folders) | ||||||||||
Box 6 | Reader's Subscription contract 1960 | ||||||||||
Box 6 | Royalties 1958-1969 - includes some for Ionesco's Four Plays (translator) | ||||||||||
New Poems I | |||||||||||
Box 6 | Contract 1962 | ||||||||||
Box 6 | Correspondence 1962 | ||||||||||
Box 6 | Royalties, Don Allen 1962-1971 | ||||||||||
West Coast | |||||||||||
Box 6 | Royalties 1960-1971 | ||||||||||
Allen, Don and Butterick, George | |||||||||||
The Postmoderns: The New American Poetry Revised | |||||||||||
Box 6 | Project file | ||||||||||
Box 6 | Production, Page proofs - pp. 1-334 (2 folders) | ||||||||||
Box 7 | Production, Page proofs - pp. 335-446 | ||||||||||
Allen, Don and Creeley, Robert | |||||||||||
New American Story | |||||||||||
Box 7 | Contract 1967 | ||||||||||
Box 7 | Project file 1965-1966, 1968, 1970 | ||||||||||
Box 7 | Publicity 1965-1966 - includes publicity photo of Creeley | ||||||||||
Box 7 | Royalties, Don Allen 1965-1966 | ||||||||||
Allen, Don and Senghor, Leopold Sedat | |||||||||||
French Negro Poetry Anthology | |||||||||||
Box 7 | Contract, advance 1959, 1960, 1962 | ||||||||||
Box 7 | Proposal | ||||||||||
Allen, Don and Southgate, Patsy | |||||||||||
[untitled [poetry anthology] | |||||||||||
Box 7 | Contracts 1970 | ||||||||||
Allen, Don and Tallman, Warren | |||||||||||
Poetics of the New American Poetry | |||||||||||
Box 7 | Correspondence, Author 1974 - regarding royalties | ||||||||||
Box 7 | Production, Manufacturing 1973-1974 | ||||||||||
Box 7 | Production, Setting copy (3 folders) | ||||||||||
Box 8 | Production, Setting copy (2 folders) | ||||||||||
Box 8 | Project file 1973-1974 - Gil Sorrentino and Warren Tallman | ||||||||||
Box 8 | Publicity 1973-1975 | ||||||||||
Allen, Gay Wilson | |||||||||||
Box 8 | Correspondence, author 1958-1965 | ||||||||||
The Solitary Singer: A Critical Biography of Walt Whitman | |||||||||||
Box 8 | Correspondence 1958 | ||||||||||
Box 8 | Publicity, Clippings 1959 | ||||||||||
Box 8 | Royalties, Macmillan 1958-1965 | ||||||||||
Walt Whitman | |||||||||||
Box 8 | Contract 1958 | ||||||||||
Box 8 | Correspondence 1958-1962, 1967, 1969 - Cocteau; Columbus; Gimpel; Hus; Caron; Hutin; Baudelaire; Pernoud; Clausse; Facy; Virginia Woolf; Lenin; Napoleon | ||||||||||
Box 8 | Production, Manufacturing 1959-1960 | ||||||||||
Box 8 | Publicity 1959 | ||||||||||
Box 8 | Royalties 1959-1967 | ||||||||||
Box 8 | Royalties, New York University Press (E-161) 1958-1963 | ||||||||||
Box 8 | Royalties, Rowohlt 1960-1961 | ||||||||||
Alloway, Lawrence | |||||||||||
An American Gallery | |||||||||||
Box 8 | Contract 1962 | ||||||||||
Box 8 | Correspondence, Author 1960, 1962-1964 | ||||||||||
Box 8 | Photographs, Author | ||||||||||
Box 8 | Royalties 1960, 1963 | ||||||||||
Alpert, Buzz | |||||||||||
Skokie | |||||||||||
Box 8 | Correspondence, Author 1979-1981 | ||||||||||
Alphonso-Karkala, John B. | |||||||||||
Anthology of Indian Drama | |||||||||||
Box 8 | Correspondence, Author 1969-1970 | ||||||||||
Altman, Jack and Marvin Ziporyn | |||||||||||
Born to Raise Hell: The Untold Story of Richard Speck | |||||||||||
See also Guttmacher, Manfred : The Mind of the Murderer, which appears to be related. | |||||||||||
Box 8 | Contract 1967 | ||||||||||
Box 8 | Correspondence 1967-1969, 1971-1973 - Sadopaideia; Nichols; Jefferis; Fille de Joie; Larner; Tefferteller; Burroughs; Selby; Trocchi | ||||||||||
Box 8 | Correspondence, Author 1967-1968 | ||||||||||
Box 8 | Photographs, Author 1967 - includes biographical sketches | ||||||||||
Box 9 | Production, Camera copy 1968 (2 folders) | ||||||||||
Box 9 | Production, Manufacturing 1967 - includes book cover | ||||||||||
Box 9 | Publicity 1967-1968 - "Stones and Texts for Nothing"; Ginsberg, M; Salas; Craveri; Reynolds | ||||||||||
Box 9 | Publicity, Clippings 1967-1968 (3 folders) | ||||||||||
Box 9 | Royalties, Evergreen Book Club (GP-450) 1968-1969 | ||||||||||
Alvarez, Julia | |||||||||||
Homecoming | |||||||||||
Box 9 | Correspondence, Author 1984 | ||||||||||
Box 9 | Production, Galleys | ||||||||||
Box 10 | Production, Manufacturing 1984 | ||||||||||
Box 10 | Production, Manuscript, original | ||||||||||
Box 10 | Production, Page proofs | ||||||||||
Alvarez de Toledo, Isabel | |||||||||||
The Strike | |||||||||||
Box 10 | Contracts 1968-1969 | ||||||||||
Box 10 | Correspondence, Author 1970-1971 | ||||||||||
Box 10 | Correspondence 1967-1971 | ||||||||||
Box 10 | Production, Manufacturing 1970 | ||||||||||
Box 10 | Production, Plate proofs (2 folders) | ||||||||||
Box 10 | Production, Plate proof repros (2 folders) | ||||||||||
Box 11 | Production, Setting copy 1970 (3 folders) | ||||||||||
American Indian (Profile Book) | |||||||||||
Box 11 | Correspondence 1960-1961 | ||||||||||
Amiel, Barbara | |||||||||||
See Jonas, George and Amiel, Barbara : By Persons Unknown | |||||||||||
Ammar, Hamed | |||||||||||
Growing Up in an Egyptian Village | |||||||||||
Box 11 | Publicity, Clippings 1954-1956, 1958 | ||||||||||
Ancelot-Hustache, Jeanne | |||||||||||
Goethe | |||||||||||
Box 11 | Correspondence and notes 1959, 1966 | ||||||||||
Box 11 | Royalties, Borchardt 1962-1965 | ||||||||||
Anderberg, Bengt | |||||||||||
Love 1 and Love 2: Erotic Tales (Karlek) | |||||||||||
See also Holm, Sven : Love 2: Erotic Tales from Denmark. | |||||||||||
Box 11 | Contract, Bengt Forsberg Forlag 1966-1967 | ||||||||||
Box 11 | Correspondence, Author 1966 | ||||||||||
Box 11 | Correspondence 1966-1973 - Holm | ||||||||||
Box 12 | Production, Manufacturing 1968-1970 (2 folders) | ||||||||||
Oversize 14 | Production, Mechanicals - photographs | ||||||||||
Box 11 | Production, Plate proofs for Love 1 (2 folders) | ||||||||||
Box 12 | Production, Plate proofs for Love 2 (2 folders) | ||||||||||
Box 12 | Production, Setting copy for Love 1 (2 folders) | ||||||||||
Box 12 | Publicity 1970 | ||||||||||
Anderson, Chester | |||||||||||
One Night's Play of Fox and Hare | |||||||||||
Box 12 | Contract 1967-1968 | ||||||||||
Box 12 | Correspondence, Author 1968 | ||||||||||
Box 12 | Correspondence 1966-1970 - Selby | ||||||||||
Box 12 | Royalties, contract, James Seligman Inc. 1967-1971 | ||||||||||
Anderson, Hans Christian and Schreiter, Rick | |||||||||||
Great Claus, Little Claus | |||||||||||
Box 12 | Contracts 1968 - includes proposal to publish | ||||||||||
Box 12 | Correspondence 1968-1970 - Kolakowski; Vian "Heartsnatcher"; Berne; Roy; Selby | ||||||||||
Box 12 | Correspondence, Illustrator 1968-1970 | ||||||||||
Box 12 | Production, Layout | ||||||||||
Box 12 | Production, Manufacturing 1968 - includes book covers | ||||||||||
Box 13 | Publicity 1968-1969 | ||||||||||
Box 13 | Royalties, copyright, contract 1968-1971 | ||||||||||
Anderson, Joseph and Richie, Donald | |||||||||||
The Japanese Film: Art and Industry | |||||||||||
Box 13 | Correspondence 1960-1961, 1964, 1967, 1969 - Evergreen Review; Rosset | ||||||||||
Box 13 | Correspondence, Author 1960, 1969 | ||||||||||
Box 13 | Photographs, Author | ||||||||||
Box 13 | Production, Manufacturing 1960 | ||||||||||
Box 13 | Publicity 1959-1966 | ||||||||||
Box 13 | Royalties, Charles E. Tuttle 1960-1970 | ||||||||||
Anderson, Lindsey and Sherwin, David | |||||||||||
O Lucky Man! | |||||||||||
Box 13 | Correspondence 1973-1975 - Lucas; Stoppard; Ivory; Truffaut; "Blue Marie" | ||||||||||
Box 13 | Production, Manufacturing 1973 | ||||||||||
Box 13 | Publicity 1973-1974 | ||||||||||
Anderson, Sherwood | |||||||||||
A Story Teller's Story | |||||||||||
Box 13 | Correspondence 1957-1962 | ||||||||||
Box 13 | Correspondence, Author's wife 1957-1959, 1961 | ||||||||||
Box 13 | Production, Manufacturing 1957-1958, 1960 - Reik | ||||||||||
Box 13 | Publicity 1958-1960, 1920s - includes photocopies of articles from 1920s | ||||||||||
Box 13 | Royalties, contract, Eleanor Anderson; Harold Ober Associates (GP-147, E-109) 1957-1962 | ||||||||||
Andrews, Ernest | |||||||||||
There's No Place Like Home | |||||||||||
Box 13 | Correspondence, Author 1968-1970 - also includes some internal correspondence | ||||||||||
Andrews, George and Vinkenoog, Simon | |||||||||||
The Book of Grass | |||||||||||
Box 13 | Contract 1967 | ||||||||||
Box 13 | Correspondence 1966-1969, 1972 - "Writers in Revolt"; Coe; John Noone; Mishima; Bob Friedman | ||||||||||
Box 13 | Correspondence, Authors 1967-1969 | ||||||||||
Box 13 | Production, Camera copy (2 folders) | ||||||||||
Box 13 | Production, Manufacturing 1967-1968 - includes book cover; Genet; Coe; "Eimi" | ||||||||||
Box 14 | Publicity 1967 | ||||||||||
Box 14 | Royalties, Howard Moorepark (B-166) 1968-1970 - Black Cat | ||||||||||
Box 14 | Royalties, Howard Moorepark (GP-423) 1967-1970 - cloth | ||||||||||
Box 14 | Royalties, Evergreen Book Club (GP-423) 1968-1969 | ||||||||||
Andrian, Marayat Rollet | |||||||||||
See Arsan, Emmanuelle (pseudonym). | |||||||||||
Andric, Ivo | |||||||||||
Devil's Yard | |||||||||||
Box 14 | Correspondence 1961-1963 - Johnson, Uwe; Lalic; Finzgar; Marinkovic; copyright info | ||||||||||
Box 14 | Photographs, Author circa 1961 | ||||||||||
Box 14 | Production, Manufacturing 1962 | ||||||||||
Box 14 | Production, Translation - miscellaneous pages | ||||||||||
Box 14 | Publicity 1962 | ||||||||||
Box 14 | Royalties, copyright, contract, Jugoslovenska Autorska Agencija 1962-1968, 1990 | ||||||||||
Andrzejewski, Stanislaw | |||||||||||
Military Organization and Society | |||||||||||
Box 14 | Publicity 1954-1955 - clippings | ||||||||||
Angelica | |||||||||||
The Convent | |||||||||||
Box 14 | Production, Manufacturing 1971 | ||||||||||
Box 14 | Project file 1971 | ||||||||||
Anonymous | |||||||||||
The Abduction of Edith Martin | |||||||||||
Box 14 | Production, Manufacturing 1972 | ||||||||||
The Adventures of Julian Robinson | |||||||||||
Box 14 | Production, Book cover | ||||||||||
The Altar of Venus | |||||||||||
Box 14 | Production, Book cover | ||||||||||
Box 14 | Production, Setting copy (2 folders) | ||||||||||
Aphrodizzia | |||||||||||
Box 14 | Production, Galleys 1st set May 1984 (2 folders) | ||||||||||
Box 14 | Production, Galleys 2d set Jul 1984 (2 folders) | ||||||||||
Box 14 | Production, Setting copy (2 folders) | ||||||||||
Arabella: The Pursuit of Desire | |||||||||||
Box 15 | Production, Manuscript (2 folders) | ||||||||||
Box 15 | Production, Setting copy 1983 - also mentions "Laura" and "Romance of Lust" (4 folders) | ||||||||||
Astrid Cane | |||||||||||
Box 15 | Production, Setting copy (2 folders) | ||||||||||
Augustus and Lady Maud | |||||||||||
Box 15 | Production, Manuscript (2 folders) | ||||||||||
Beatrice | |||||||||||
Box 15 | Production, Setting copy (2 folders) | ||||||||||
The Beautiful Flagellants of New York | |||||||||||
See Drailys, Lord. | |||||||||||
Birch in the Boudoir | |||||||||||
Box 15 | Production, Setting copy (2 folders) | ||||||||||
The Boudoir | |||||||||||
Box 16 | Production, Camera copy (2 folders) | ||||||||||
Box 16 | Production, Manufacturing 1970, 1980 | ||||||||||
Box 16 | Production, Manufacturing 1971 - cloth edition | ||||||||||
Box 16 | Production, Plate proofs (2 folders) | ||||||||||
Box 16 | Production, Setting copy (2 folders) | ||||||||||
Caroline | |||||||||||
Box 16 | Copyright | ||||||||||
Box 16 | Production, Manuscript (2 folders) | ||||||||||
The Charming Shop Girls | |||||||||||
Box 16 | Project file 1969 - includes Ch. 1 | ||||||||||
Chrysanthemum, Rose and the Samurai | |||||||||||
Box 16 | Production, Book cover | ||||||||||
Clara Birch | |||||||||||
Box 16 | Production, Manuscript (2 folders) | ||||||||||
Confession & Experiences | |||||||||||
Box 16 | Production, Manufacturing | ||||||||||
Davina | |||||||||||
Box 17 | Production, Setting copy (2 folders) | ||||||||||
The Days at Florville | |||||||||||
Box 17 | Production, Correspondence and notes 1983 - some regarding corrections, includes mention of Arabella | ||||||||||
Box 17 | Production, Galleys - computer printouts (2 folders) | ||||||||||
Box 17 | Production, Manuscript (2 folders) | ||||||||||
Ding Dong Diary | |||||||||||
Box 17 | Production, Setting copy (4 folders) | ||||||||||
Edith's Strange Desire | |||||||||||
Box 17 | Contract 1970 - Evergreen Book Club | ||||||||||
Box 17 | Production, Manufacturing 1969-1970 (2 folders) | ||||||||||
Elizabeth | |||||||||||
Box 18 | Production, Computer printouts 1984 (3 folders) | ||||||||||
Box 18 | Production, Manuscript (2 folders) | ||||||||||
Emily | |||||||||||
Box 18 | Production, Manuscript (2 folders) | ||||||||||
Eveline | |||||||||||
Box 18 | Production, Manufacturing 1981 | ||||||||||
Eveline II | |||||||||||
Box 18 | Production, Proofs (2 folders) | ||||||||||
Box 18 | Production, Setting copy | ||||||||||
Experiences of a Country Girl | |||||||||||
Box 18 | Production, Manufacturing 1970-1971 - Ullerstam; Mundinger; Kupferberg, Tuli | ||||||||||
Box 19 | Production, Setting copy 1971 (2 folders) | ||||||||||
Fille de Joie | |||||||||||
See also Lee, Marshall : Fille de Joie; it is uncleat why material was filed in two different places | |||||||||||
Box 19 | Project file 1968-1969, 1977, 1983 - includes | ||||||||||
Forbidden Fruit | |||||||||||
Box 19 | Production, Camera copy | ||||||||||
Box 19 | Production, Manufacturing 1970-1971 - "Yvonne" | ||||||||||
Frank and I | |||||||||||
Box 19 | Contract 1968 | ||||||||||
Box 19 | Production, Camera copy (2 folders) | ||||||||||
Box 19 | Production, Manufacturing 1968-1970, 1980 | ||||||||||
Box 19 | Production, Manufacturing 1968-1969 - Zebra edition, includes book cover | ||||||||||
Box 19 | Production, Setting copy (3 folders) | ||||||||||
Box 20 | Publicity 1968 - "The Pearl" | ||||||||||
Box 20 | Royalties, Evergreen Book Club (GP-521) 1968-1970 | ||||||||||
Box 20 | Royalties, Karl Ludwig (Z-1033) 1968 - Zebra edition | ||||||||||
Box 20 | Royalties, Karl Ludwig (GP-521) 1968-1970 | ||||||||||
The Gardens of the Night | |||||||||||
Box 20 | Copyright | ||||||||||
Box 20 | Production, Manuscript - photocopy (3 folders) | ||||||||||
Box 20 | Production, Setting copy circa 1985 - computer printouts (2 folders) | ||||||||||
Green Girls | |||||||||||
Box 20 | Production, Manufacturing 1970-1971 - Goldfisher; "Voluptuary"; "Gynecocracy" | ||||||||||
Box 20 | Production, Manufacturing 1971 - cloth edition | ||||||||||
Box 20 | Production, Mechanicals | ||||||||||
Box 20 | Production, Photocopy and title page artwork | ||||||||||
Box 20 | Production, Setting copy (2 folders) | ||||||||||
Gynecocracy | |||||||||||
Box 21 | Production, Camera copy (7 folders) | ||||||||||
Box 21 | Production, Manufacturing 1970-1971 | ||||||||||
Box 21 | Production, Manufacturing 1971 - cloth edition | ||||||||||
Box 21 | Production, Setting copy (2 folders) | ||||||||||
Box 22 | Production, Setting copy (3 folders) | ||||||||||
Harriet Marwood, Governess | |||||||||||
Box 22 | Contract, advance 1970 - Gala Verlag | ||||||||||
Box 22 | Production, Book cover | ||||||||||
Box 22 | Production, Camera copy - cloth edition | ||||||||||
Box 22 | Production, Camera copy - cloth edition; marked | ||||||||||
Box 22 | Production, Camera copy - Zebra edition (2 folders) | ||||||||||
Box 22 | Production, Manufacturing 1967 - artwork | ||||||||||
Box 22 | Production, Manufacturing 1968, 1970-1972 | ||||||||||
Box 23 | Production, Page proofs (3 folders) | ||||||||||
Box 23 | Publicity 1967-1968 | ||||||||||
Box 23 | Rights and permissions 1968 | ||||||||||
Box 23 | Royalties, Alexander Gans (De Arbeiderspers) (GP-382) 1969 | ||||||||||
Box 23 | Royalties, copyright, Allen Wilson (GP-382) 1965-1970 | ||||||||||
Box 23 | Royalties, Allen Wilson (Z-1025) 1968-1970 | ||||||||||
Box 23 | Royalties, Charles Skilton Ltd. (GP-382) 1969 | ||||||||||
Box 23 | Royalties, Dais (GP-382) 1969 | ||||||||||
Box 23 | Royalties, Evergreen Book Club (GP-382) 1968-1970 - Allen Wilson; cloth edition | ||||||||||
Box 23 | Royalties, Evergreen Book Club (Z-1025) 1969-1970 - Allen Wilson; Zebra edition | ||||||||||
Hic et Hec | |||||||||||
Box 23 | Contract, Evergreen Book Club 1968 | ||||||||||
Box 23 | Production, Manufacturing 1967 | ||||||||||
Box 23 | Production, Setting copy | ||||||||||
Box 23 | Project file 1968-1970 | ||||||||||
The Horn Book | |||||||||||
Box 23 | Correspondence 1965 - 1 letter from Felix Morrow of University Books | ||||||||||
Box 23 | Production, Manufacturing 1971 | ||||||||||
Instrument of Pleasure | |||||||||||
See Piano, Celeste : Instrument of Pleasure. | |||||||||||
Jenny | |||||||||||
Box 23 | Production, Manuscript (2 folders) | ||||||||||
Box 23 | Production, Galleys (3 folders) | ||||||||||
John Krugge: The Autobiography of an Old Man in Search of an Orgasm | |||||||||||
Box 24 | Production, Manufacturing 1969 - also mentions Altar of Venus, Five Men | ||||||||||
Box 24 | Production, Setting copy (2 folders) | ||||||||||
Joy and Joan | |||||||||||
Box 24 | Production, Book cover | ||||||||||
Julie | |||||||||||
Box 24 | Production, Correspondence 1984 - Mamet | ||||||||||
Box 24 | Production, Front matter, copyedited | ||||||||||
Box 24 | Production, Manuscript (2 folders) | ||||||||||
Box 24 | Production, Galleys - computer printouts (5 folders) | ||||||||||
Katherine | |||||||||||
Box 25 | Production, Book cover | ||||||||||
Lady Beth | |||||||||||
Box 25 | Production, Correspondence 1984 | ||||||||||
Box 25 | Production, Galleys, set A - computer printouts (2 folders) | ||||||||||
Box 25 | Production, Galleys, set B - computer printouts (2 folders) | ||||||||||
Box 25 | Production, Galleys, author's corrections 1984 (3 folders) | ||||||||||
Box 25 | Production, Manuscript (2 folders) | ||||||||||
Laura | |||||||||||
Box 26 | Production, Corrections 1984 | ||||||||||
Box 16 | Production, Correspondence 1983-1984 - "Arabella" | ||||||||||
Box 26 | Production, Galleys - photocopy of computer printouts (2 folders) | ||||||||||
Box 26 | Production, Manuscript - revised (2 folders) | ||||||||||
Les Petites Employees | |||||||||||
Box 26 | Production, Manufacturing | ||||||||||
Box 26 | Production, Setting copy | ||||||||||
Loves of a Musical Student | |||||||||||
Box 26 | Correspondence 1969 - Kronhausens | ||||||||||
Box 26 | Production, Camera copy (2 folders) | ||||||||||
Box 26 | Production, Manufacturing 1968-1969 (2 folders) | ||||||||||
Box 26 | Production, Setting copy (3 folders) | ||||||||||
Box 27 | Project file circa 1968-1969 | ||||||||||
Box 27 | Publicity 1969 | ||||||||||
Box 27 | Royalties, Evergreen Book Club (GP-572) 1969 | ||||||||||
Box 27 | Royalties, Kronhausen (GP-572) 1967, 1969-1970 - cloth edition; includes other Kronhausen books "Miss High Heels," "Suburban Souls," and Venus School" | ||||||||||
Box 27 | Royalties, Kronhausen (Z-1039) 1969 - Zebra edition | ||||||||||
The Lustful Turk | |||||||||||
Box 27 | Book cover and clipping 1968 | ||||||||||
A Man with a Maid | |||||||||||
Box 27 | Contract, Evergreen Book Club 1968 | ||||||||||
Box 27 | Copyright 1969 | ||||||||||
Box 27 | Corrrespondence 1968 | ||||||||||
Box 27 | Production, Book cover - Book IV | ||||||||||
Box 27 | Production, Camera copy - Book 2 | ||||||||||
Box 27 | Production, Manufacturing 1977-1978, 1980 | ||||||||||
Box 27 | Production, Manufacturing 1979-1980 - Book II | ||||||||||
Box 27 | Production, Manuscript - Book III, ch. 10-17 | ||||||||||
Box 27 | Production, Setting copy (3 folders) | ||||||||||
Box 27 | Publicity 1968 | ||||||||||
Box 27 | Royalties, Franz J. Horch (Gummerus) (GP-514) 1969 | ||||||||||
Box 27 | Royalties, Productions de La Seine (Lapautie)(GP-514) 1970-1971 | ||||||||||
Memoirs of Count Alexis | |||||||||||
Box 27 | Production, Manufacturing 1971-1972 | ||||||||||
Memoirs of a Voluptuary | |||||||||||
Box 27 | Production, Book cover - Zebra edition | ||||||||||
Box 27 | Production, Manufacturing 1970-1971 | ||||||||||
Box 28 | Production, Manufacturing 1971 | ||||||||||
Miriam | |||||||||||
Box 28 | Copyright | ||||||||||
Box 28 | Production, Manuscript (2 folders) | ||||||||||
Miss High Heels | |||||||||||
Box 28 | Contract, Evergreen Book Club 1969 | ||||||||||
Box 28 | Correspondence 1967-1969 - Kronhausens; mentions other Kronhausen books "Musical Student," "Suburban Souls," and "Venus School Mistress" | ||||||||||
Box 28 | Production, Manufacturing 1969 - GP-573 | ||||||||||
Box 28 | Production, Manufacturing 1969 - Zebra edition; P.L. | ||||||||||
Box 28 | Production, Manufacturing 1968-1970 | ||||||||||
Box 28 | Production, Shot copy - Front Matter - Chapter 6 (2 folders) | ||||||||||
Box 28 | Production, Working copy (3 folders) | ||||||||||
Box 28 | Publicity 1969 | ||||||||||
Miss Martin | |||||||||||
Box 28 | Production, Manuscript (2 folders) | ||||||||||
Mitzi & Fritzi | |||||||||||
Box 29 | Production, Manufacturing 1972 | ||||||||||
Modern Eveline | |||||||||||
Box 1109 | Microfilm version (1 reel) | ||||||||||
Box 29 | Production, Manufacturing 1970-1972 (3 folders) | ||||||||||
Box 29 | Production, Setting copy - marked-up private edition, printed in Paris | ||||||||||
Mona | |||||||||||
Box 29 | Production, Manufacturing 1971 | ||||||||||
Mother's Three Daughters | |||||||||||
See Louys, Pierre : Mother's Three Daughters. | |||||||||||
Mr. Fontaine's Establishment | |||||||||||
Box 29 | Project file 1969 | ||||||||||
Box 29 | Production, Manufacturing 1968-1969 (2 folders) | ||||||||||
Box 29 | Production, Setting copy (2 folders) | ||||||||||
Muriel | |||||||||||
Box 29 | Production, Author's proofs 1985 | ||||||||||
Box 30 | Production, Galleys (3 folders) | ||||||||||
Muriel, Juliet and Cecil Prendergast | |||||||||||
Box 30 | Production, Book cover | ||||||||||
My Secret Life | |||||||||||
Box 30 | Contract, Gala Verlag/Dell 1967 | ||||||||||
Box 30 | Contract, Michelle LaPautre 1966, 1968-1969 | ||||||||||
Box 30 | Contract, Mid-Century Book Society 1966 | ||||||||||
Box 30 | Contract, OY Weilan and Goss (Roslyn Targ) 1971 | ||||||||||
Box 30 | Correspondence, Basic Books 1965-1967 | ||||||||||
Box 30 | Correspondence, Gala Verlag 1966-1969, 1972 | ||||||||||
Box 30 | Correspondence, G. Legman 1966-1967 | ||||||||||
Box 30 | Correspondence, General 1965-1970, 1974 - J. Calder, Jack Harris Enterprises, letter from Theodore Bober suggesting the book to Grove | ||||||||||
Box 1109 | Microfilm version - labels are in German (8 reels) | ||||||||||
Box 30 | Production, Galleys - Front matter; Vol. 1-2 Index copy (2 folders) | ||||||||||
Box 31 | Production, Galleys - Vol. 3-9, Index copy (7 folders) | ||||||||||
Box 32 | Production, Galleys - Vol. 10-11 Index copy (2 folders) | ||||||||||
Box 32 | Production, Layouts and notes; half title pages | ||||||||||
Box 32 | Production, Manufacturing 1966, 1976-1978 | ||||||||||
Box 32 | Production, Manuscript - publisher's preface | ||||||||||
Box 32 | Production, Master repro - front matter through Vol. V (6 folders) | ||||||||||
Box 33 | Production, Master repro - Vol. VI-XI (6 folders) | ||||||||||
Box 33 | Production, Page proofs - preface, Vol. I and II (4 folders) | ||||||||||
Box 34 | Production, Page proofs - Vol. II, IV, VI-XI (7 folders) | ||||||||||
Box 34 | Production, Proofs - front matter, Vol. II (3 folders) | ||||||||||
Box 35 | Production, Proofs - Vol. III-IX (7 folders) | ||||||||||
Box 36 | Production, Proofs - Vol. X-XI (2 folders) | ||||||||||
Box 36 | Production, Proofs, 2d set - front matter through Vol. XI (6 folders) | ||||||||||
Box 36 | Production, Proofs - "Volume 1 read by Hattie" | ||||||||||
Box 37 | Production, Proofs, master set - Vol. I-VII (7 folders) | ||||||||||
Box 38 | Production, Proofs, master set - Vol. VIII-XI (4 folders) | ||||||||||
Box 38 | Production, Proofs, 1st revision - Vol. I-II, IV-VI (5 folders) | ||||||||||
Box 39 | Production, Proofs, 1st revision - Vol. VII-XI (5 folders) | ||||||||||
Box 39 | Production, Proofs, 2d revision - miscellaneous pages | ||||||||||
Box 39 | Production, Repros - Vol. II, III, IV, VI, VII (5 folders) | ||||||||||
Box 40 | Production, Repros - Vol. VIII-XI (4 folders) | ||||||||||
Box 40 | Production, Setting copy - introduction (2 folders) | ||||||||||
Box 40 | Production, Working copy - introduction to index; index to Vol. I-IV (2 folders) | ||||||||||
Box 41 | Production, Working copy - index to Vol. V-XI (2 folders) | ||||||||||
Box 41 | Production, Working copy - Vol. I edited; Vol. III edited; miscellaneous pages (3 folders) | ||||||||||
Box 41 | Publicity 1966-1967 - includes one folder "good reviews" (4 folders) | ||||||||||
Box 42 | Rights and permissions 1967, 1970, 1972 - include Jack Harris Enterprises and mention of their film version | ||||||||||
Box 42 | Royalties, Evergreen Book Club (GB-4) 1966-1969 - cloth | ||||||||||
Box 42 | Royalties, Evergreen Book Club (B-127) 1970 - paperback | ||||||||||
Box 42 | Royalties, Gala Verlag (B-6218) [?] 1967-1970 | ||||||||||
New Ladies' Tickler | |||||||||||
Box 42 | Production, Book cover | ||||||||||
Box 42 | Production, Manufacturing 1970 - Venus edition | ||||||||||
Box 42 | Production, Manufacturing 1971 - X-1028 | ||||||||||
Box 42 | Production, Plate proofs - and title page layout (2 folders) | ||||||||||
Box 42 | Production, Setting copy | ||||||||||
The New Epicurean and Adventures of a School Boy | |||||||||||
Box 42 | Production, Setting copy (2 folders) | ||||||||||
Box 42 | Project file 1969 | ||||||||||
Box 42 | Royalties, Evergreen Book Club (GP-527) 1969 | ||||||||||
Box 42 | Royalties, Kronhausens (GP-527) 1967-1969 | ||||||||||
Box 42 | Royalties, Societe d'Etudes Financieres (Z-1044) 1969-1970 | ||||||||||
Nights of the Rajah | |||||||||||
Box 42 | Production, Galleys 1984 | ||||||||||
Box 42 | Production, Manuscript - chapters 1-7 | ||||||||||
Box 43 | Production, Manuscript - chapters 8-14 | ||||||||||
Orgies Princieres | |||||||||||
Box 43 | Correspondence, reader's report 1968-1969 - Howard Nelson, Rothenborg | ||||||||||
The Oxford Professer Returns - includes "Passionate Pedant" and "Torrid Tales" | |||||||||||
Box 43 | Production, Manufacturing 1971 | ||||||||||
An Oxford Thesis on Love | |||||||||||
Box 43 | Production, Manufacturing 1971 | ||||||||||
Box 43 | Production, Setting copy (2 folders) | ||||||||||
The Pearl | |||||||||||
Box 43 | Copyright 1968 | ||||||||||
Box 43 | Correspondence 1967-1969 - "Animals Make Love"; "Softness Round the Hole"; Schutz; "Erotic Minorities" | ||||||||||
Box 43 | Production, Manufacturing 1969, 1977-1978 | ||||||||||
Box 43 | Production, Setting copy 1967 (4 folders) | ||||||||||
Box 44 | Publicity 1968-1969 - includes proof of large ad for "A Man With a Maid" referencing The Pearl | ||||||||||
Box 44 | Publicity, Clippings 1968 | ||||||||||
Box 44 | Rights and permissions 1972, 1983 | ||||||||||
Box 44 | Royalties, Alexander Gans / Triton Press (B-155) 1968 | ||||||||||
Box 44 | Royalties, contract, Franz J. Horch / Futami Shobo Ltd. (B-155) 1968-1969 | ||||||||||
Pleasure Bound | |||||||||||
Box 44 | Correspondence, Bengt Forsberg 1968, 1970-1972 | ||||||||||
Box 44 | Photographs - includes correspondence with Bengt Forsberg (2 folders) | ||||||||||
Box 44 | Production, Book cover | ||||||||||
Box 44 | Production, Manufacturing 1969-1970 (3 folders) | ||||||||||
Box 44 | Production, Manufacturing 1970 - Venus edition | ||||||||||
Box 44 | Production, Page proofs - Afloat | ||||||||||
Box 44 | Production, Page proofs - Maudie, 2nd repros | ||||||||||
Box 44 | Production, Plate proofs - Afloat (3 folders) | ||||||||||
Box 45 | Production, Plate proofs - Afloat (2 folders) | ||||||||||
Box 45 | Production, Plate proofs - Ashore (4 folders) | ||||||||||
Box 45 | Production, Plate proofs - Maudie (2 folders) | ||||||||||
Box 45 | Production, Plate proofs - miscellaneous pages | ||||||||||
Box 45 | Production, Proofs (2 folders) | ||||||||||
Box 45 | Production, Setting copy - marked-up paperback copy of Z-1056 (2 folders) | ||||||||||
Box 46 | Production, Setting copy - Afloat | ||||||||||
Box 46 | Production, Setting copy - Ashore | ||||||||||
Box 46 | Production, Setting copy - Maudie | ||||||||||
Box 46 | Publicity, Clippings circa 1969, 1970 | ||||||||||
Box 46 | Royalties, Evergreen Book Club (Societe d'Etudes Financieres) (X-1007) 1970 | ||||||||||
Box 47 | Royalties, Societe d'Etudes Financieres, Kronhausens (Z-1056) 1970 | ||||||||||
The Pleasures of Cruelty: Being A Sequel to the Reading of Justine et Juliette by the Marquis de Sade | |||||||||||
Box 46 | Project file | ||||||||||
The Power of Mesmerism and Laura Middleton | |||||||||||
Box 46 | Production, Manufacturing 1969 (2 folders) | ||||||||||
Box 46 | Production, Setting copy (4 folders) | ||||||||||
Box 46 | Reader's report 1969 | ||||||||||
Box 46 | Royalties, Evergreen Book Club (X-1011) 1970 | ||||||||||
Box 46 | Royalties, Societe d'Etudes Financieres (Z-1040) 1967, 1969-1970 | ||||||||||
Romance of Lust | |||||||||||
Box 46 | Contract 1967-1968 | ||||||||||
Box 47 | Production, Camera copy (2 folders) | ||||||||||
Box 47 | Production, Manufacturing 1978-1980 - includes book cover | ||||||||||
Box 47 | Production, Proofs - unbound signatures (3 folders) | ||||||||||
Box 47 | Production, Setting copy (4 folders) | ||||||||||
Box 48 | Publicity 1969 | ||||||||||
Box 48 | Royalties, Evergreen Book Club (Leonhardt) 1969-1970 | ||||||||||
Box 48 | Royalties, Leonhardt 1968-1970 | ||||||||||
Sadopaideia | |||||||||||
Box 48 | Contract, Agence Hoffman 1969-1970 | ||||||||||
Box 48 | Correspondence 1967-1969 | ||||||||||
Box 48 | Production, Manufacturing 1967-1968, 1970 | ||||||||||
Box 48 | Production, Setting copy (2 folders) | ||||||||||
Box 48 | Publicity 1968 | ||||||||||
Box 48 | Royalties, Evergreen Book Club (GP-421) 1968 | ||||||||||
Sandra and Alex and Daphnis and Leonie | |||||||||||
Box 48 | Production, Manufacturing 1971 | ||||||||||
School Days in Paris / Lovely Nights of Young Girls | |||||||||||
Box 48 | Production, Blue lines (2 folders) | ||||||||||
Box 48 | Production, Camera copy - pp. 1-185 (2 folders) | ||||||||||
Box 49 | Production, Camera copy - pp. 186-485 | ||||||||||
Box 49 | Production, Galleys (2 folders) | ||||||||||
Box 49 | Production, Manufacturing 1969-1971 - Venus edition | ||||||||||
Box 49 | Production, Manufacturing 1970 | ||||||||||
Box 49 | Production, Setting copy | ||||||||||
Box 49 | Royalties, Evergreen Book Club (X-1013) 1970 | ||||||||||
Box 49 | Royalties, Kronhausens 1969 - letter only, no payment records | ||||||||||
Box 49 | Royalties, Societe d'Etudes Financieres (X-1013) 1967, 1969-1970 | ||||||||||
Box 49 | Royalties, Societe d'Etudes Financieres (V-1011?) 1970 - Venus edition | ||||||||||
Shogun's Agents | |||||||||||
Box 49 | Production, Book cover | ||||||||||
The Shuttered Houses of Paris | |||||||||||
Box 49 | Production, Manufacturing 1971 - "The Disappearance"; "The Graduate Mistress"; "Harriet Marwood", "Governess"; | ||||||||||
The Story of Seven Maidens | |||||||||||
Box 49 | Production, Manufacturing 1971-1972 - Hoffman; fees for cover photos for Seduction, Sex Devices, Cicily Martin, Deportment and Discipline of a Young Man | ||||||||||
Suburban Souls | |||||||||||
Box 49 | Correspondence 1967-1969 - includes Kronhausens | ||||||||||
Box 49 | Production, Camera copy (2 folders) | ||||||||||
Box 50 | Production, Manufacturing 1968 (3 folders) | ||||||||||
Box 50 | Production, Manufacturing 1968-1971, 1978-1979 - includes book cover; "Juliette"; "Loves a Musical Student"; "Romance of Lust" | ||||||||||
Box 50 | Production, Setting copy (3 folders) | ||||||||||
Box 50 | Publicity 1968-1969 - Harris; Barker; "Romance of Lust" | ||||||||||
Box 50 | Royalties, Kronhausens (GP-500) 1967-1969 | ||||||||||
Box 50 | Royalties, Kronhausens, Evergreen Book Club (GP-500) 1968-1969 | ||||||||||
Box 50 | Royalties, Kronhausens (Z-1032) 1968-1969 | ||||||||||
Box 50 | Royalties, Societe d'Etudes Financieres (GP-500) 1967-1970 | ||||||||||
Box 50 | Royalties, Societe d'Etudes Financieres, Evergreen Book Club (Z-1032) 1969-1970 - | ||||||||||
Swedish Passions | |||||||||||
Box 51 | Production, Page proofs | ||||||||||
Box 51 | Production, Page proofs - master set | ||||||||||
Box 52 | Production, Setting copy | ||||||||||
Tableaux Vivants | |||||||||||
Box 51 | Correspondence, Edward Gorey 1969 | ||||||||||
Box 51 | Correspondence, Jacques Bertholon 1969-1970 - includes Bertholon agreements and contracts for use of Vadasz drawings | ||||||||||
Box 51 | Production, Manufacturing 1969 | ||||||||||
Box 51 | Production, Manufacturing 1969-1970 - "Pleasure Bound"; "School Life"; "Edith's Strange"; "Man with a Maid" (2 folders) | ||||||||||
Box 51 | Production, Manufacturing 1969-1970 - Zebra edition | ||||||||||
Box 51 | Production, Setting copy | ||||||||||
Box 51 | Royalties, Societe d'Etudes Financieres, Evergreen Book Club (X-1015) 1970 - | ||||||||||
Box 51 | Royalties, Societe d'Etudes Financieres (X-1015) 1970 | ||||||||||
Tomboy Revelations of a Girl's Reformatory | |||||||||||
Box 52 | Production, Book cover | ||||||||||
The Town Bull | |||||||||||
Box 52 | Production, Manufacturing 1971 | ||||||||||
Venus in the Country | |||||||||||
Box 52 | Production, Setting copy (2 folders) | ||||||||||
Venus School Mistress | |||||||||||
Box 52 | Production, Manufacturing - Black Cat edition book covers | ||||||||||
Box 52 | Production, Manufacturing 1968-1969 - cloth edition | ||||||||||
Box 52 | Production, Manufacturing 1917, 1968-1969 - Zebra edition; includes original 1917 cover which apparently doubled as an envelope (2 folders) | ||||||||||
Box 52 | Production, Setting copy | ||||||||||
Box 52 | Publicity 1969 | ||||||||||
Box 52 | Royalties, Evergreen Book Club (GP-550) 1968-1969 - cloth edition | ||||||||||
Box 52 | Royalties, Evergreen Book Club (Z-1027) 1969-1970 - Zebra edition | ||||||||||
Box 52 | Royalties, Kronhausens (GP-550) 1968-1969 - cloth edition | ||||||||||
Box 52 | Royalties, Kronhausens (Z-1027) 1968-1970 - Zebra edition | ||||||||||
Venus in Tight Trousers | |||||||||||
Box 52 | Production, Setting copy | ||||||||||
Victorian Imagination | |||||||||||
Box 52 | Production, Setting copy (2 folders) | ||||||||||
Whipped Women | |||||||||||
See Villiot, Jean de. | |||||||||||
Wide Open | |||||||||||
Box 53 | Production, Manufacturing 1971 | ||||||||||
Woman and Her Master | |||||||||||
Box 53 | Production, Proofs - miscellaneous pages | ||||||||||
Yvonne - author given on cover as "Mary Suckit" | |||||||||||
Box 53 | Production, Manufacturing 1970-1971 - cloth edition | ||||||||||
Box 53 | Production, Manufacturing 1970-1971 - Venus edition | ||||||||||
Anslow, David | |||||||||||
Chronicle | |||||||||||
Box 53 | Correspondence, contract, Franklin Gurley 1968 | ||||||||||
Antonielli, Sergio | |||||||||||
Il Venerabile Orango [The Venerable Orangutan] | |||||||||||
Box 53 | Correspondence 1963 | ||||||||||
Antonioni, Michelangelo | |||||||||||
Box 53 | Correspondence, Author 1961-1962, 1968-1969 - includes contract, discussion of Zabriskie Point | ||||||||||
L'Avventura | |||||||||||
Box 53 | Correspondence 1961-1964, 1967-1969 - Ebin; "Days and the Mind"; La Guerre; Godard; Hutchins; Truffaut; Evergreen Review; Rosset; Zabriskie Point | ||||||||||
Box 53 | Production, Galleys - 1st reader's proof | ||||||||||
Box 53 | Production, Manufacturing | ||||||||||
Box 53 | Production, Manuscript and notes (3 folders) | ||||||||||
Box 53 | Production, Manuscript (2 folders) | ||||||||||
Box 53 | Production, Manuscript - "But Eros is sick" and miscellaneous pages | ||||||||||
Box 53 | Production, Manuscript notes and dialogue | ||||||||||
Box 54 | Production, Mechanicals (2 folders) | ||||||||||
Box 54 | Production, Page proofs, revised - photocopy, incomplete | ||||||||||
Box 54 | Production, Plate proofs - incomplete | ||||||||||
Box 54 | Production, Proofs, unidentified - photocopy of annotated pages | ||||||||||
Box 54 | Production, Setting copy (2 folders) | ||||||||||
Box 54 | Production, Working copy | ||||||||||
Box 55 | Production, Working copy | ||||||||||
Box 55 | Production, Miscellaneous - one page with corrections; random notes | ||||||||||
Box 1111 | Production, Miscellaneous - correspondence, mostly with Orion Press; "The Adventure of l'Avventura" by Tommaso Chiaretti; photographs, internal notes, some pages of typescript; etc. (4 folders) | ||||||||||
Box 55 | Publicity 1960-1963, 1967, 1969 | ||||||||||
Box 55 | Royalties, Orion Press (B-194) 1969 | ||||||||||
Box 55 | Royalties, Robert Hughes (B-194) 1969 | ||||||||||
Box 55 | Royalties, Robert P. Mills (B-194) 1969-1970 | ||||||||||
The Passenger | |||||||||||
Box 55 | Contracts 1975-1976 | ||||||||||
Box 55 | Correspondence 1975 | ||||||||||
Box 55 | Production, Manufacturing 1975 (2 folders) | ||||||||||
Box 55 | Production, Setting copy | ||||||||||
Box 55 | Publicity 1975-1977 | ||||||||||
Screenplays | |||||||||||
Box 55 | Proposal | ||||||||||
Box 55 | Publicity 1963-1965 | ||||||||||
Box 55 | Royalties, Orion Press 1964-1968 | ||||||||||
Box 55 | Royalties, Robert Hughes 1968 | ||||||||||
Appolinaire, Guillame | |||||||||||
Memoirs of a Young Rakehell & The Debauched Hospodar | |||||||||||
Box 55 | Production, Manufacturing 1969-1971 | ||||||||||
Box 55 | Production, Plate proofs - repros | ||||||||||
Box 56 | Production, Proofs - master set | ||||||||||
Box 56 | Production, Setting copy | ||||||||||
Aptheker, Herbert | |||||||||||
Box 56 | Correspondence, Author 1968, 1973 | ||||||||||
American Negro Slave Revolts | |||||||||||
Box 56 | Project file 1968-1969 | ||||||||||
Nat Turner's Slave Rebellion | |||||||||||
Box 56 | Contract 1968 | ||||||||||
Box 56 | Correspondence 1968 | ||||||||||
Box 56 | Production, Camera copy | ||||||||||
Box 56 | Production, Manufacturing 1968 | ||||||||||
Box 56 | Production, Mechanicals (2 folders) | ||||||||||
Box 56 | Publicity 1968 | ||||||||||
Box 57 | Royalties, Humanities Press (B-161) 1968-1970 | ||||||||||
Aragon, Louis | |||||||||||
See Routisie, Albert de [pseudonym]. | |||||||||||
Aragon, Louis M. and Maurois, Andre | |||||||||||
Parallel History of the U.S.A. and U.S.S.R. | |||||||||||
Box 56 | Correspondence, Authors 1959-1960 | ||||||||||
Box 57 | Background information 1960 | ||||||||||
Box 57 | Correspondence 1959-1961 | ||||||||||
Box 57 | Correspondence regarding Interviews 1960 (2 folders) | ||||||||||
Box 57 | Prospectus for original French edition by Messrs. Jaspard, Polus & Cie. - fine printing on heavy paper (2 copies) | ||||||||||
Box 57 | Publicity | ||||||||||
Box 58 | Royalties, contract, Weidenfield 1959-1960, 1963 | ||||||||||
Arbasino, Alberto | |||||||||||
Box 57 | Biographical information and photos 1963 | ||||||||||
Box 57 | Correspondence, author 1966 | ||||||||||
Fratelli d'Italia [Brothers of Italy] | |||||||||||
Box 57 | Contract 1963 | ||||||||||
Box 57 | Correspondence, Translator 1963-1966 - Arthur A. Coppotelli | ||||||||||
Box 57 | Production, Manuscript, translation (2 folders) | ||||||||||
Box 57 | Production, Translation corrections 1965 | ||||||||||
Box 57 | Project file 1963-1965, 1969 - readers' reports, clippings from Italian press | ||||||||||
Box 57 | Royalties, Sanford Greenburger / Giangiacomo Feltrinelli 1963-1971 | ||||||||||
L'Anonimo Lombardo [The Anonymous Lombardo] | |||||||||||
Box 58 | Project file 1961 - Testori | ||||||||||
The Lost Boy | |||||||||||
Box 58 | Project file 1964 | ||||||||||
Archard, Merry | |||||||||||
Cook For Your Kids! | |||||||||||
Box 58 | Correspondence 1974-1976 | ||||||||||
Box 58 | Production, Manufacturing 1975 | ||||||||||
Box 58 | Production, Setting copy | ||||||||||
Box 58 | Publicity 1975-1977 | ||||||||||
Archer, William (W.G.) | |||||||||||
The Blue Grove | |||||||||||
Box 58 | Production, Book cover | ||||||||||
Box 58 | Project file 1952-1953 - includes mention of another Archer book, The Dove and the Leopard | ||||||||||
Box 58 | Publicity 1953-1954 | ||||||||||
Hill of Flutes | |||||||||||
Box 58 | Correspondence 1973 | ||||||||||
The Loves of Krishna | |||||||||||
Box 58 | Correspondence 1957-1959, 1963-1964 - mostly with MacMillan | ||||||||||
Box 58 | Production, Proofs - 2 sets (3 folders) | ||||||||||
Box 58 | Production, Proofs - illustration plates only | ||||||||||
Arden, John | |||||||||||
Box 58 | Contracts 1964, 1966 | ||||||||||
Box 58 | Correspondence, Author 1967 | ||||||||||
Box 58 | Correspondence, general 1966, 1969, 1972 - includes discussion of doing a volume of his criticism | ||||||||||
Box 58 | Photographs, Author | ||||||||||
Armstrong's Last Goodnight | |||||||||||
Box 58 | Correspondence 1965, 1967-1969 | ||||||||||
Box 58 | Production, Manufacturing 1967 - estimate only | ||||||||||
Box 58 | Publicity 1967-1968 | ||||||||||
Box 58 | Royalties, Milwheel Productions (E-449) 1968-1969 | ||||||||||
The Business of Good Government: A Christmas Play | |||||||||||
Box 58 | Correspondence 1966-1967, 1969, 1971 - includes copyright renewal | ||||||||||
Box 58 | Publicity 1967 | ||||||||||
Box 58 | Royalties (E-412) 1966-1969 | ||||||||||
John Arden Plays: One | |||||||||||
Box 58 | Production, Manufacturing 1978 | ||||||||||
Left-Handed Liberty | |||||||||||
Box 59 | Correspondence 1966, 1969-1970 | ||||||||||
Box 59 | Publicity 1966-1968 | ||||||||||
Box 59 | Royalties (E-404) 1966-1970 | ||||||||||
Serjeant Musgrave's Dance | |||||||||||
Box 59 | Correspondence 1960-1962, 1966-1969 | ||||||||||
Box 59 | Production, Manufacturing 1961 - includes numerous contact sheets of photographs | ||||||||||
Box 59 | Production, Setting copy | ||||||||||
Box 59 | Publicity 1962, 1965-1966, 1968, 1970 | ||||||||||
Box 59 | Royalties (E-312) 1961-1970 | ||||||||||
Three Plays (The Waters of Babylon, Live Like Pigs, The Happy Haven) | |||||||||||
Box 59 | Correspondence 1961-1969, 1973 | ||||||||||
Box 59 | Publicity 1965-1966 | ||||||||||
Box 59 | Royalties (BC-109) 1964-1969 | ||||||||||
Workhouse Donkey | |||||||||||
Box 59 | Contract 1964 | ||||||||||
Box 59 | Correspondence 1965, 1967, 1969 | ||||||||||
Box 59 | Publicity 1967 - includes letter from Henry Rago asking to use Arden's work along with books by Robbe-Grillet and Duras in his seminars | ||||||||||
Box 59 | Royalties (E-420) 1964-1970 - includes some correspondence | ||||||||||
Arendt, Hannah | |||||||||||
The Jew as Pariah | |||||||||||
Box 59 | Contract 1977 | ||||||||||
Box 59 | Production, Manufacturing 1978 | ||||||||||
Box 59 | Production, Setting copy (2 folders) | ||||||||||
Box 61 | Production, Setting copy - unmarked photocopy (2 folders) | ||||||||||
Aronson, James | |||||||||||
The Press and the Cold War | |||||||||||
Box 60 | Project file 1970-1971 | ||||||||||
Arrabal, Fernando | |||||||||||
Box 60 | Correspondence, Author 1959-1973 | ||||||||||
Box 60 | Correspondence, General 1958, 1960-1961, 1967, 1969 - includes brief discussion of Felicien Marceau | ||||||||||
Box 60 | Correspondence, about Arrabal's arrest 1967 - clippings, request for letters of support from Prix Formentor members, etc. | ||||||||||
Box 60 | Photographs, Author | ||||||||||
Un Amour Fou | |||||||||||
Box 60 | Reader's report 1967 | ||||||||||
And They Put Handcuffs on the Flowers | |||||||||||
Box 60 | Correspondence 1972-1974 - Jim Denton, regarding edits; mention of Beckett, Bloom, Ionesco | ||||||||||
Box 60 | Photographs and publicity 1972 | ||||||||||
Box 60 | Production, Manufacturing 1973-1974 | ||||||||||
The Architect and the Emperor of Assyria | |||||||||||
Box 60 | Contract 1962, 1966 | ||||||||||
Box 60 | Correspondence 1966-1969 | ||||||||||
Box 60 | Production, Manufacturing 1967-1969, 1981 | ||||||||||
Box 60 | Production, Manuscript - photocopy | ||||||||||
Box 60 | Production, Photos and captions | ||||||||||
Box 60 | Production, Setting copy (2 folders) | ||||||||||
Box 61 | Publicity 1967-1970, 1976 - includes clippings from French press | ||||||||||
Box 61 | Royalties, Christian Bourgois (E-486) 1967-1970 | ||||||||||
The Automobile Graveyard | |||||||||||
Box 61 | Contract, copyright 1958, 1960 | ||||||||||
Box 61 | Correspondence 1961, 1965, 1968, 1972 | ||||||||||
Box 61 | Production, Camera copy | ||||||||||
Box 61 | Production, Manufacturing 1959-1961 - includes numerous "This is a signed and limited edition..." pages, signed by Arrabal | ||||||||||
Box 61 | Production, Plate proof repros | ||||||||||
Box 61 | Publicity 1961 | ||||||||||
Box 61 | Royalties, Rene Julliard (E-198?) 1958-1968 | ||||||||||
Baal Babylon | |||||||||||
Box 61 | Contract, copyright 1959, 1961 | ||||||||||
Box 61 | Correspondence 1958-1963, 1967 | ||||||||||
Box 61 | Production, Manufacturing 1960 | ||||||||||
Box 61 | Publicity 1960-1961 | ||||||||||
Box 61 | Royalties, Rene Julliard (E-297) 1959-1968 | ||||||||||
L'Enterrement de la Sardine | |||||||||||
Box 61 | Contract 1962 | ||||||||||
Box 61 | Project file 1961-1962 | ||||||||||
Box 61 | Royalties, contract, Rene Julliard 1962-1964 | ||||||||||
Garden of Delights | |||||||||||
Box 61 | Contract 1972 | ||||||||||
Box 61 | Correspondence 1972-1976 | ||||||||||
Box 61 | Production, Manufacturing 1973-1974 | ||||||||||
Box 61 | Production, Setting copy | ||||||||||
Box 62 | Publicity 1972, 1974, 1982 | ||||||||||
Guernica and Other Plays | |||||||||||
Box 62 | Contract 1969 | ||||||||||
Box 62 | Correspondence 1968-1969 | ||||||||||
Box 62 | Production, Camera copy | ||||||||||
Box 62 | Production, Manufacturing 1969, 1977-1978 | ||||||||||
Box 62 | Publicity 1969-1970 | ||||||||||
Box 62 | Royalties, Borchardt (E-521) 1969-1970 | ||||||||||
Orison | |||||||||||
Box 62 | Correspondence 1958 | ||||||||||
Picnic on the Battlefield | |||||||||||
Box 62 | Rights and permissions 1962, 1965-1970 - Evergreen Review | ||||||||||
Theatre | |||||||||||
Box 62 | Correspondence 1958 | ||||||||||
Theatre VI | |||||||||||
Box 62 | Project file 1969-1970 - includes reference to "Theatre VIII" | ||||||||||
Arsan, Emmanuelle [Andriane, Mayarat Rollet] | |||||||||||
Box 62 | Correspondence, Author 1968-1971, 1975 - includes photocopy of typed essay on erotic art, apparently by Arsan, entitled "Pistils or stamens: The promise of a gala occasion" | ||||||||||
Box 62 | Correspondence, Kronhausens 1968 - regarding disputes with author | ||||||||||
Box 1112 | Photographs - unidentified film stills (2 folders) | ||||||||||
Emmanuelle | |||||||||||
Box 62 | Contract 1967, 1968, 1974 | ||||||||||
Box 62 | Correspondence 1967-1976 (2 folders) | ||||||||||
Box 62 | Production, Manufacturing 1969-1971 - cloth edition | ||||||||||
Box 62 | Production, Manufacturing 1971 - Zebra edition | ||||||||||
Box 62 | Production, Manufacturing 1974-1976 - Dell edition | ||||||||||
Box 62 | Production, Manufacturing 1978-1980 - Black Cat edition | ||||||||||
Box 62 | Production, Manuscript - translation, ch. 1-3 | ||||||||||
Box 63 | Production, Manuscript - translation, ch. 4-6 (2 folders) | ||||||||||
Box 63 | Production, Setting copy (3 folders) | ||||||||||
Box 63 | Publicity 1971, 1974-1975 - includes Dell and film publicity | ||||||||||
Box 63 | Publicity, Clippings 1967-1970 - foreign newspapers | ||||||||||
Box 63 | Royalties, Opera Mundi (GP-601) 1968-1971 | ||||||||||
Box 63 | Royalties, Ronald Konecky 1968-1970 | ||||||||||
Box 63 | Sales 1974 - Dell film tie-in edition | ||||||||||
Emmanuelle (film) | |||||||||||
Box 64 | Film scenario circa 1976 - in English and French (2 folders) | ||||||||||
Box 64 | Film stills - negatives | ||||||||||
Box 64 | Project file 1974-1976 - includes Emmanuelle I and II; tour dates for Sylvia Kristel, star of both | ||||||||||
Box 64 | Publicity 1974-1975 | ||||||||||
Emmanuelle II | |||||||||||
Box 64 | Production, Manufacturing 1974-1975, 1978, 1980 | ||||||||||
Box 64 | Production, Setting copy (3 folders) | ||||||||||
Box 66 | Project file 1968, 1972-1976 - mostly correspondence | ||||||||||
Box 65 | Publicity 1974-1975 | ||||||||||
Emmanuelle III | |||||||||||
Box 65 | Correspondence, reader's report 1969, 1974 - includes discussion of Hanns Ewers | ||||||||||
Box 65 | Production, Manufacturing 1980 | ||||||||||
Box 65 | Production, Miscellaneous - paperback copy of Terrain Vague edition | ||||||||||
Les Enfants d'Emmanuelle | |||||||||||
Box 65 | Project file 1975-1976 | ||||||||||
Epitre a Paul VI | |||||||||||
Box 65 | Correspondence, reader's report 1969 | ||||||||||
L'Hypothese d'Eros | |||||||||||
Box 65 | Project file 1974-1975 - mostly correspondence with Filipacchi | ||||||||||
Larua | |||||||||||
Box 65 | Project file 1975-1976 - includes correspndence, stills from movie | ||||||||||
Mai Noir et Rouge á Paris | |||||||||||
Box 65 | Project files 1968 - includes note, typescript in French | ||||||||||
Raison Grecque | |||||||||||
Box 66 | Manuscript, partial 1968 | ||||||||||
Art in America | |||||||||||
Box 65 | Project file 1958-1959 - correspondence; transparency catalog from Color Separations Co., Inc | ||||||||||
Artaud, Antonin | |||||||||||
Box 65 | Correspondence, general 1961, 1967-1968 - Heliogabalus, Conquest of Mexico, flier about theatre workshop | ||||||||||
The Cenci | |||||||||||
Box 65 | Contract 1967 | ||||||||||
Box 65 | Correspondence, Translator 1966-1969 | ||||||||||
Box 65 | Correspondence, general 1965-1969 | ||||||||||
Box 65 | Production, Manufacturing 1969 | ||||||||||
Box 65 | Production, Repros (2 folders) | ||||||||||
Box 65 | Production, Setting copy | ||||||||||
Box 65 | Project file 1965-1969 - copy of Calder and Boyars edition w/o covers; drafts of jacket blurbs, publicity | ||||||||||
Box 65 | Royalties, Clowes (E-532) 1968-1970 - Simon Watson Taylor | ||||||||||
Box 65 | Royalties, Georges Borchardt (Gallimard) (E-532) 1967-1970 | ||||||||||
Oeuvres Completes | |||||||||||
Box 65 | Project file 1962, 1964 - sample translations | ||||||||||
The Theater and Its Double | |||||||||||
Box 65 | Correspondence, Translator 1957-1958, 1960 - includes rejection of Richards' article submitted to Evergreen Review | ||||||||||
Box 65 | Correspondence, general 1956-1958 | ||||||||||
Box 65 | Production, Manufacturing 1976-1978 - reprint | ||||||||||
Box 66 | Production, Proofs (2 folders) | ||||||||||
Box 66 | Publicity 1956 | ||||||||||
Box 66 | Rights and permissions 1958, 1961, 1964-1971, 1974 | ||||||||||
Box 66 | Royalties, Librairie Gallimard (E-127) 1956, 1958-1970 | ||||||||||
Box 66 | Royalties, copyright, M.C. Richards (E-127) 1958-1970 | ||||||||||
Ashbery, John | |||||||||||
The Heroes | |||||||||||
Box 66 | Rights and permissions 1971 - Samuel French | ||||||||||
Ashton, Dore | |||||||||||
Box 66 | Correspondence, Author 1960-1962, 1970 | ||||||||||
Philip Guston | |||||||||||
Box 66 | Correspondence, Philip Guston 1959-1960 | ||||||||||
Box 66 | Copyright 1961, 1969 | ||||||||||
Box 66 | Production, Manufacturing - color transparencies; cover, front matter, galleys, proofs (2 folders) | ||||||||||
Box 66 | Rights and permissions 1959-1960 | ||||||||||
Box 66 | Royalties (E-196) 1959-1969 | ||||||||||
Tworkov | |||||||||||
Box 66 | Contract 1960 | ||||||||||
Box 66 | Photographs, negatives | ||||||||||
Box 66 | Project file 1960-1962 | ||||||||||
Ashworth, William | |||||||||||
The Genesis of Modern British Town Planning | |||||||||||
Box 66 | Publicity 1954-1955 | ||||||||||
Assa, Janine | |||||||||||
Great Roman Ladies | |||||||||||
Box 66 | Project file 1959-1960 | ||||||||||
Box 66 | Publicity 1960-1961 | ||||||||||
Box 66 | Rights and permissions 1964 | ||||||||||
Box 66 | Royalties, Borchardt 1962-1965 | ||||||||||
[Astronomy series] | |||||||||||
See Jones, Harold Spencer (editor). | |||||||||||
Atkins, John | |||||||||||
Sex in Literature | |||||||||||
Box 67 | Contract 1971 | ||||||||||
Box 67 | Correspondence 1967, 1970-1973 - includes discussion about "Sex in Literature II" | ||||||||||
Box 67 | Photographs, Author | ||||||||||
Box 67 | Royalties, Calder and Boyars Ltd. 1975 | ||||||||||
Aury, Dominique | |||||||||||
Literary Landfalls | |||||||||||
Box 67 | Correspondence 1958-1962, 1967-1969 | ||||||||||
Box 67 | Production, Repros - multiple sets (4 folders) | ||||||||||
Box 67 | Royalties, Clairouin (E-268) 1959-1970 | ||||||||||
L'Avant-Scène | |||||||||||
See also Films : Correspondence-Subject files : L'Avant-Scène. | |||||||||||
[Film album series] - Eisenstein, Renoir, Fellini, Wells, etc. | |||||||||||
Box 67 | Contracts 1969 | ||||||||||
Box 67 | Correspondence 1969-1971, 1974 - most with Jacques Charrier of L'Avant-Scène, much in French | ||||||||||
Box 67 | Production, Manufacturing 1970-1972 - Renoir, Eisenstein | ||||||||||
Box 67 | Project file 1970-1971 - copies of original French booklets, lists of directors/films, partial galleys for Godard volume, etc. | ||||||||||
Oversize 29 | Slides, "Jean Renoir: Films 1924-1929" - set of numbered and labeled black-and-white slides in red book-style box, stamped in gold with title and "Grove Press, New York" (120 slides) | ||||||||||
Oversize 29 | Slides, "S.M. Eisenstein: Complete Works" - set of numbered and labeled black-and-white slides in dark blue book-style box, stamped in gold with title and "Grove Press, New York" (120 slides) | ||||||||||
Axel, Gabriel | |||||||||||
Box 67 | Correspondence, Author 1969-1971 | ||||||||||
Danish Blue | |||||||||||
Box 67 | Contract 1969 | ||||||||||
Box 67 | Correspondence 1969-1971 | ||||||||||
Box 67 | Film materials circa 1970 - foreign reviews, advertisement, script excerpt, etc. | ||||||||||
Box 67 | Production, Manufacturing 1970-1971 - Black Cat | ||||||||||
Box 68 | Production, Mechanicals - text only (2 folders) | ||||||||||
Box 68 | Production, Mechanicals - with photographs (3 folders) | ||||||||||
Box 68 | Production, Photographs (5 folders) | ||||||||||
Box 68 | Production, Negatives | ||||||||||
Box 68 | Production, Setting copy | ||||||||||
Box 68 | Royalties, Gabriel Axel (B-291) 1969-1971 | ||||||||||
Axinn, Donald | |||||||||||
Box 69 | Corrsepondence, Author 1981 | ||||||||||
The Hawk's Dream and Other Poems | |||||||||||
Box 69 | Production, Galleys | ||||||||||
Box 69 | Production, Setting copy (2 folders) | ||||||||||
Ayckbourn, Alan | |||||||||||
Absurd Person Singular, Absent Friends, Bedroom Farce: Three Plays | |||||||||||
Box 69 | Production, Manufacturing 1978 | ||||||||||
The Norman Conquests: Table Manners, Living Together, Round and Round the Garden. | |||||||||||
Box 69 | Production, Manufacturing 1978-1979 | ||||||||||
Ayden, Erje | |||||||||||
The Crazy Green of Second Avenue | |||||||||||
Box 69 | Correspondence 1968-1969 | ||||||||||
Box 69 | Royalties, Dais (Forum) (Z-1009) 1969 - includes copy of agreement for Italian rights | ||||||||||
Box 69 | Royalties, Melzer Verlag (Z-1009) 1968 - includes copy of agreement for German rights | ||||||||||
Ayers, Bradley | |||||||||||
Box 69 | Correspndence,. Author 1971 - mention of The Captain, Our Erotic Looking Glass; clippings; article "Hangup in the Sky" by Ayers | ||||||||||
Babcock, Dorothy and Terry Keepers | |||||||||||
Raising Kids O.K. | |||||||||||
Box 69 | Correspondence, Authors 1975-1979 | ||||||||||
Box 69 | Correspondence, general 1975-1977 | ||||||||||
Box 69 | Production, Artwork | ||||||||||
Box 69 | Production, Cover art - photocopies | ||||||||||
Box 69 | Production, Illustrations - photocopies | ||||||||||
Box 69 | Production, Manufacturing 1975-1976 | ||||||||||
Box 69 | Production, Manuscript - intro through ch. 12 (5 folders) | ||||||||||
Box 70 | Production, Manuscript - ch. 13, appendix, index (2 folders) | ||||||||||
Box 70 | Production, Proof - chapter 2 | ||||||||||
Box 70 | Publicity 1976 | ||||||||||
Bachmann, Gideon | |||||||||||
Box 70 | Correspondence, Author 1966-1967 - collection of interviews with directors (Godard, Fellini, etc.) | ||||||||||
Bachmann, Otto | |||||||||||
16 Lithographs | |||||||||||
Box 70 | Contract 1968 | ||||||||||
Box 70 | Production, Manufacturing | ||||||||||
Box 70 | Royalties, contract, Jorgon Rothenborg 1969-1971 | ||||||||||
Baker, Fred | |||||||||||
Events - book about the making of the film | |||||||||||
See also Films : Feature films : Events. | |||||||||||
Box 70 | Contract 1970-1971 | ||||||||||
Box 70 | Film Materials - Evergreen Review; press releases, film synopsis and frame stills | ||||||||||
Box 70 | Production, Manufacturing 1970-1971 | ||||||||||
Box 70 | Production, Manuscript | ||||||||||
Box 70 | Production, Photographs (5 folders) | ||||||||||
Box 71 | Production, Mechanicals - text only (3 folders) | ||||||||||
Box 71 | Production, Mechanicals - with photographs (3 folders) | ||||||||||
Box 71 | Publicity, Clippings 1970 | ||||||||||
Bakunin, Michael | |||||||||||
Selected Writings (part of Writings of the Left series) | |||||||||||
Box 71 | Correspondence 1973-1974 | ||||||||||
Box 71 | Production, Manufacturing 1973-1974 | ||||||||||
Box 71 | Production, Repros (4 folders) | ||||||||||
Box 71 | Publicity 1974-1976 | ||||||||||
Baldwin, Hanson | |||||||||||
World War I | |||||||||||
Box 71 | Contract 1960 - includes proposal to publish | ||||||||||
Box 71 | Correspondence, Author 1960-1963 - including some with his agent | ||||||||||
Box 71 | Correspondence, general 1960-1963, 1975 | ||||||||||
Box 71 | Production, Miscellaneous | ||||||||||
Box 71 | Publicity, Clippings 1962 | ||||||||||
Box 71 | Royalties (BC-47) | ||||||||||
Ball, David | |||||||||||
See Lion, Eugene and Ball, David (editors) : Guthrie New Theater, Volume 1. | |||||||||||
Ballard, J.G. | |||||||||||
Box 71 | Correspondence, Author 1972-1974 | ||||||||||
Love and Napalm | |||||||||||
Box 71 | Correspondence, Burroughs 1972 - relating to his preface | ||||||||||
Box 71 | Correspondence, general 1971-1976 | ||||||||||
Box 71 | Production, Manufacturing - includes book covers | ||||||||||
Box 71 | Publicity 1970-1972 - includes reviews of British edition published as "The Atrocity Exhibition" | ||||||||||
Balzac, Honore de | |||||||||||
Droll Stories | |||||||||||
Box 72 | Production, Manufacturing 1962 | ||||||||||
Box 72 | Royalties, Liveright (BD-20) 1962-1966 - includes copy of contract | ||||||||||
The Physiology of Marriage | |||||||||||
Box 72 | Correspondence 1962 | ||||||||||
Box 72 | Royalties, Liveright (BC-43) 1962-1965 | ||||||||||
Banks, J. A. | |||||||||||
Prosperity and Parenthood: A Study of Family Planning Among the Victorian Middle Classes | |||||||||||
Box 72 | Publicity 1955 | ||||||||||
Banks, Olive | |||||||||||
Parity and Prestige in English Secondary Education: A Study in Educational Sociology | |||||||||||
Box 72 | Publicity 1955-1956 | ||||||||||
Baraka, Imamu Amiri | |||||||||||
See Jones, LeRoi. | |||||||||||
Barash, David and Judith Lipton | |||||||||||
Stop Nuclear War! | |||||||||||
Box 72 | Production, Manuscript (6 folders) | ||||||||||
Box 72 | Production, Galleys (4 folders) | ||||||||||
Barbaud, Pierre | |||||||||||
Haydn | |||||||||||
Box 72 | Correspondence and reader's report 1960, 1964 | ||||||||||
Box 72 | Publicity | ||||||||||
Box 72 | Royalties, Borchardt 1962-1965 | ||||||||||
Barbu, Zevedi | |||||||||||
Box 73 | Correspondence, Author 1961-1962 | ||||||||||
Box 73 | Photographs, author 1960 | ||||||||||
Democracy and Dictatorship | |||||||||||
Box 73 | Correspondence 1955-1966 - mostly rights and permissions | ||||||||||
Box 73 | Production, Proofs 1964 | ||||||||||
Box 73 | Royalties, Routledge (E-31) 1956-1970 | ||||||||||
Problems of Historical Psychology | |||||||||||
Box 73 | Contract 1960 | ||||||||||
Box 73 | Correspondence 1959-1969, 1983 | ||||||||||
Box 73 | Production, Manufacturing 1960-1961 | ||||||||||
Box 73 | Royalties, Routledge (E-310) 1961-1970 | ||||||||||
Barclett, John | |||||||||||
The Captive | |||||||||||
Box 73 | Correspondence, Translators 1966-1970 - Paul Little and Edward Salter | ||||||||||
Box 73 | Production, Manufacturing 1971 | ||||||||||
Barea, Arturo | |||||||||||
Lorca, the poet and his people | |||||||||||
Box 73 | Correspondence 1958, 1960, 1963, 1969 | ||||||||||
Box 73 | Production, Manufacturing 1958-1960 | ||||||||||
Box 73 | Publicity | ||||||||||
Box 73 | Royalties, Harcourt (E-128, HB-149) 1958-1963, 1969 | ||||||||||
Barincou, Edmond | |||||||||||
Machiavelli | |||||||||||
Box 73 | Correspondence 1958-1964 - mention of Roy Basler's Lincoln; correspondence with translator Helen Lane | ||||||||||
Box 73 | Production, Manufacturing circa 1961 | ||||||||||
Box 73 | Royalties, Borchardt (P-23) 1962-1966 | ||||||||||
Barkas, Janet | |||||||||||
Meatless Cooking - Celebrity Style | |||||||||||
Box 73 | Correspondence, Author 1973-1977 | ||||||||||
Box 73 | Correspondence, general 1974-1976 | ||||||||||
Box 73 | Production, Manufacturing 1974 | ||||||||||
Box 73 | Production, Notes - notepad with handwritten notes | ||||||||||
Box 74 | Production, Proof (5 folders) | ||||||||||
Box 74 | Publicity, Author - correspondence with Barkas about publicity strategy; author photos; etc. | ||||||||||
Box 74 | Publicity 1974-1975 (4 folders) | ||||||||||
Barker, Wayne | |||||||||||
Brain Storms | |||||||||||
Box 74 | Contract 1967 | ||||||||||
Box 74 | Correspondence, Author 1966-1969 | ||||||||||
Box 74 | Correspondence, general 1966-1970 | ||||||||||
Box 74 | Photographs, Author 1968 | ||||||||||
Box 75 | Production, Manufacturing 1967-1968 | ||||||||||
Box 75 | Production, Shot copy - scattered pages, incomplete | ||||||||||
Box 75 | Production, Miscellaneous - contents, proof notes for chapters 1-4 | ||||||||||
Box 75 | Publicity 1968-1971 (2 folders) | ||||||||||
Box 75 | Royalties (E-509) 1967-1968 | ||||||||||
Barlow, Roger | |||||||||||
Box 75 | Correspondence, Author 1980-1982 | ||||||||||
The Diesel Car Book | |||||||||||
Box 75 | Correspondence 1982 | ||||||||||
Box 75 | Production, Galleys, corrected | ||||||||||
Box 75 | Production, Galleys, master set | ||||||||||
Box 75 | Production, Manufacturing 1981 - includes illustrations and photos | ||||||||||
Box 75 | Production, Manuscript 1981 - incomplete; road tests, other notes | ||||||||||
Box 76 | Production, Setting copy (2 folders) | ||||||||||
Box 76 | Publicity 1981-1982 | ||||||||||
Don't Die on the Highway | |||||||||||
Box 77 | Proposal - first chapter; outline | ||||||||||
Barnes, John | |||||||||||
Evita: First Lady | |||||||||||
Box 76 | Correspondence, Author 1980 | ||||||||||
See also Correspondence, Legal below. | |||||||||||
Box 76 | Correspondence, Legal 1980 - regarding similarities to Evita: The Woman with the Whip, by Mary Mains | ||||||||||
Box 76 | Correspondence, Reprint possibilities 1978-1979 - serialization, book clubs, etc. based on popularity of musical | ||||||||||
Box 76 | Correspondence, general 1978 | ||||||||||
Box 76 | Photographs | ||||||||||
Box 76 | Production, Manufacturing 1978-1980 | ||||||||||
Box 76 | Publicity 1978-1981 - includes some relating to musical based on the book (4 folders) | ||||||||||
Box 76 | Publicity, Correspondence 1978-1979 - letters from Grove to booksellers, reviewers, interviewers, etc. | ||||||||||
Barnes, Peter | |||||||||||
The Ruling Class | |||||||||||
Box 77 | Contract 1969 - includes negotation correspondence | ||||||||||
Box 77 | Correspondence 1969-1972 - includes John Lahr's evaluation of other Barnes plays | ||||||||||
Box 77 | Legal 1975, 1978 - Milton Rokeach v. Avco Embassy Pictures and Grove Press | ||||||||||
Box 78 | Production, Camera copy | ||||||||||
Box 77 | Production, Manufacturing 1970 | ||||||||||
Box 77 | Publicity 1969-1970 | ||||||||||
Box 77 | Royalties 1969-1970 | ||||||||||
Barnett, Clifford R. | |||||||||||
Poland: Its Peoples, Its Society, Its Culture | |||||||||||
Box 77 | Correspondence 1958-1960 | ||||||||||
Box 77 | Production, Manufacturing 1958 | ||||||||||
Box 77 | Publicity 1959-1960 | ||||||||||
Box 77 | Royalties (E-129) 1958-1961 | ||||||||||
Barnett, Eric | |||||||||||
The Art and Technique of Sex | |||||||||||
Box 77 | Correspondence, Author 1968-1969 - includes sample introduction, correspondence with Alex Comfort, M.D. | ||||||||||
Barral, Carlos | |||||||||||
Box 77 | Correspondence, Author 1960, 1970, 1973 - about his new publishing venture, Barral Editores, Juan Garcia, Hortelano, etc.; includes photograph | ||||||||||
Barrett, William | |||||||||||
What Is Existentialism? | |||||||||||
Box 77 | Correspondence, author 1960-1965 | ||||||||||
Box 77 | Correspondence, general 1963-1969 | ||||||||||
Box 77 | Royalties (GP-296, E-389) 1964-1971 - includes MOU with Franklin Book Programs for translation rights | ||||||||||
Box 77 | Publicity undated | ||||||||||
Barry, Julian | |||||||||||
Lenny - novelization of Barry's play about Lenny Bruce | |||||||||||
Box 77 | Contract, Harvey Hornwood 1974 | ||||||||||
Box 77 | Contract, United Artists 1971-1974 | ||||||||||
Box 77 | Correspondence 1971-1972 | ||||||||||
Box 77 | Legal 1976 - photocopy of complaint brought by Kitty Bruce and Lenny Bruce's estate | ||||||||||
Box 77 | Production, Galleys 1972 | ||||||||||
Box 77 | Production, Manufacturing 1971-1972 | ||||||||||
Box 78 | Production, Plate proof (2 folders) | ||||||||||
Box 78 | Production, Repros (2 folders) | ||||||||||
Box 78 | Publicity, Clippings 1971 | ||||||||||
Box 78 | Publicity, Stage production 1971 - includes photographs and playbill | ||||||||||
Barry, Tom et. al. | |||||||||||
The Other Side of Paradise | |||||||||||
Box 78 | Production, Manuscript (5 folders) | ||||||||||
Bartier, Pierre and Guy Peellaert | |||||||||||
The Adventures of Jodelle | |||||||||||
Box 78 | Contracts, copyright 1966-1968 - includes correspondence about various rights | ||||||||||
Box 78 | Correspondence 1966-1969 | ||||||||||
Box 79 | Production, Miscellaneous 1968 - includes a few large color proofs, notes, etc. | ||||||||||
Box 79 | Publicity 1968 | ||||||||||
Box 79 | Royalties (GP-397) 1966-1970 | ||||||||||
Bartlett, Eleanor [pseudonym of Neil Derrick] | |||||||||||
Sticky Fingers | |||||||||||
Box 79 | Contract 1967 | ||||||||||
Box 79 | Correspondence, Author 1967-1971, 1979 | ||||||||||
Box 79 | Correspondence, general 1967-1970 | ||||||||||
Box 79 | Production, Manufacturing 1969-1970 | ||||||||||
Box 79 | Production, Manuscript (3 folders) | ||||||||||
Box 79 | Production, Manuscript, revised (3 folders) | ||||||||||
Box 79 | Production, Shot copy - pp. 1-128 (2 folders) | ||||||||||
Box 80 | Production, Shot copy - pp. 128-191 | ||||||||||
Box 80 | Royalties (Z-1052) 1967-1970 | ||||||||||
Bartlett, Ruth | |||||||||||
See Matthiessen, Wilhelm and Bartlett, Ruth : Folk Tales. | |||||||||||
Basham, A.L. | |||||||||||
The Wonder That Was India | |||||||||||
Box 80 | Contract 1958 | ||||||||||
Box 80 | Correspondence 1960-1968, 1973-1977 | ||||||||||
Box 80 | Publicity, Clippings 1957-1968 | ||||||||||
Bashlow, Robert | |||||||||||
See Kupferberg, Tuli and Bashlow, Robert. | |||||||||||
Basler, Roy | |||||||||||
Box 80 | Correspondence, Author 1960-1963, 1969-1970 | ||||||||||
Box 80 | Photographs, Author | ||||||||||
The American Civil War | |||||||||||
Box 80 | Project file 1965 | ||||||||||
Box 80 | Royalties, contract 1961-1964 | ||||||||||
Lincoln | |||||||||||
Box 80 | Contract 1960 | ||||||||||
Box 80 | Correspondence 1960-1962, 1969-1970 | ||||||||||
Box 80 | Project file 1960, 1962 | ||||||||||
Box 80 | Publicity 1962 | ||||||||||
Box 80 | Royalties 1961-1966 | ||||||||||
Box 80 | Spanish translation, Andres Maria Mateo 1966 - sponsored by U.S. Information Agency | ||||||||||
Bataille, Georges | |||||||||||
Histoire d'L'oeil [The Story of an Eye] | |||||||||||
Box 80 | Correspondence 1967 | ||||||||||
Les Larmes d'Eros [The Tears of Eros] | |||||||||||
Box 80 | Project file 1961, 1963, 1969 - cover from Pauvert edition, correspondence with Wainhouse, French newspaper article | ||||||||||
La Litterature et le Mal [Literature and Evil] | |||||||||||
Box 80 | Correspondence 1966 | ||||||||||
Le Mort [The Dead Man] | |||||||||||
Box 80 | Correspondence 1967 | ||||||||||
Ma Mére / Madame Edwarda | |||||||||||
Box 80 | Contract, Pauvert 1966, 1971, 1974 | ||||||||||
Box 80 | Contract, Wainhouse 1967 | ||||||||||
Box 80 | Correspondence, Austryn Wainhouse (translator) 1966-1972 - includes mention of several other books Wainhouse worked on (Juliette, Gilles de Rais, Robert ce Soir, etc.) | ||||||||||
Box 80 | Correspondence, general 1966-1967, 1970-1973 | ||||||||||
Box 80 | Production, Manufacturing 1969 | ||||||||||
Box 80 | Royalties, Pauvert 1966-1971 | ||||||||||
Box 80 | Royalties, Wainhouse (translator) 1967-1971 | ||||||||||
The Trial of Gilles De Rais | |||||||||||
Box 80 | Contract, Pauvert 1966 | ||||||||||
Box 80 | Contract, Wainhouse 1967 | ||||||||||
Box 80 | Correspondence, Austryn Wainhouse (translator) 1965-1972 | ||||||||||
Box 80 | Correspondence, general 1965-1972 | ||||||||||
Box 80 | Photographs 1967-1968 - prints and safety negatives | ||||||||||
Box 81 | Production, Manufacturing 1967-1968 | ||||||||||
Box 81 | Royalties, Wainhouse (translator) 1967-1971 | ||||||||||
Box 81 | Royalties, Borchardt (Pauvert) 1966-1970 | ||||||||||
Baudelaire, Charles | |||||||||||
Selected Poems | |||||||||||
Box 81 | Production, Manufacturing 1974, 1977 | ||||||||||
Baughman, Michael | |||||||||||
The Rivals | |||||||||||
Box 81 | Correspondence, Author 1964-1967 | ||||||||||
Baumann, Michael 'Bommi' | |||||||||||
Terror or Love? The Personal Account of a West German Urban Guerilla | |||||||||||
Box 81 | Correspondence 1978-1979 - includes background material addressing liability issues (clippings, etc.) | ||||||||||
Box 81 | Photographs 1978 | ||||||||||
Box 81 | Production, Manufacturing 1978-1979 | ||||||||||
Box 81 | Production, Miscellaneous 1978 - chronology, footnotes, introduction from Virgo, the original publisher | ||||||||||
Box 81 | Publicity, Clippings 1979-1980 | ||||||||||
Beal, Anthony | |||||||||||
D.H. Lawrence | |||||||||||
Box 81 | Correspondence 1962 | ||||||||||
Box 81 | Production, Manufacturing 1961 | ||||||||||
Beardsley, Aubrey | |||||||||||
Selected Drawings | |||||||||||
Box 81 | Contract 1967 | ||||||||||
Box 81 | Correspondence 1966-1972 - includes copyright | ||||||||||
Box 81 | Production, Manufacturing - illustrations, covers | ||||||||||
Box 81 | Publicity 1967-1969 | ||||||||||
Box 81 | Royalties (GP-420) 1967-1972 | ||||||||||
Box 81 | Royalties, Evergreen (GP-420) 1967-1969 | ||||||||||
Beardsley, Aubrey w/ John Glassco | |||||||||||
Under the Hill - posthumous Beardsley work finished by Glassco | |||||||||||
Box 81 | Contract 1967 | ||||||||||
Box 81 | Correspondence, Author (Glassco) | ||||||||||
Box 81 | Correspondence, general 1967-1969 - includes copyright | ||||||||||
Box 81 | Production, Manufacturing 1959, 1967 | ||||||||||
Box 81 | Production, Mechanicals - pp. 1-29 | ||||||||||
Box 82 | Production, Mechanicals - pp. 30-143 (5 folders) | ||||||||||
Box 82 | Production, Proofs | ||||||||||
Box 82 | Production, Setting copy | ||||||||||
Box 82 | Publicity 1966-1968 | ||||||||||
Box 82 | Royalties, Evergreen (GP-407) 1967-1970 | ||||||||||
Box 82 | Royalties, Grove (GP-407) 1967-1970 | ||||||||||
de Beauvoir, Simone | |||||||||||
Box 84 | Photographs, Author - prints, negatives | ||||||||||
America Day by Day | |||||||||||
Box 82 | Contract 1953, 1956 - Gerald Duckworth & Co. | ||||||||||
Box 82 | Correspondence 1952-1953, 1956-1963, 1967-1969 - includes Annette Michelson, translator | ||||||||||
Box 82 | Publicity 1953 | ||||||||||
Box 83 | Publicity 1953-1954 (2 folders) | ||||||||||
Box 83 | Royalties 1953-1954 | ||||||||||
Les Mandarins (film) | |||||||||||
Box 83 | Correspondence 1966 | ||||||||||
See also Resnais, Alain : Correspondence. | |||||||||||
The Marquis de Sade: A Study by Simone de Beauvoir | |||||||||||
Box 83 | Contract, Paul Dinnage (translator) 1952 | ||||||||||
Box 83 | Correspondence, Dinnage (translator) 1952-1953, 1956, 1961, 1963 | ||||||||||
Box 83 | Correspondence, general 1952-1971 - includes copyright | ||||||||||
Box 83 | Publicity 1952-1954, 1957, 1959, 1966 | ||||||||||
Box 83 | Royalties 1954-1968 (2 folders) | ||||||||||
Must Sade Be Burned | |||||||||||
Box 83 | Manuscript - typed excerpts from translator Annette Michelson | ||||||||||
de Becker, Raymond | |||||||||||
The Other Face of Love [Erotisme d'en face] | |||||||||||
Box 83 | Contract, Pauvert 1965, 1976 | ||||||||||
Box 83 | Contract, Evergreen 1969 | ||||||||||
Box 83 | Correspondence, Author 1968-1969 | ||||||||||
Box 83 | Correspondence, general 1965-1969 - includes translator, Margaret Crosland | ||||||||||
Box 83 | Production, Manufacturing 1965-1968 - includes book covers | ||||||||||
Box 84 | Production, Typescript - numerous handwritten edits and corrections | ||||||||||
Box 84 | Publicity 1965, 1969-1970 | ||||||||||
Box 84 | Rights and permissions 1970, 1973 | ||||||||||
Box 84 | Royalties, Borchardt (GP-483) 1966-1970, 1976 | ||||||||||
Box 84 | Royalties, Evergreen (GP-483) 1969 | ||||||||||
Box 84 | Royalties, Outlet 1973 | ||||||||||
Box 84 | Royalties, Nevielle Spearman Ltd. (translator) 1965-1966 | ||||||||||
Becker, Thomas | |||||||||||
Official Anarchy and the Decline of Our American Cities | |||||||||||
Box 84 | Project file 1969 | ||||||||||
Beckett, Samuel | |||||||||||
Box 84 | 75th birthday events 1981 | ||||||||||
Box 84 | Bibliographies and lists | ||||||||||
Box 84 | Biographical information | ||||||||||
Correspondence | |||||||||||
Box 84 | Author 1953-1964 - Jan-Sep 1960 includes Ruby Cohn; Oct-Dec 1960 includes Evergreen Review (16 folders) | ||||||||||
Box 85 | Author 1964-1972, 1977, 1980-1981, undated (10 folders) | ||||||||||
Box 85 | to Beckett from non-Grove people 1955, 1958-1959, 1964-1970 - many of these include Grove's responses and/or notes about how to handle (3 folders) | ||||||||||
Box 85 | about Beckett 1953-1972, undated | ||||||||||
Box 85 | Beckett, M.R. (Beckett's uncle) 1955-1956 | ||||||||||
Box 85 | Bilingual editions, various titles 1965, 1969 - John Calder; Faber & Faber | ||||||||||
Box 85 | Bowles, Patrick 1953 - regarding his biographical note on Beckett | ||||||||||
Box 85 | Cohn, Ruby 1958-1969 | ||||||||||
Box 85 | Collection Merlin 1953 - Austryn Wainhouse; Alex Trocchi | ||||||||||
Box 85 | Fletcher / Pilling Project 1963, 1970 | ||||||||||
Box 85 | Nobel Prize anthology 1969-1970 | ||||||||||
Box 85 | Saunders, Marion (and her estate) 1953-1954, 1965 | ||||||||||
Box 85 | University of Reading exhibition 1970 | ||||||||||
Box 85 | Who's Who and similar encyclopedia/directory requests | ||||||||||
Box 86 | Photographs, author - includes photographs of dog, candid shots possible from "Film" set, photo of Beckett with Barney | ||||||||||
Box 86 | Poster, "Au loin un oiseau" - poster for Double Elephant Press publication of special folio edition | ||||||||||
Box 86 | Publicity | ||||||||||
Box 86 | Readings 1956 - Poetry Center and Studebaker Theatre Company | ||||||||||
Box 86 | Rights and permissions, general 1953, 1956-1978, undated (3 folders) | ||||||||||
See also [Multiple titles] : Rights and permissions at end of Beckett section. | |||||||||||
Box 86 | Rights and permissions, Panstwowy Instytut Wydawniczy 1967-1971 | ||||||||||
Box 86 | Royalties, general | ||||||||||
See also [Multiple titles] : Royalties at end of Beckett section. | |||||||||||
Box 86 | Tip sheets signed by Beckett | ||||||||||
Writings about Beckett | |||||||||||
Box 1111 | The quest for being in Samuel Beckett's trilogy, with an in-depth analysis of the quest in Molloy, by Kannangath Narayan Kutty (dissertation) 1974 (2 folders) | ||||||||||
Box 86 | Writings, miscellaneous | ||||||||||
|
|||||||||||
Box 86 | Correspondence regarding 1956-1972 - offers to write items, queries about submitting items, notes accompanying copies of items, etc. | ||||||||||
Act Without Words | |||||||||||
Box 86 | Correspondence 1959-1960, 1964, 1966-1967 | ||||||||||
Box 86 | Correspondence, Somer and Caterette 1958-1959, 1969 - regarding film version | ||||||||||
Box 86 | Rights and permissions 1959, 1966-1970 | ||||||||||
Box 86 | Rights and permissions, film and television 1958, 1960-1961, 1963-1970 (2 folders) | ||||||||||
Box 86 | Rights and permissions, productions 1958-1962, 1965-1970, 1973 | ||||||||||
Box 87 | Royalties, Cherry Lane Theatre (GP-549) 1963-1964 - includes contract; original folder is titled "An Act" | ||||||||||
Box 87 | Royalties, Jay Ward Productions (E-226) 1961, 1969 | ||||||||||
Box 87 | Royalties, "Man" McDougal, Littel and Co. [empty folder] | ||||||||||
Box 87 | Royalties, Samuel French (E-226) 1961-1970 (2 folders) | ||||||||||
Box 87 | TV adaptation storyboard | ||||||||||
All That Fall | |||||||||||
Box 87 | Contract, Kurt E. Michaels-Arena 1964 | ||||||||||
Box 87 | Correspondence 1956-1966 | ||||||||||
Box 87 | Publicity 1958, 1961, 1967 | ||||||||||
Box 1126 | Radio dramatization, American Public Radio 1986 - grove_074 (1 audiocassette) | ||||||||||
Samuel Beckett's All That Fall : A Play for Radio. Commercial audiocassette; sticker on back reads “Preview copy - For release April 13, 1986 via American Public Radio”. Produced by Soundscape, Alexandria, VA. Catalog number C-1873. | |||||||||||
Box 1126 | Radio dramatization, WGBH-Boston - grove_073 (1 audiocassette) | ||||||||||
Radio dramatization of Beckett play by / for WGBH-FM Boston. Produced by William Cavness. | |||||||||||
Box 87 | Rights and permissions 1957-1970, undated - mention of Ionesco | ||||||||||
Box 87 | Rights and permissions, productions 1957-1970 - mention of Genet, Sean O'Casey, Ionesco, Adamov | ||||||||||
Box 87 | Rights and permissions, radio and television 1957-1967 | ||||||||||
Box 87 | Rights and permissions, WGBH radio 1967-1968 | ||||||||||
Box 87 | Royalties, American Book Company (E-226) 1966-1967, 1971 | ||||||||||
Box 87 | Royalties, Appleton-Century Crofts (E-226) 1965-1970 | ||||||||||
Box 87 | Royalties, Curtis Brown, Ltd. (HB-114) 1957-1960 | ||||||||||
Box 87 | Royalties, D.C. Heath (E-226) 1966-1968 | ||||||||||
Box 87 | Royalties, Macmillan (E-226) 1965-1970 | ||||||||||
Box 87 | Royalties, Prentice Hall (E-226) 1965, 1969 | ||||||||||
Box 87 | Royalties, productions 1961 | ||||||||||
Beckett at Sixty | |||||||||||
Box 87 | Correspondence 1967 - Marion Boyers | ||||||||||
Bram van Velde | |||||||||||
Box 87 | Production, Manufacturing 1959-1960, 1963 | ||||||||||
Box 87 | Project file 1958-1959 - includes photocopy of typed article by Beckett about the character; copyright info | ||||||||||
Box 87 | Publicity | ||||||||||
Box 87 | Rights and permissions 1968 | ||||||||||
Breath | |||||||||||
Box 88 | Correspondence 1969-1970 | ||||||||||
Cascando - contained Words & Music, Eh Joe, Come and Go, Play and Film | |||||||||||
Box 88 | Contract 1966 | ||||||||||
Box 88 | Correspondence 1963, 1967-1969 | ||||||||||
Box 88 | Production, Manufacturing 1968-1969, 1977-1978 - includes book covers | ||||||||||
Box 88 | Production, Mechanicals | ||||||||||
Box 88 | Production, Setting copy - miscellaneous pages | ||||||||||
Box 88 | Publicity 1968-1969 | ||||||||||
Box 88 | Rights and permissions 1968-1970 | ||||||||||
Box 88 | Rights and permissions, Samuel French 1971 | ||||||||||
Box 88 | Royalties (E-471) 1968-1969 | ||||||||||
Box 88 | Royalties (GP-549) 1966-1970 | ||||||||||
Box 88 | Royalties (GP-644) 1970 | ||||||||||
Box 88 | Royalties, Channel 13 (GP-549) 1970 - for Eh Joe | ||||||||||
Box 88 | Royalties, Fabio Coen / Einaudi (GP-549) 1966, 1969 - for Play | ||||||||||
Box 88 | Royalties, Georges Borchardt / Minuit 1963, 1968-1970 - original publication of Cascando alone in Evergreen Review | ||||||||||
Box 88 | Royalties, Samuel French (GP-549) 1964-1969 - for Play | ||||||||||
Box 88 | Royalties, Uitgeverig de Bezige Bij (GP-549) 1965-1968 - for Play | ||||||||||
Box 88 | Typscript, miscellaneous notes | ||||||||||
Collected Poems in English & French | |||||||||||
Box 88 | Production, Manufacturing (GP-796) 1977 | ||||||||||
Collected Works | |||||||||||
Box 88 | Project file 1973, 1977 | ||||||||||
Box 88 | Publicity 1970 | ||||||||||
Box 88 | Royalties, limited edition (GB-5) 1970 | ||||||||||
Box 88 | Royalties, regular edition (GB-6) 1970 | ||||||||||
Come and Go | |||||||||||
Box 88 | Correspondence 1966-1967 | ||||||||||
Box 88 | Photograph of production | ||||||||||
Box 88 | Rights and permissions 1969 | ||||||||||
Box 88 | Rights and permissions, Harper's Bazaar 1969 | ||||||||||
Box 88 | Rights and permissions, productions 1967-1970 | ||||||||||
Box 88 | Rights and permissions, television 1967 | ||||||||||
Box 88 | Script - photocopy | ||||||||||
Company | |||||||||||
Box 88 | Correspondence 1980 | ||||||||||
Box 88 | Production, F&Gs (hand folded samples) 1980 (2 folders) | ||||||||||
Box 89 | Production, Galleys - master set | ||||||||||
Box 89 | Production, Manufacturing 1980 | ||||||||||
Box 89 | Production, Setting copy | ||||||||||
Box 89 | Production, Translation 1980 | ||||||||||
Eh Joe | |||||||||||
Box 89 | Rights and permissions 1966 | ||||||||||
Box 89 | Rights and permissions, television 1966, 1969-1971 | ||||||||||
Box 89 | Script - photocopy | ||||||||||
Embers | |||||||||||
Box 89 | Publicity | ||||||||||
Box 89 | Rights and permissions 1961, 1963, 1968-1971 - includes thank-you note from New York Public Library for donation of original typescript | ||||||||||
Box 89 | Rights and permissions, productions 1960-1969 | ||||||||||
Box 89 | Rights and permissions, radio 1961, 1970, 1973 | ||||||||||
Endgame | |||||||||||
Box 89 | Contracts 1957 | ||||||||||
Box 89 | Correspondence 1957-1958, 1962, 1965, 1967, 1973 - includes cease-and-desist letter to Andre Gregory; letter about record album of the play | ||||||||||
Box 89 | Production, Manufacturing 1977-1978, 1980 | ||||||||||
Box 89 | Production, Proofs (F&Gs) | ||||||||||
Box 89 | Productions 1967 | ||||||||||
Box 89 | Publicity, Grove 1957, 1959-1960, 1963, 1967-1968 | ||||||||||
Box 89 | Publicity, General 1956-1958 (3 folders) | ||||||||||
Box 90 | Publicity, General 1958-1970 (5 folders) | ||||||||||
Box 90 | Record album 1958-1960, 1966 | ||||||||||
Box 90 | Rights and permissions 1957-1970 | ||||||||||
Box 90 | Rights and permissions, productions 1958-1962 | ||||||||||
Box 90 | Rights and permissions, television, radio and film 1962-1970 | ||||||||||
Box 90 | Royalties (GP-645) 1970 | ||||||||||
Box 90 | Royalties, Evergreen (E-96) 1957-1970 - includes copyright | ||||||||||
Box 92 | Royalties, Alan Schneider (E-96) 1958, 1960, 1962, 1970 - includes Cherry Hill Theatre box office reports | ||||||||||
Box 92 | Royalties, Macmillan anthology (E-96) 1962, 1964, 1969 | ||||||||||
Box 90 | Royalties, Minuit (E-96) 1957-1969 | ||||||||||
Box 90 | Royalties, Minuit (GP-645) 1970 - cloth | ||||||||||
Box 90 | Royalties, Richard Barr 1962 - for performances | ||||||||||
Box 92 | Royalties, Samuel French 1959-1971 - for performances (2 folders) | ||||||||||
Ends and Odds | |||||||||||
Box 91 | Production, Galleys | ||||||||||
Box 91 | Production, Manufacturing 1976 | ||||||||||
Box 91 | Production, Setting copy | ||||||||||
Film | |||||||||||
Box 91 | Contract 1969 | ||||||||||
Box 91 | Correspondence 1965-1974, 1977, 1981 | ||||||||||
Box 1126 | Discussion of "Film" - audiorecording of Beckett discussing his novel (7 reels) (ID#: grove_087 through grove_093) | ||||||||||
Box 91 | "Original project" | ||||||||||
Box 91 | Production, Illustrations ("cuts") (2 folders) | ||||||||||
Box 91 | Production, Manufacturing | ||||||||||
Box 91 | Production, Photographs (2 folders) | ||||||||||
Box 91 | Production, Proofs - front matter only | ||||||||||
Box 91 | Production, Script, dummy and setting copy | ||||||||||
Box 91 | Publicity, Grove | ||||||||||
Box 91 | Rights and permissions 1971-1972 | ||||||||||
Box 91 | Royalties (E-502) 1969 | ||||||||||
Box 91 | Royalties (GP-646) 1970 | ||||||||||
First Love and Other Stories | |||||||||||
Box 91 | Production, Manufacturing 1974 | ||||||||||
Box 91 | Publicity | ||||||||||
Box 91 | Rights and permissinos 1968, 1973 | ||||||||||
Fizzles | |||||||||||
Box 92 | Production, Galleys | ||||||||||
Box 92 | Production, Manufacturing 1976-1977 | ||||||||||
From an Abandoned Work | |||||||||||
Box 92 | Prodocution, Manuscript 1960-1968 - typescript with corrections | ||||||||||
Box 92 | Rights and permissions 1960-1968 | ||||||||||
Happy Days | |||||||||||
Box 92 | Contracts 1962, 1965 | ||||||||||
Box 92 | Correspondence 1961-1967, 1970 | ||||||||||
Box 92 | Correspondence, Helvetica Press 1971 - regarding Nobel Prize anthology | ||||||||||
Box 92 | Production, Camera copy | ||||||||||
Box 92 | Production, Manufacturing 1978 | ||||||||||
Box 92 | Production, Proofs | ||||||||||
Box 92 | Publicity 1961-1965 (2 folders) | ||||||||||
Box 92 | Rights and permissions 1962-1973 - includes letter from Gloria Steinem letter requesting rights to reprint in The Beach Book | ||||||||||
Box 92 | Rights and permissions, foreign 1962-1968 | ||||||||||
Box 92 | Rights and permissions, Helena Strassova 1964-1966 | ||||||||||
Box 92 | Rights and permissions, productions 1961-1971 | ||||||||||
Box 92 | Rights and permissions, radio and television 1965-1967 | ||||||||||
Box 92 | Royalties, Evergreen (E-318) 1961-1969 - Evergreen | ||||||||||
Box 92 | Royalties (GP-647) 1970 - cloth | ||||||||||
Box 94 | Royalties, Allyn and Bacon (E-318) 1968 - for anthology | ||||||||||
Box 92 | Royalties, Barney Rosset and Alan Schneider 1961, 1965-1969 - for performances | ||||||||||
Box 92 | Royalties, De Bezige Bij (E-318) 1962-1968 | ||||||||||
Box 92 | Royalties, Dais Agency (Einaudi Editore) (E-318) 1970-1971 | ||||||||||
Box 92 | Royalties, Europa (Artisjus) 9E-318) 1970 | ||||||||||
Box 93 | Royalties, Gyldendal Norsk Verlag 1969 | ||||||||||
Box 93 | Royalties, Helena Strassova (Luis de Lima) 1965 | ||||||||||
Box 94 | Royalties, Helena Strassova (Ridder-Argentine) 1963-1966 | ||||||||||
Box 93 | Royalties, Kustannusosakeyhtio Otava 1965, 1967-1969 | ||||||||||
Box 93 | Royalties, Librarie Hakusui-Sha 1966 | ||||||||||
Box 93 | Royalties, Mondadon Editore (Dais) [empty folder] | ||||||||||
Box 93 | Royalties, Panstwowy Institute Wydawniczy 1970 | ||||||||||
Box 93 | Royalties, Samuel French 1962-1969 | ||||||||||
Box 93 | Royalties, Tarshish Books 1965-1969 | ||||||||||
Box 93 | Royalties, Agence Hoffman (Suhrkamp) 1961-1968 - published with Film and other titles | ||||||||||
Box 93 | Royalties, Rosica Colin (Orbis Czech) 1965 - published with Play and Krapp's Last Tape | ||||||||||
How It Is | |||||||||||
Box 93 | Contract undated | ||||||||||
Box 93 | Correspondence 1961-1966 | ||||||||||
Box 93 | Production, Manufacturing 1978 | ||||||||||
Box 93 | Production, Manuscript - photocopy | ||||||||||
Box 93 | Publicity, Grove 1964-1965 | ||||||||||
Box 93 | Publicity, General 1961, 1964 (2 folders) | ||||||||||
Box 93 | Rights and permissions 1965-1974 | ||||||||||
Box 93 | Rights and permissions, Alrac Music / Michael Mantler 1971 | ||||||||||
Box 93 | Royalties (GP-649) 1963-1970 - includes copyright | ||||||||||
Box 93 | Royalties, Borchardt / Minuit (GP-649) 1961, 1963-1970 - cloth | ||||||||||
Box 93 | Royalties, Borchardt / Minuit (E-388) 1965-1970 - Evergreen | ||||||||||
Box 93 | Royalties, Evergreen (E-388) 1967-1969 | ||||||||||
Box 93 | Royalties, Evergreen (GP-303) 1965-1969 | ||||||||||
I Can't Go On, I'll Go On | |||||||||||
Box 93 | Production, Manufacturing 1976-1977 | ||||||||||
Box 93 | Production, Setting copy | ||||||||||
Box 94 | Production, Setting copy (2 folders) | ||||||||||
Box 94 | Production, Working copy (3 folders) | ||||||||||
Ill Seen Ill Said | |||||||||||
Box 94 | Correspondence 1981 | ||||||||||
Box 94 | Production, Galleys - author's, with corrections | ||||||||||
Box 94 | Production, Galleys | ||||||||||
Box 94 | Production, Setting copy | ||||||||||
Imagination Dead Imagine | |||||||||||
Box 94 | Project file 1970-1972 - correspondence, photcopy of text | ||||||||||
Jack MacGowran in the Works of Samuel Beckett - stage anthology | |||||||||||
Box 94 | Contract, KCET-TV 1971 | ||||||||||
Box 94 | Publicity | ||||||||||
Box 94 | Rights and permissions 1970-1971 - including letter from MacGowran; contract for performance at New York Shakespeare Festival | ||||||||||
Krapp's Last Tape / Krapp's Last Tape and Other Dramatic Pieces - published with All That Fall, Embers, Act Without Words I, and Act Without Words II; some of these are mentioned in the following material | |||||||||||
Box 94 | Contract, Robert Saudek Productions TV 1961 | ||||||||||
Box 94 | Contract, Thursday Associates 1971 | ||||||||||
Box 94 | Correspondence 1959-1961, 1965-1966, 1969 - includes copyright info | ||||||||||
Box 94 | Production, Manufacturing 1977-1980 | ||||||||||
Box 95 | Production, Mechanicals (2 folders) | ||||||||||
Box 95 | Production, Proofs 1960 | ||||||||||
Box 95 | Production, Proofs (F&Gs) | ||||||||||
Box 95 | Productions, Harry Joe Brown 1960-1961 | ||||||||||
Box 95 | Productions, New York City 1959-1962, 1965 | ||||||||||
Box 95 | Productions, San Francisco 1961-1962 | ||||||||||
Box 95 | Productions, various locations 1961-1962 | ||||||||||
Box 95 | Publicity 1959-1962, 1965-1967, undated - reviews, newspaper and magazine articles, advertisements, programs, etc. relating to both Grove's publication and to various performances of the work; 1959 material includes reviews in German press of performances there | ||||||||||
Box 95 | Rights and permissions 1958-1973 | ||||||||||
Box 96 | Rights and permissions, Productions 1958-1972, undated - includes discussion of opera/music adaptations by (May/Nov 1960); correspondence with Samuel French about handling various production rights (3 folders) | ||||||||||
Box 96 | Rights and permissions, radio, television and film 1960-1971, 1977, 1981, undated - includes script by Peter Symcox for Shoestring Theatre script (undated) | ||||||||||
Box 96 | Royalties (GP-648) 1970 | ||||||||||
Box 96 | Royalties (E-226) 1966-1969 - Acts Without Words I | ||||||||||
Box 96 | Royalties, Borchardt (Minuit) (E-226) 1966-1970 - Acts Without Words I | ||||||||||
Box 96 | Royalties, Borchardt (Minuit) (GP-648) 1970 | ||||||||||
Box 96 | Royalties, Curtis, Brown Ltd. (E-226) 1958, 1960-1970 | ||||||||||
Box 96 | Royalties, Curtis Brown Ltd. (GP-648) 1970 | ||||||||||
Box 96 | Royalties, Deutsche Grammophon (S. Fischer Verlag) (E-226) 1970 - letter only, no payment records | ||||||||||
Box 96 | Royalties, Harry Joe Brown (E-226) 1959-1963 - includes correspondence, copy of contract | ||||||||||
Box 96 | Royalties, Los Angeles and San Francisco productions (E-226) 1960-1963 - double bill with Albee's Zoo Story | ||||||||||
Box 96 | Royalties, miscellaneous productions 1960-1961 - includes correspondence with Library Extension Fund at Trinity College, to whom some royalties were paid | ||||||||||
Box 96 | Royalties, Richard Barr (E-226) 1960-1961, 1965, 1968-1969 | ||||||||||
Box 96 | Royalties, Rosica Colin (E-226) 1965-1966 - Czechoslovakia | ||||||||||
Box 96 | Royalties, S. Fischer Verlag 1959-1970 (3 folders) | ||||||||||
Box 97 | Royalties, Samuel French 1961-1969 (2 folders) | ||||||||||
Lost Ones | |||||||||||
Box 97 | Correspondence 1972, 1974 | ||||||||||
Box 97 | Production, Manufacturing (E-587) 1972, 1980 | ||||||||||
Malone Dies | |||||||||||
See also Three Novels: Molloy, Malone Dies, Unnamable. | |||||||||||
Box 97 | Contracts 1953-1954 | ||||||||||
Box 97 | Correspondence 1956 | ||||||||||
Box 97 | Production, Camera copy undated - incomplete | ||||||||||
Box 97 | Production, Manufacturing | ||||||||||
Box 97 | Production, Proofs (F&Gs) | ||||||||||
Box 97 | Publicity, Grove | ||||||||||
Box 97 | Publicity, General 1956-1960 (3 folders) | ||||||||||
Box 98 | Rights and permissions 1957, 1964-1969 | ||||||||||
Box 98 | Rights and permissions, Tuttle Ikubun Sha Ltd. 1970 | ||||||||||
Box 98 | Royalties (E-39, HB-92) 1957-1966 | ||||||||||
Box 98 | Royalties (GP-642) 1970 | ||||||||||
Box 98 | Royalties, Marion Saunders / Minuit (E-39) 1956-1966 | ||||||||||
Box 98 | Royalties, Minuit (GP-642) 1970 | ||||||||||
Mercier et Camier | |||||||||||
Box 98 | Correspondence 1960, 1966, 1970 | ||||||||||
Box 98 | Production, Manufacturing 1974-1975 | ||||||||||
Box 98 | Production, Manuscript | ||||||||||
Box 98 | Publicity 1970 | ||||||||||
Box 98 | Rights and permissions 1972-1973 | ||||||||||
Molloy | |||||||||||
See also Three Novels: Molloy, Malone Dies, Unnamable. | |||||||||||
Box 98 | Correspondence 1953-1957, 1961-1965, 1967 - includes Patrick Bowles (translator), George Plimpton, Christopher Logue | ||||||||||
Box 98 | Correspondence, John Beckett (cousin) 1958 | ||||||||||
Box 98 | Copyright 1956 | ||||||||||
Box 98 | Production, Camera copy undated - incomplete | ||||||||||
Box 98 | Production, Manufacturing 1977-1978 - reprint | ||||||||||
Box 98 | Production, Setting copy | ||||||||||
Box 98 | Publicity, Grove 1955 | ||||||||||
Box 98 | Publicity, Essay by Gerard Manley Hopkins - negative photocopy of corrected typescript | ||||||||||
Box 98 | Publicity, "Molloy and the pigs" by Beckett [?] 1969 - article published in The Only Alternative | ||||||||||
Box 98 | Publicity, General 1955-1957 | ||||||||||
Box 98 | Rights and permissions 1961-1964, 1968-1970 | ||||||||||
Box 98 | Rights and permissions, film 1970, 1972 | ||||||||||
Box 98 | Rights and permissions, productions 1962-1963 | ||||||||||
Box 98 | Rights and permissions, Ted Kirby production at Bennington College 1967-1968 | ||||||||||
Box 1007 | Silent film, Ted Kirby production at Bennington College (ID#: grove_083) | ||||||||||
Oversize 32 | Slides, Ted Kirby production at Bennington College - 2 small boxes of Kodak color slides (98 items) | ||||||||||
Box 98 | Rights and permissions, television 1971 - WNET | ||||||||||
Box 98 | Royalties, Marion Saunders / Minuit (E-18) 1956-1966 | ||||||||||
Box 98 | Royalties, Minuit (GP-641) 1970 | ||||||||||
Box 98 | Royalties, Paris Review (E-18) 1959-1960, 1969 | ||||||||||
Box 98 | Royalties, Patrick Bowles (E-18) 1956-1966 | ||||||||||
Box 98 | Royalties, Patrick Bowles (GP-641) 1970 | ||||||||||
More Pricks Than Kicks | |||||||||||
See also Yellow / Smeraldina's Billet Doux, below. | |||||||||||
Box 98 | Contract 1964 | ||||||||||
Box 98 | Correspondence 1957, 1959, 1963-1965, 1970 | ||||||||||
Box 98 | Production, Layout | ||||||||||
Box 98 | Production, Manufacturing 1970, 1977-1978 | ||||||||||
Box 99 | Production, Setting copy (2 folders) | ||||||||||
Box 99 | Publicity 1970 - press release; clipping of "Smeraldina's Billet Doux" published in Vogue | ||||||||||
Box 99 | Rights and permissions 1965, 1967-1968, 1970 | ||||||||||
Box 99 | Royalties (GP-655) 1970 | ||||||||||
Murphy | |||||||||||
Box 99 | Contracts 1960-1961 | ||||||||||
Box 99 | Contract, Fabio Coen 1961 | ||||||||||
Box 99 | Correspondence 1953, 1956-1969 | ||||||||||
Box 99 | Production, Manufacturing 1977-1979 | ||||||||||
Box 99 | Publicity, Clippings 1957-1958, 1964, 1967 | ||||||||||
Box 99 | Rights and permissions 1961, 1965-1972 | ||||||||||
Box 99 | Royalties (E-104) 1956-1969 | ||||||||||
Box 99 | Royalties (GP-650) | ||||||||||
Box 99 | Royalties, American Literary Exchange (Bonniers) (E-104) 1962 | ||||||||||
Box 99 | Royalties, American Literary Exchange (De Bezige Bij) (E-104) 1962, 1967-1968 | ||||||||||
Box 99 | Royalties, John Calder Ltd. (E-104) 1961, 1964-1970 | ||||||||||
Box 99 | Royalties, Rowohlt (E-104) 1957, 1959, 1964, 1966, 1969 | ||||||||||
Not I | |||||||||||
Box 99 | Correspondence 1973 | ||||||||||
Ohio Impromptu, Catastrophe, What Where (Three Plays) | |||||||||||
Box 99 | Production, Galleys 1984 | ||||||||||
Box 99 | Production, Manufacturing 1984 | ||||||||||
Ping | |||||||||||
Box 99 | Correspondence 1967, undated | ||||||||||
Box 99 | Rights and permissions, Roger Reynolds 1967-1969 - lengthy discussion about setting Ping to music | ||||||||||
Play | |||||||||||
Box 99 | Contract 1966 | ||||||||||
Box 99 | Correspondence 1963-1966 | ||||||||||
Box 99 | Production, Manuscript 1963 - "revised version for Grove", typescript carbon | ||||||||||
Box 99 | Publicity 1963-1964, 1971-1972 | ||||||||||
Box 99 | Rights and permissions 1963-1970 | ||||||||||
Box 99 | Rights and permissions, film and television 1966-1969 | ||||||||||
Box 100 | Rights and permissions, Cuadernos para el dialogo 1968, 1970 | ||||||||||
Box 100 | Rights and permissions, Europa (Artisjus) 1970 | ||||||||||
Box 100 | Rights and permissions, Fabbri (Dais) [empty] | ||||||||||
Box 100 | Rights and permissions, Hakusui-Sha 1965 | ||||||||||
Poems in English | |||||||||||
Box 100 | Correspondence 1962, 1968-1969 - includes jacket copy, reviews of Calder & Boyars edition | ||||||||||
Box 100 | Production, Camera copy, repros 1962 | ||||||||||
Box 100 | Rights and permissions 1962-1964, 1968-1973 | ||||||||||
Box 100 | Royalties, John Calder Ltd. (GP-294) 1962-1970 | ||||||||||
Box 100 | Royalties, John Calder Ltd. (E-379) 1963-1970 | ||||||||||
Box 100 | Royalties, John Calder Ltd. (GP-654) 1970 | ||||||||||
Box 100 | Sheet music, "Songs Without," by Pelle Gudmundsen-Holmgreen | ||||||||||
['Portable" edition] | |||||||||||
Box 100 | Correspondence, Ruby Cohn 1968 | ||||||||||
Proust | |||||||||||
Box 100 | Contracts, foreign language editions 1961, 1964, 1969 | ||||||||||
Box 100 | Correspondence 1956-1970 | ||||||||||
Box 100 | Production, Camera copy - disassembled copy of Dolphin Books edition | ||||||||||
Box 100 | Production, Corrections - fragments only, typescript, with instructions to printer | ||||||||||
Box 100 | Production, Manufacturing 1978 | ||||||||||
Box 100 | Production, Proofs | ||||||||||
Box 100 | Publicity 1957, 1959 | ||||||||||
Box 100 | Rights and permissions 1958, 1961, 1966, 1969, 1971 | ||||||||||
Box 100 | Royalties (E-50, HB-103) 1956-1960 - includes list of Beckett books going out of print as of 31 Dec 1960 | ||||||||||
Box 100 | Royalties (E-50) 1961-1969 | ||||||||||
Box 100 | Royalties (GP-651) 1970 | ||||||||||
Box 100 | Royalties, International Editors (Monte Avila) (E-50) 1969 | ||||||||||
Box 100 | Royalties, Sugar Editore (E-50) 1961-1964, 1969 | ||||||||||
Box 100 | Royalties, Verlag Der Arche (E-50) 1958-1969 | ||||||||||
Rockaby and Other Short Pieces | |||||||||||
Box 100 | Correspondence 1981 | ||||||||||
Box 100 | Production, Blues | ||||||||||
Box 100 | Production, Book covers | ||||||||||
Box 100 | Production, Galleys - stamped "first reading," with numerous corrections | ||||||||||
Box 100 | Production, Manufacturing 1981 | ||||||||||
Box 101 | Production, Proofs - pasted onto layouts with transparent overlays (2 folders) | ||||||||||
The Samuel Beckett Reader / Samuel Beckett: A Selection of His Writings | |||||||||||
Box 101 | Contracts 1970 | ||||||||||
Box 101 | Correspondence 1970 | ||||||||||
Box 101 | Production, Manufacturing - includes covers for at least two different editions | ||||||||||
Stories and Text for Nothing | |||||||||||
Box 101 | Correspondence 1958-1960, 1966-1968, 1970 | ||||||||||
Box 101 | Production, Manufacturing 1967, 1980 | ||||||||||
Box 101 | Production, Manuscript [?] | ||||||||||
Box 101 | Production, Plate proofs - repros | ||||||||||
Box 101 | Production, Setting copy 1967 - front matter | ||||||||||
Box 101 | Publicity, Grove 1967-1968 | ||||||||||
Box 101 | Publicity, General 1967-1968 (2 folders) | ||||||||||
Box 101 | Rights and permissions 1962-1963, 1966-1970 | ||||||||||
Box 101 | Royalties, Beckett and Richard Seaver (GP-394) 1967-1970 | ||||||||||
Box 101 | Royalties, Beckett and Richard Seaver (E-466) 1968-1970 | ||||||||||
Box 101 | Royalties, Evergreen Book Club 1968-1969 | ||||||||||
Box 101 | Royalties, Georges Borchardt (Minuit) (GP-594, GP-653) 1966-1970 - cloth | ||||||||||
Box 101 | Royalties, Georges Borchardt (Minuit) (E-466) 1968-1970 - Evergreen | ||||||||||
Three Novels: Molloy, Malone Dies, Unnamable | |||||||||||
Box 102 | Contract 1960 - Page 1 only | ||||||||||
Box 102 | Correspondence 1959-1960, 1964-1967, 1977 | ||||||||||
Box 102 | Correspondence, Patrick Bowles (translator) 1960, 1963 | ||||||||||
Box 102 | Production, Manufacturing 1959, 1976-1977, 1980 - estimate and reprint | ||||||||||
Box 102 | Production, Proofs (3 folders) | ||||||||||
Box 102 | Production, Repros 1959 (4 folders) | ||||||||||
Box 103 | Production, Setting copy (3 folders) | ||||||||||
Box 103 | Production, Working copy | ||||||||||
Box 103 | Publicity, Grove 1959, 1965 | ||||||||||
Box 103 | Publicity, General 1959-1960, 1964-1965 | ||||||||||
Box 103 | Rights and permissions 1968-1969 | ||||||||||
Box 103 | Royalties (GP-182) 1960-1966 | ||||||||||
Box 103 | Royalties (BC-78) 1964-1971 | ||||||||||
Box 103 | Royalties, Minuit (HB-182) 1960-1966 | ||||||||||
Box 103 | Royalties, Minuit (B-78) 1964-1971 | ||||||||||
Box 103 | Royalties, Patrick Bowles (HB-182) 1960-1966 | ||||||||||
Box 103 | Royalties, Patrick Bowles (B-78) 1964-1970 - inclues letter from Austryn Wainhouse | ||||||||||
Box 103 | Royalties, Reader's Subscription 1959-1961 | ||||||||||
Unnamable | |||||||||||
See also Three Novels: Molloy, Malone Dies, Unnamable. | |||||||||||
Box 103 | Contract 1956 | ||||||||||
Box 103 | Correspondence 1956-1960, 1967 | ||||||||||
Box 103 | Copyright 1958 | ||||||||||
Box 103 | Excerpts | ||||||||||
Box 103 | Production, Manufacturing 1977-1978 | ||||||||||
Box 103 | Production, Proofs | ||||||||||
Box 104 | Publicity 1958-1960 | ||||||||||
Box 104 | Publicity, French News Magazine 1959 | ||||||||||
Box 104 | Rights and permissions 1961, 1964-1965, 1969 | ||||||||||
Box 104 | Royalties (E-117, HB-140) 1958-1966 | ||||||||||
Box 104 | Royalties (GP-643) 1970 | ||||||||||
Box 104 | Royalties, Minuit (E-117, HB-140) 1956-1966 | ||||||||||
Box 104 | Royalties, Minuit (GP-643) 1970 - cloth | ||||||||||
Waiting for Godot | |||||||||||
Box 104 | Contract 1953 | ||||||||||
Box 104 | Contract, Knox and Shenkel 1969-1970 - includes correspondence | ||||||||||
Box 104 | Copyright 1954 | ||||||||||
Box 104 | Correspondence 1953-1969 | ||||||||||
Box 104 | Correspondence, illustrated limited edition 1971 | ||||||||||
Box 104 | Correspondence, re: Michael Myerberg 1955-1956, 1962, 1966-1969 | ||||||||||
See also Rights and permissions, amateur productions. | |||||||||||
Box 104 | Correspondence, National Telefilm Associates, Inc. 1960-1963 - includes copy of contract | ||||||||||
Box 104 | Corrsepondence, productions 1956-1957, 1964-1971 | ||||||||||
Box 104 | Production, Manufacturing 1977-1980 | ||||||||||
Box 104 | Production, Proofs - 21st and 22nd printings | ||||||||||
Box 104 | Production, Miscellaneous - pieces by Kenner and Saroyan on Beckett; unidentified typed notes | ||||||||||
Box 104 | Publicity 1952-1966 (4 folders) | ||||||||||
Box 105 | Publicity 1955-1971 (6 folders) | ||||||||||
Box 105 | Publicity, Productions and programs 1956-1970 | ||||||||||
Box 105 | Publicity, Recording 1956 - includes proof [?] of album cover | ||||||||||
Box 105 | Rights and permissions 1953, 1956-1973, undated (3 folders) | ||||||||||
Box 106 | Rights and permissions, Amateur productions 1956-1971 (2 folders) | ||||||||||
Box 106 | Rights and permissions, Productions 1955-1961, 1968-1971 - includes some contract drafts and a marked copy showing the play "as performed by CBC 1964" (2 folders) | ||||||||||
Box 106 | Rights and permissions, Radio, tv and film 1956-1970, 1981, undated | ||||||||||
Box 106 | Royalties (E-33) 1956-1969 | ||||||||||
Box 106 | Royalties (GP-640) 1970 | ||||||||||
Box 106 | Royalties, productions 1955-1957 | ||||||||||
Box 106 | Royalties, Columbia Records (E-33) 1956-1969 | ||||||||||
Box 106 | Royalties, Curtis Brown productions (E-33) 1958-1960 | ||||||||||
Box 106 | Royalties, Donald Albery (E-33) [empty] - empty | ||||||||||
Box 106 | Royalties, Dramatists Play Service (E-33) 1956-1970 | ||||||||||
Box 107 | Royalties, Marion Saunders estate (GP-640) 1970 | ||||||||||
Box 107 | Royalties, Minuit and Marion Saunders (E-33) 1957-1971 | ||||||||||
Box 107 | Royalties, Minuit (GP-640) 1970 | ||||||||||
Box 107 | Royalties, National Telefilm Associates, Inc. (NTA) / National General Corporation (E-33) 1960-1970 - includes copes of rights agreements | ||||||||||
Box 107 | Royalties, Samuel French (E-33) 1965-1969 | ||||||||||
Box 107 | Script for NTA [National Telefilm Associates] Production "The Play of the Week #39" 1960 | ||||||||||
Box 107 | Typescript undated - incomplete; originally filed with rights and permissions | ||||||||||
Box 107 | Typescript - photocopy | ||||||||||
Watt | |||||||||||
Box 107 | Correspondence 1957-1970 | ||||||||||
Box 107 | Production, Manufacturing 1977 - reprint | ||||||||||
Box 107 | Production, Miscellaneous - checklist, corrections, cover copy | ||||||||||
Box 107 | Publicity 1958-1960 | ||||||||||
Box 107 | Rights and permissions 1959, 1965, 1968-1970 | ||||||||||
Box 107 | Royalties (E-152) 1959-1969 | ||||||||||
Box 107 | Royalties (GP-652) 1962-1970 | ||||||||||
Words and Music | |||||||||||
Box 107 | Rights and permissions, productions 1964, 1969 | ||||||||||
Yellow / Smeraldina's Billet Doux | |||||||||||
See also More Pricks Than Kicks, in which these stories appeared. | |||||||||||
Box 107 | Rights and permissions 1956, 1958-1961 | ||||||||||
Box 107 | Typescripts - multiple carbons of both stories | ||||||||||
[Multiple titles] | |||||||||||
Box 108 | Publicity 1956, 1959 | ||||||||||
Box 108 | Rights and permissions 1957-1970, undated | ||||||||||
See also Rights and permissions, general at beginning of Beckett section. | |||||||||||
Box 108 | Rights and permissions, productions 1967-1971 | ||||||||||
Box 108 | Rights and permissions, radio, tv and film 1960-1962 - includes Ithaca College, KPFK Radio | ||||||||||
Box 108 | Royalties, productions 1963-1969 | ||||||||||
See also Royalties, general at beginning of Beckett section. | |||||||||||
Box 108 | Royalties, radio, tv and film 1964-1969 | ||||||||||
Beckford, William Thomas | |||||||||||
[Various Portuguese travel titles] | |||||||||||
Box 108 | Project file 1951-1953 - discussion of Sketches of Portugal and Spain, Portuguese Diaries, Italy, Spain and Portugal, and Travels Through Italy and Portugal | ||||||||||
Bedford, Sybille | |||||||||||
The Trial of Dr. Adams | |||||||||||
Box 108 | Contract 1962 | ||||||||||
Box 108 | Correspondence 1962 - includes reader's report, production estimate sheet | ||||||||||
Box 108 | Royalties (BA-21) 1962-1965 | ||||||||||
Behan, Brendan | |||||||||||
Box 108 | Correspondence, Author 1958 | ||||||||||
Behan: The Complete Plays | |||||||||||
Box 108 | Production, Manufacturing 1978 | ||||||||||
Borstal Boy | |||||||||||
Box 108 | Publicity 1959 | ||||||||||
The Hostage | |||||||||||
Box 108 | Correspondence 1957-1962, 1970-1973 | ||||||||||
Box 108 | Production, Proofs (F&Gs) circa 1964 | ||||||||||
Box 108 | Production, Setting copy - disassembled Methuen edition | ||||||||||
Box 108 | Publicity 1959-1966 - includes Evergreen edition jacket | ||||||||||
Box 108 | Royalties, Hope Lereshe and Steele (E-151) 1959-1966 | ||||||||||
The Quare Fellow | |||||||||||
Box 108 | Correspondence 1956-1962, 1969-1970 | ||||||||||
Box 108 | Photographs circa 1962 - stills from British film production based on play | ||||||||||
Box 108 | Production, Proofs (F&Gs) 1957 | ||||||||||
Box 109 | Production, Proofs (F&Gs) 1964 | ||||||||||
Box 109 | Production, Working copy 1964 - bound, paperback Evergreen edition (E-69) | ||||||||||
Box 109 | Publicity 1956-1959, 1962-1963 | ||||||||||
Box 109 | Royalties, Hope Leresche and Steele / Steele & Son (E-69) 1957-1966 | ||||||||||
The Hostage / The Quare Fellow [combined edition] | |||||||||||
Box 109 | Correspondence 1960-1961, 1964-1967 | ||||||||||
Box 109 | Publicity 1965-1966, 1970 | ||||||||||
Richard's Cork Leg | |||||||||||
Box 109 | Production, Manufacturing 1960, 1972-1974 | ||||||||||
Box 109 | Production, Setting copy 1974 - disbound Methuen edition | ||||||||||
Box 109 | Publicity 1961, 1972-1974 | ||||||||||
Behan, Brendan and Paul Hogarth (Illustrator) | |||||||||||
Brendan Behan's Island: An Irish Sketch-book | |||||||||||
Box 109 | Project file 1962 | ||||||||||
Behlmer, Rudy | |||||||||||
Memo from David O. Selznick | |||||||||||
Box 109 | Production, Setting copy 1981 - disbound Viking edition (3 folders) | ||||||||||
Behn, Aphra | |||||||||||
Selected Writings of the Ingenious Mrs. Aphra Behn | |||||||||||
Box 109 | Contract, Greenwood Press 1968 | ||||||||||
Box 109 | Contract, University Microfilm 1964 | ||||||||||
Box 109 | Production, Manufacturing 1950, 1952, 1958 | ||||||||||
Box 110 | Publicity 1950, 1953, 1956 | ||||||||||
Box 110 | Royalties, University Microfilm / Greenwood (E-3) 1967-1970 | ||||||||||
Behn, Noel and Rose Warwick | |||||||||||
Off Broadway: 1950-1960 | |||||||||||
Box 110 | Contract 1959 | ||||||||||
Box 110 | Correspondence, Authors 1959-1963 | ||||||||||
Box 110 | Project file 1960 | ||||||||||
Box 110 | Royalties 1959-1961, 1963, 1966 | ||||||||||
Belden, Jack | |||||||||||
China Shakes the World | |||||||||||
Box 110 | Contract 1967 | ||||||||||
Box 110 | Correspondence, Author 1967 | ||||||||||
Box 110 | Correspondence 1967, 1970 - includes reader's report | ||||||||||
Belen | |||||||||||
Le Reservoir des Sens | |||||||||||
Box 110 | Project file 1967 | ||||||||||
Belhomme, Youl | |||||||||||
L'Enfer du Sexe | |||||||||||
Box 110 | Royalties, contract with Pauvert 1971 | ||||||||||
Belitt, Ben | |||||||||||
Box 110 | Correspondence, Author 1953-1963, 1967, 1976-1980 | ||||||||||
Box 110 | Publicity 1967 - about Belitt's translations for Grove | ||||||||||
Adam's Dream | |||||||||||
Box 110 | Correspondence 1977-1979 | ||||||||||
Box 110 | Production, Galleys 1977 - first galley proof | ||||||||||
Box 110 | Production, Manufacturing 1978 | ||||||||||
Box 110 | Production, Manuscript 1978 (3 folders) | ||||||||||
Box 110 | Publicity, Grove 1978 | ||||||||||
Box 110 | Publicity, General 1978-1980 | ||||||||||
Wilderness Stair | |||||||||||
Box 110 | Contract 1955 | ||||||||||
Box 111 | Publicity 1955-1956 | ||||||||||
Box 111 | Royalties 1958 | ||||||||||
Bell, D.D. | |||||||||||
Dicky | |||||||||||
Box 111 | Project file 1969 | ||||||||||
Box 111 | Publicity (B-244) 1970 | ||||||||||
Bell, Malcom | |||||||||||
The Turkey Shoot | |||||||||||
Box 111 | Production, Galleys 1985 - "Author's corrected galleys, " ch. 1-44 (4 folders) | ||||||||||
Box 111 | Production, Galleys 1985 - "1st revised" ch. 36-43 | ||||||||||
Box 111 | Production, Galleys 1985 - "copyeditor's set" ch. 18-30 | ||||||||||
Box 111 | Production, Galleys 1985 - "Master" ch. 36-44 | ||||||||||
Box 111 | Production, Galleys - unidentified versions, ch. 31-43 (2 folders) (2 folders) | ||||||||||
Box 111 | Production, Jacket proof 1985 | ||||||||||
Box 112 | Production, Manuscript 1982-1986 - foreword by Tom Wicker, ch. 1-40, and appendix; many have some level of edits/revisions, and in some cases there is more than one copy of a chapter with different revisions (12 folders) | ||||||||||
Bell, Quentin | |||||||||||
John Ruskin | |||||||||||
Box 112 | Correspondence 1963 | ||||||||||
Bellak, Leopold | |||||||||||
Box 113 | Correspondence, Author 1958-1963 | ||||||||||
Box 113 | Photographs, Author | ||||||||||
Contemporary European Psychiatry | |||||||||||
Box 113 | Contract 1960-1961 | ||||||||||
Box 113 | Correspondence 1959-1962 - includes assessment by Milton Schwebel | ||||||||||
Box 113 | Production, Manufacturing 1960-1961 | ||||||||||
Box 113 | Production, Setting copy | ||||||||||
Box 113 | Publicity, Grove 1961-1962 | ||||||||||
Box 113 | Royalties (E-285) 1960-1967 | ||||||||||
Box 113 | Royalties (GP-278) 1963-1965 | ||||||||||
Projective Psychology | |||||||||||
See Abt, Lawrence and Leopold Bellak : Projective Psychology. | |||||||||||
de Belleroche, MaudSacquard | |||||||||||
L'Ordinatrice, Memoires d'Une Femme de Quarante Ans | |||||||||||
Box 113 | Contract, Editions de la Jeune Parque 1968 | ||||||||||
Box 113 | Correspondence 1968, 1970 | ||||||||||
Box 113 | Correspondence, Patsy Southgate (translator) 1968-1969 | ||||||||||
Box 113 | Royalties 1968-1971 | ||||||||||
Belli, Melvin | |||||||||||
[Biography] | |||||||||||
See Haley, Alex : [Melvin Belli biography]. | |||||||||||
Bellmer, Hans | |||||||||||
The Erotic Drawings of Hans Bellmer - preface by André Pieyre de Mandiargue; also titled Drawings of Hans Bellmer and Erotic Engravings | |||||||||||
Box 113 | Correspondence 1967-1969 | ||||||||||
Box 113 | Photographs 1967 | ||||||||||
Box 113 | Production, Galleys 1967 - includes typescript "Catalog Raisonnè of Hans Bellmer's engravings" | ||||||||||
Box 113 | Production, Manufacturing 1966-1969 | ||||||||||
Box 113 | Production, Proof 1967 - includes typescript of end notes, with corrections | ||||||||||
Box 113 | Royalties (GP-621) 1967 | ||||||||||
L'Oeuvre Grave | |||||||||||
Box 113 | Contract, Les Editions Denoel 1969 | ||||||||||
Box 113 | Correspondence 1968-1971 | ||||||||||
Box 113 | Production, Miscellaneous 1968-1971 - foreword by Pieyre de Mandiargue with corrections (photocopy); preface by Jelenski with corrections (photocopy); assorted pages | ||||||||||
Box 113 | Royalties, Les Editions Denoel 1969-1971 | ||||||||||
Benig, Irving | |||||||||||
The Children: Poems and Prose from the Children of Bedford-Stuyvesant | |||||||||||
Box 113 | Contract 1971 | ||||||||||
Box 113 | Correspondence 1970-1971 - includes author correspondence, photos, clippings, contributor releases | ||||||||||
Box 113 | Production, Manuscript | ||||||||||
Box 113 | Rights and permissions 1971-1973 | ||||||||||
Benjaminson, Peter | |||||||||||
The Story of Motown | |||||||||||
Box 113 | Contract 1977 | ||||||||||
Box 114 | Correspondence, Author 1977-1980 | ||||||||||
Box 114 | Photographs | ||||||||||
Box 114 | Production, Manufacturing 1979 | ||||||||||
Box 114 | Production, Manuscript circa 1978-1979 | ||||||||||
Box 114 | Publicity 1979-1980 | ||||||||||
Benoliel, O.D. | |||||||||||
The Secret Life of Catherine the Great | |||||||||||
Box 114 | Contract 1981 | ||||||||||
Box 114 | Correspondence 1981-1982 - includes letters from Alain Robbe-Grillet, Joseph Campbell | ||||||||||
Box 114 | Production, Galleys 1981 - includes handwritten Introduction by Alain Robbe-Grillet in French | ||||||||||
Box 114 | Production, Manufacturing 1980-1982 | ||||||||||
Box 114 | Production, Mechanicals - all contain slight variations from each other (5 folders) | ||||||||||
Box 115 | Production, Sample cloth cover | ||||||||||
Benson, Warren E., Jr. | |||||||||||
The 1981 Model Cars | |||||||||||
Box 115 | Production, Galleys, set 1 | ||||||||||
Box 115 | Production, Galleys, set 2 | ||||||||||
The Car Buyer's Illustrated … Guidebook | |||||||||||
Box 115 | Production, Galleys, set 1 | ||||||||||
Box 115 | Production, Galleys, set 2 | ||||||||||
Box 115 | Production, Manufacturing 1979-1981 | ||||||||||
Box 115 | Production, Setting copy 1980 (3 folders) | ||||||||||
Box 115 | Production, Setting copy 1981 (2 folders) | ||||||||||
Box 116 | Production, Setting copy 1981 | ||||||||||
Bentley, Eric | |||||||||||
Box 116 | Correspondence, author 1952-1975, undated (5 folders) | ||||||||||
A Time to Live / A Time to Die | |||||||||||
Box 116 | Correspondence 1968-1970 | ||||||||||
Box 116 | Production, Manufacturing 1968-1970 | ||||||||||
Box 116 | Production, Manuscript | ||||||||||
Box 116 | Production, Setting copy | ||||||||||
Box 116 | Publicity 1968, 1971 | ||||||||||
[Brecht translations, various] - A Man's a Man and Elefantenkalb | |||||||||||
Box 116 | Contract 1962 | ||||||||||
The Brecht Commentaries | |||||||||||
Box 117 | Production, Galleys (3 folders) | ||||||||||
Box 117 | Production, Manufacturing 1980-1981 | ||||||||||
Box 169 | Production, Manuscript (3 folders) | ||||||||||
Box 117 | Production, Setting copy (4 folders) | ||||||||||
Commitments : Two Plays (Antigone and Peleus) | |||||||||||
Box 117 | Project file 1968-1970 - contract, readers' reports | ||||||||||
The Importance of Scrutiny | |||||||||||
Box 117 | Correspondence 1955-1961 | ||||||||||
Box 117 | Production, Manufacturing 1955-1957 | ||||||||||
Rally Cries | |||||||||||
Box 117 | Book 1977 - New Republic paperback edition | ||||||||||
The Storm Over "The Deputy" [editor] | |||||||||||
See also Hochhuth, Rolf : The Deputy. | |||||||||||
Box 117 | Bibliography, Hochhuth 1964 - typescript; galleys | ||||||||||
Box 117 | Contract 1964 | ||||||||||
Box 117 | Correspondence 1963 - includes letter from Albert Schweitzer with his thoughts on the book | ||||||||||
Box 118 | Correspondence 1964-1965, 1968-1970, undated (3 folders) | ||||||||||
Box 118 | Production, Manufacturing 1964 | ||||||||||
Box 118 | Production, Setting copy with galleys - pages 1 - bibliography | ||||||||||
Box 118 | Project file (1) - articles, essays, reviews, clippings about "The Deputy," some published and others typescript; authors include Alfred Kazin, Robert Leiber S.J., Cardinal Montini / Pope Paul VI with typescript of Hochhuth's response, Leon Poliakov, Patricia Marx (interview of Hochhuth, photocopy of corrected typescript), Rolf Chr. Zimmerman | ||||||||||
Box 118 | Project file (2) - articles, essays, reviews, clippings about "The Deputy," some published and others typescript; authors include Hannah Arendt, Albrecht von Kessel, Erwin Piscatov, Desmond Fisher, Susan Sontag, Arthur Cochrane, John Simon, Carl Amery, Michael Harrington, Karl Jaspers, Judith Stone (interview with Hochhuth), Reinhold Niebuhr, Guenter Lewy | ||||||||||
Box 119 | Project file (3) - clippings and printed material about "The Deputy," authors include Hans Kuehner and Robert Graham; notes from translators; photograph of pickets at opening of play; permission/credit line lists and documentation; miscellaneous | ||||||||||
Box 119 | Project file (4) - mostly correspondence about permissions from original authors | ||||||||||
Box 119 | Publicity, Grove | ||||||||||
Box 119 | Publicity, General 1964-1965, 1968 | ||||||||||
de Berg, Jean | |||||||||||
The Image | |||||||||||
Box 119 | Contract 1964 | ||||||||||
Box 119 | Correspondence 1964-1967, 1970, 1973, 1975-1976 | ||||||||||
Box 119 | Correspondence, film adaptation 1967-1970 - includes letter from Alain Robbe-Grillet | ||||||||||
Box 119 | Production, Manufacturing 1967, 1975-1976 | ||||||||||
Box 119 | Production, Setting copy | ||||||||||
Box 119 | Publicity, Grove | ||||||||||
Box 119 | Publicity, General 1966-1967, 1976 | ||||||||||
Box 119 | Royalties, Borchardt / Minuit (B-139) 1967-1971 | ||||||||||
Box 119 | Royalties, Borchardt / Minuit (GP-378) 1964-1970 | ||||||||||
Box 119 | Royalties, Evergreen Book Club (GP-378) 1967-1969 | ||||||||||
Bergauntino, Len | |||||||||||
No Way Out? | |||||||||||
Box 120 | Project file 1974 | ||||||||||
Bergler, Edmund | |||||||||||
The Counterfeit Sex | |||||||||||
Box 120 | Contract, Grune & Stratton 1961 | ||||||||||
Box 120 | Correspondence, Author 1961 | ||||||||||
Box 120 | Correspondence 1961-1962, 1964 | ||||||||||
Box 120 | Production, Manufacturing 1961 | ||||||||||
Box 120 | Publicity 1961-1964 | ||||||||||
Box 120 | Royalties, Grune & Stratton (BC-68, E-303) 1961-1968 | ||||||||||
Bergman, Ingmar | |||||||||||
A Film Trilogy / Three Films | |||||||||||
Box 120 | Contract, Grossman Publishers 1968 | ||||||||||
Box 120 | Correspondence 1968-1970 | ||||||||||
Box 120 | Production, Camera copy | ||||||||||
Box 120 | Production, Manufacturing 1969, 1977 | ||||||||||
Box 120 | Production, Setting copy - marked-up copy of Orion Press edition | ||||||||||
Bergonzo, Jean Louis | |||||||||||
The Spanish Inn | |||||||||||
Box 120 | Contract, Les Editions de Minuit 1966 | ||||||||||
Box 120 | Correspondence 1966-1969 | ||||||||||
Box 120 | Photograph, Author | ||||||||||
Box 120 | Production, Manufacturing 1967-1969 | ||||||||||
Box 120 | Production, Setting copy (2 folders) | ||||||||||
Box 120 | Project file 1966-1968 - reader's reports, clippings about the author | ||||||||||
Box 120 | Publicity, Grove 1966, 1968-1969 | ||||||||||
Box 120 | Publicity, General 1968-1969 | ||||||||||
Bernard, Marc | |||||||||||
Zola | |||||||||||
Box 121 | Correspondence 1959-1960 - includes Jean Leblon, translator | ||||||||||
Box 121 | Production, Miscellaneous 1960 - corrections, quotations, etc. | ||||||||||
Box 121 | Publicity 1960 | ||||||||||
Box 121 | Royalties, Georges Borchardt (P-16) 1962-1965 | ||||||||||
Bernard, Michel | |||||||||||
The Mute Black Girl | |||||||||||
Box 121 | Contract, Georges Borchardt 1969 | ||||||||||
Box 121 | Correspondence 1968-1972 | ||||||||||
Box 121 | Photographs, Author | ||||||||||
Box 121 | Project file 1969 - reader's report; photocopies of marked-up pages from Christian Bourgois edition | ||||||||||
Box 121 | Royalties, Georges Borchardt 1969-1971 | ||||||||||
Bernard, Sidney | |||||||||||
This Way to the Apocalypse | |||||||||||
Box 121 | Correspondence, author 1970 | ||||||||||
Bernardin, Emil and Emil Perauer | |||||||||||
The Crazy Horse Saloon | |||||||||||
Box 121 | Correspondence 1967 | ||||||||||
Berne, Eric | |||||||||||
Box 121 | Correspondence, author 1959-1970 (4 folders) | ||||||||||
Box 121 | Correspondence, Random House 1978-1979 - regarding transfer of Berne rights | ||||||||||
Box 121 | Correspondence, general 1963, 1968, 1971, 1973, 1975, 1979 | ||||||||||
Box 121 | Rights and permissions, general / multiple 1966, 1971-1972, 1975 | ||||||||||
Autobiography of a Very Young Boy | |||||||||||
Box 121 | Project file 1963 - reader's report | ||||||||||
Beyond Games and Scripts | |||||||||||
Box 121 | Correspondence 1978 | ||||||||||
Box 121 | Production, Manufacturing 1976-1978 | ||||||||||
Box 121 | Production, Setting copy (2 folders) | ||||||||||
Box 121 | Publicity 1977 | ||||||||||
Games People Play | |||||||||||
Box 122 | Contract 1962 | ||||||||||
Box 122 | Correspondence 1962-1970 | ||||||||||
Box 122 | Correspondence, Foreign rights 1964-1970 (2 folders) | ||||||||||
Box 121 | Correspondence, Random House 1975 | ||||||||||
Box 122 | Production, Manufacturing 1964-1968, 1973, 1977-1978 | ||||||||||
Box 122 | Production, Repros (F&Gs) (2 folders) | ||||||||||
Box 122 | Production, Setting copy - disassembled Grove edition; possibly for paperback edition | ||||||||||
Box 122 | Publicity, Grove 1960-1970 - correspondence, requests for review copies, lists of target publications, ad poroofs and discussion of campaigns, Berne appearances on talk shows, etc. (5 folders) | ||||||||||
Box 123 | Publicity, Clippings 1965-1966 - ads, mostly newspaper clippings (3 folders) | ||||||||||
Box 124 | Publicity, Clippings 1967 - ads for paperback edition | ||||||||||
Box 124 | Publicity, Clippings 1965-1966 - best-seller lists, clipped from magazines and newspapers (6 folders) | ||||||||||
Box 124 | Publicity, Clippings 1966 - British reviews | ||||||||||
Box 124 | Publicity, Clippings 1964, 1966-1967 - French reviews | ||||||||||
Box 125 | Publicity, Clippings 1964-1966 - "good reviews" | ||||||||||
Box 125 | Publicity, Clippings 1964-1966 (7 folders) | ||||||||||
Box 126 | Publicity, Clippings 1965-1970 (8 folders) | ||||||||||
Box 127 | Publicity, Clippings 1968-1969, 1977-1978 (2 folders) | ||||||||||
Box 127 | Rights and permissions 1965-1973 (2 folders) | ||||||||||
Box 127 | Rights and permissions, audio/video and film 1965, 1969-1973 - includes Martin Gang | ||||||||||
Box 127 | Royalties, Dilia (Pravda) (GP-321) 1968-1970 - includes contract | ||||||||||
Box 127 | Royalties, Miscellaneous notes 1965-1967, 1983, undated - Dais, Andre Deutsch, John Metcalf | ||||||||||
The Happy Valley | |||||||||||
Box 127 | Contract 1966-1967 | ||||||||||
Box 127 | Correspondence, Gang, Tyre, Rudin and Brown 1966-1967 - regarding contract | ||||||||||
Box 127 | Correspondence, Sylvie Selig (illustrator) 1966-1969 - includes copy of contract | ||||||||||
Box 127 | Production, Blues - 2 versions | ||||||||||
Box 127 | Production, Manufacturing 1966-1969, 1974 - includes book covers | ||||||||||
Box 128 | Production, Manuscript - original, revised version and final version (4 folders) | ||||||||||
Box 128 | Production, Marked copy | ||||||||||
Box 128 | Production, Photocopy with corrections | ||||||||||
Box 128 | Production, Setting copy | ||||||||||
Box 128 | Project file 1966-1969 - correspondence about production delays, discussion of illustrations, queries from foreign publishers, etc. | ||||||||||
Box 128 | Publicity 1966-1969, 1977 - clippings, reviews, photocopies of letters from children | ||||||||||
Box 128 | Reader responses 1966 - letters from children | ||||||||||
A Layman's Guide to Psychiatry and Psychoanalysis | |||||||||||
Box 128 | Contract, Simon & Schuster 1966 | ||||||||||
Box 128 | Production, Camera copy (2 folders) | ||||||||||
Box 129 | Production, Manufacturing 1964-1975 | ||||||||||
Box 129 | Project file 1962-1975 - correspondence, proposal to publish, etc. | ||||||||||
Box 129 | Publicity 1962, 1965-1968, 1975, 1977 | ||||||||||
Principles of Group Treatment | |||||||||||
Box 129 | Contract 1967-1968 | ||||||||||
Box 129 | Correspondence, reader's report 1966-1968, 1971, 1977 | ||||||||||
Box 129 | Production, Manufacturing 1968-1971, 1977-1978 | ||||||||||
Box 129 | Publicity 1967-1968 | ||||||||||
Ramsbottom Horseley | |||||||||||
Box 129 | Correspondence 1978 | ||||||||||
Six Volume Eric Berne Set | |||||||||||
Box 129 | Project file 1977-1978 - project with Ziff-Davis Book Clubs; mostly manufacturing material | ||||||||||
Structure and Dynamics of Organizations and Groups | |||||||||||
Box 129 | Contract 1965 | ||||||||||
Box 129 | Correspondence, proposal 1965-1970 | ||||||||||
Box 129 | Production, Manufacturing 1965, 1975-1978 | ||||||||||
Box 129 | Publicity 1963-1967 | ||||||||||
Box 129 | Rights and permissions 1971, 1973 | ||||||||||
Transactional Analysis in Psychotherapy | |||||||||||
Box 129 | Correspondence 1960-1962, 1965-1970, 1973-1975 | ||||||||||
Box 129 | Production, Manufacturing 1960, 1975, 1977-1978 | ||||||||||
Box 129 | Production, Illustrations | ||||||||||
Box 129 | Publicity 1960-1963, 1967 | ||||||||||
Box 129 | Rights and permissions 1965-1973 | ||||||||||
What Do You Say After You Say Hello? | |||||||||||
Box 130 | Contract 1970-1972 | ||||||||||
Box 130 | Correspondence 1970-1975 (2 folders) | ||||||||||
Box 130 | Production, Jackets 1972 | ||||||||||
Box 130 | Production, Manufacturing 1971-1973, 1977-1978 (3 folders) | ||||||||||
Box 130 | Production, Manuscript (4 folders) | ||||||||||
Box 131 | Production, Manuscript corrections | ||||||||||
Box 131 | Production, Setting copy - name index only | ||||||||||
Box 131 | Publicity 1971-1975 | ||||||||||
Box 131 | Rights and permissions 1972-1973 | ||||||||||
Bernsohn, A.W. | |||||||||||
Sadist in Satin | |||||||||||
Box 131 | Contract 1971 | ||||||||||
Berrigan, Ted | |||||||||||
Box 131 | Correspondence, Author 1967-1971, 1977 - includes clipping about wife Alice | ||||||||||
Box 131 | Photographs, Author | ||||||||||
Bean Spasms [unpublished] | |||||||||||
Box 131 | Correspondence 1970 | ||||||||||
The Sonnets | |||||||||||
Box 131 | Production, Manufacturing 1967 | ||||||||||
Box 131 | Production, Mechanicals | ||||||||||
Box 131 | Production, Page proofs - partial, 6 pages | ||||||||||
Box 131 | Production, Setting copy | ||||||||||
Box 131 | Publicity 1967-1969 | ||||||||||
Box 131 | Rights and permissions 1967 | ||||||||||
[Untitled book of poetry] | |||||||||||
Box 131 | Contract 1967 | ||||||||||
Box 131 | Royalties | ||||||||||
Bertrand, Raymond | |||||||||||
Box 131 | Photographs, Author | ||||||||||
Drawings of Bertrand | |||||||||||
Box 131 | Correspondence 1974-1979 | ||||||||||
Box 131 | Publicity 1974 | ||||||||||
Erotic Drawings | |||||||||||
Box 131 | Correspondence 1971 | ||||||||||
Box 131 | Production, Manufacturing 1970-1975 - includes jacket from Fremch edition | ||||||||||
Box 131 | Production, Manuscript - introduction by Raymond Borde only; photocopy of original French, typescript of English translation | ||||||||||
Box 131 | Publicity 1974-1975 | ||||||||||
Bessy, Maurice | |||||||||||
Imprecis d'Erotisme | |||||||||||
Box 131 | Contract, Pauvert 1965 | ||||||||||
Box 131 | Correspondence 1965-1967 - most is with Harold Talbot (translator) | ||||||||||
Box 131 | Royalties, Borchardt 1966-1971 | ||||||||||
Bestic, Alan and Vrba, Rudolph | |||||||||||
I Cannot Forgive | |||||||||||
Box 131 | Correspondence 1968 | ||||||||||
Box 131 | Production, Jacket - boards for Grove hardcover edition | ||||||||||
Box 131 | Rights and permissions 1965-1966, 1973 | ||||||||||
Beswick, Ethel | |||||||||||
Jataka Tales [part of Wisdom of the East series] | |||||||||||
Box 132 | Correspondence 1962 | ||||||||||
Betti, Ugo | |||||||||||
Three Plays | |||||||||||
Box 132 | Correspondence 1957-1964 - includes summary of royalties paid to Curtis Brown Ltd. | ||||||||||
Box 132 | Production, Camera copy | ||||||||||
Box 132 | Publicity, Clippings 1958-1961, 1965 | ||||||||||
Box 132 | Rights and permissions 1960-1970 | ||||||||||
Beukenkamp, Cornelius, M.D. | |||||||||||
Fortunate Strangers | |||||||||||
Box 132 | Contract, Rinehart 1958 | ||||||||||
Box 132 | Correspondence, Author 1960-1965 | ||||||||||
Box 132 | Correspondence 1958, 1961, 1964-1965 | ||||||||||
Box 132 | Production, Manufacturing 1958-1959 | ||||||||||
Box 132 | Publicity 1958-1959 | ||||||||||
Box 132 | Royalties, Rinehart (E-137) 1958-1965 | ||||||||||
Bewley, Marius | |||||||||||
The Complex Fate | |||||||||||
Box 132 | Correspondence, Author 1954, 1959, undated | ||||||||||
Box 132 | Photographs, Author | ||||||||||
Box 132 | Production, Manufacturing 1953 | ||||||||||
Box 132 | Publicity, Clippings 1954-1956 | ||||||||||
Box 132 | Rights and permissions 1956, 1961 | ||||||||||
Box 132 | Royalties (HB-46) 1955-1960, 1969 | ||||||||||
Beyle, Marie-Henri | |||||||||||
See Stendhal. | |||||||||||
Beylie, Claude | |||||||||||
Jean Renior (filmography) - may be part of L'Avant-Scène film album series | |||||||||||
Box 132 | Project file | ||||||||||
Bezdek, George | |||||||||||
Amazon Captive | |||||||||||
Box 132 | Contract 1972 | ||||||||||
The Ranch | |||||||||||
Box 132 | Contract 1972 | ||||||||||
Bhattacharya, Deben | |||||||||||
Box 132 | Correspondence, Author 1969-1970 | ||||||||||
Box 132 | Correspondence, General 1968-1970, 1975 | ||||||||||
Love Songs of Chandias | |||||||||||
Box 132 | Contract, George Allen & Unwin 1969 | ||||||||||
Box 132 | Production, Camera copy - disbound Allen & Unwin edition; includes boards | ||||||||||
Box 133 | Production, Manufacturing 1969 | ||||||||||
Box 133 | Production, Mechanicals | ||||||||||
Love Songs of Vidyapati | |||||||||||
Box 133 | Contract, George Allen & Unwin 1969 | ||||||||||
Box 133 | Production, Manufacturing 1969 | ||||||||||
Songs of the Bards of Bengal | |||||||||||
Box 133 | Production, Manufacturing 1969, 1978 | ||||||||||
Biedermanas, Izis (photographer) | |||||||||||
Gala Day London | |||||||||||
Box 132 | Correspondence 1953-1954 | ||||||||||
Biely, Andrei | |||||||||||
Box 133 | Correspondence, general | ||||||||||
Box 133 | Photographs, Author | ||||||||||
The Silver Dove | |||||||||||
Box 133 | Contract, Reavey (translator) 1960, 1968 | ||||||||||
Box 133 | Correspondence 1961, 1969-1970, 1973-1974 | ||||||||||
Box 133 | Correspondence, Reavey (translator) 1931, 1955, 1960, 1966-1970, 1973-1974 - includes his "A Note on Andrei Bely" (photocopy), biographical sketch, reprint of "Nine Letters of Boris Pasternak" by Ellen Levni | ||||||||||
Box 133 | Production, Manufacturing 1955, 1968-1970, 1973-1975 | ||||||||||
Box 133 | Production, Manuscript - photocopy (4 folders) | ||||||||||
Box 134 | Production, Manuscript (setting copy) - corrected and marked up for typesetting (6 folders) | ||||||||||
Box 134 | Production, Proofs - preface by Harrison Salisbury; translator's introduction by George Reavey (photocopies) (2 folders) | ||||||||||
Box 134 | Publicity | ||||||||||
St. Petersburg | |||||||||||
Box 134 | Correspondence, John Cournos (translator) 1956-1967 | ||||||||||
Box 134 | Correspondence, George Reavey (translator) 1958-1960, 1974 | ||||||||||
Box 134 | Correspondence, general 1958-1960, 1964, 1967, 1971, 1974 - includes some unidentified typescript pages with corrections | ||||||||||
Box 134 | Production, Cover art | ||||||||||
Box 134 | Production, Manuscript - corrected typescript of introduction by George Reavey | ||||||||||
Box 134 | Publicity 1959 | ||||||||||
Box 135 | Rights and permissions 1959-1962, 1964, 1967-1970, 1974 | ||||||||||
Box 135 | Royalties, Book Find Club (E-331) 1959-1960 - includes contractinformation | ||||||||||
Box 135 | Royalties, Norstedt / Lena I. Gedin (E-331) 1959, 1969 - Swedish edition; includes contractinformation | ||||||||||
Box 135 | Royalties, Weidenfield & Nicholson 1959-1962 - British edition; includes contractinformation | ||||||||||
Bihaji-Merin, Oto | |||||||||||
Modern Yugoslav Painters | |||||||||||
Box 135 | Contract 1960 | ||||||||||
Box 135 | Correspondence, Author 1959-1962 | ||||||||||
Box 135 | Correspondence, general 1959-1962 | ||||||||||
Box 135 | Photographs of artists - "Master Sets" | ||||||||||
Box 135 | Photographs of paintings 1955-1959 (2 folders) | ||||||||||
Box 135 | Production, Color slides of paintings | ||||||||||
Box 135 | Production, Color transparencies of paintings | ||||||||||
Box 135 | Production, Manufacturing 1958-1963 | ||||||||||
Box 135 | Production, Manuscript - artist biographies and picture captions | ||||||||||
Box 135 | Production, Manuscript - typescript in German | ||||||||||
Box 135 | Production, Manuscript - "working manuscript"; typescript with corrections, annotations | ||||||||||
Box 135 | Production, Setting copy - original and photocopy (2 folders) | ||||||||||
Box 135 | Production, Working manuscript | ||||||||||
Bingham, Woodbridge | |||||||||||
Box 135 | Correspondence, Author 1956-1957 - relates to two books, Southwest Asia: A Brief History and Introduction to the History of Asia | ||||||||||
Binyon, Laurence | |||||||||||
The Flight of the Dragon | |||||||||||
Box 135 | Production, Shot copy 1961 (2 folders) | ||||||||||
Box 136 | Production, Working copy | ||||||||||
Box 136 | Project file 1960-1961 | ||||||||||
Box 136 | Royalties, John Murray Ltd. 1961-1963 | ||||||||||
Birch, Cyril and Donald Keene (eds.) | |||||||||||
Anthology of Chinese Literature - all volumes/editions (volume distinctions only made in manuscript/production folders) | |||||||||||
Box 136 | Contract, Asia Society 1965 | ||||||||||
Box 136 | Correspondence, Cyril Birch 1959-1973 | ||||||||||
Box 136 | Correspondence, Donald Keene 1963, 1966 | ||||||||||
Box 136 | Correspondence, general 1959-1971 | ||||||||||
Box 136 | Publicity, Grove | ||||||||||
Box 136 | Publicity, General 1965-1969 | ||||||||||
Anthology of Chinese Literature, Volume 1 | |||||||||||
Box 136 | Production, Front matter | ||||||||||
Box 136 | Production, Manuscript | ||||||||||
Box 136 | Royalties, Asia Society (GP-337) 1965-1969 | ||||||||||
Anthology of Chinese Literature, Volume, 2 | |||||||||||
Box 136 | Photographs | ||||||||||
Box 136 | Production, Cover samples | ||||||||||
Box 136 | Production, Dummy for front matter | ||||||||||
Box 137 | Production, Plate for frontispiece | ||||||||||
Box 137 | Production, Manufacturing 1971-1972 | ||||||||||
Box 137 | Production, Setting copy (5 folders) | ||||||||||
Anthology of Chinese Literature [paperback edition, E-417] | |||||||||||
Box 137 | Production, Manufacturing 1963, 1967-1970, 1979-1981 | ||||||||||
Stories from a Ming Collection | |||||||||||
Box 137 | Contract, Indiana University 1967 | ||||||||||
Box 137 | Correspondence 1960, 1966-1970 | ||||||||||
Box 137 | Production, Manufacturing 1967, 1980 | ||||||||||
Box 137 | Publicity 1968 | ||||||||||
Bjorneboe, Jens | |||||||||||
Box 138 | Correspondence, Author 1968-1972 - includes typescript of "Meeting With Eldridge" (interview with Eldridge Cleaver) | ||||||||||
Box 138 | Correspondence, General 1969-1970 | ||||||||||
Box 138 | Photographs, Author | ||||||||||
Box 138 | Reader reports, other books 1970 | ||||||||||
Moment of Freedom | |||||||||||
Box 138 | Contract 1970 | ||||||||||
Box 138 | Correspondence 1970 | ||||||||||
Box 138 | Project file 1970 - reader's report; German reviews | ||||||||||
Without a Stitch | |||||||||||
Box 138 | Contract 1969 | ||||||||||
Box 138 | Correspondence 1968-1970 | ||||||||||
Box 138 | Photographs | ||||||||||
Box 138 | Production, Manufacturing 1969-1972 | ||||||||||
Box 138 | Production, Setting copy | ||||||||||
Box 138 | Project file 1968-1970 | ||||||||||
Box 138 | Publicity 1969-1970 | ||||||||||
Box 138 | Royalties (GP-579, Z-1050) 1971 | ||||||||||
Without a Stitch II | |||||||||||
Box 138 | Correspondence 1969-1973 | ||||||||||
Box 138 | Production, Manufacturing 1971 | ||||||||||
Box 139 | Production, Setting copy (2 folders) | ||||||||||
Blackburn, Paul | |||||||||||
See also The New American Poetry, edited by Donald Allen | |||||||||||
Box 139 | Author correspondence 1963-1969 | ||||||||||
The Cities | |||||||||||
Box 139 | Correspondence 1966-1971 | ||||||||||
Box 139 | Production, Plate proof (2 folders) | ||||||||||
Box 139 | Production, Setting copy (2 folders) | ||||||||||
Box 139 | Publicity 1967-1971 | ||||||||||
Blaire, John G. | |||||||||||
Fanny Hill's Daughter | |||||||||||
Box 139 | Contract, Kontinent Press 1966 | ||||||||||
Box 139 | Correspondence 1966-1967 | ||||||||||
Box 139 | Project file 1966-1967 - proposal, reader's report, translation excerpt | ||||||||||
Box 139 | Royalties 1966-1971 | ||||||||||
Blake, William Dorsey | |||||||||||
Hobson's Choice by Johnathan Quist | |||||||||||
Box 139 | Contract 1972 | ||||||||||
Wife-Swap Cruise | |||||||||||
Box 139 | Project file 1972-1973 - author correspondnece, contract, sketch of cruise ship, cover from Venus edition (V-1126R) | ||||||||||
Blanchot, Maurice | |||||||||||
[various titles] | |||||||||||
Box 139 | Correspondence 1959-1961 - Austryn Wainhouse, others | ||||||||||
Blank, Leonard | |||||||||||
Looking and Showing: Studies in Dress, Undress and Body Image | |||||||||||
Box 139 | Correspondence, Author 1966-1967 | ||||||||||
Blei, Franz | |||||||||||
Der Amethyst | |||||||||||
Box 139 | Project file - fragment of envelope addressed to Grove, nothing else | ||||||||||
Blesh, Rudi | |||||||||||
Box 139 | Correspondence, Author 1959-1960, 1964 | ||||||||||
Six Artists of the San Francisco School | |||||||||||
Box 139 | Project file 1959 - correspondence, color transparencies | ||||||||||
Stuart Davis | |||||||||||
Contract | |||||||||||
See Blesh, Rudi and Harriet Janis : Motherwell : Contract below. | |||||||||||
Box 139 | Correspondence 1959-1960 - includes some with Davis | ||||||||||
Box 140 | Photographs - prints and color transparencies (2 folders) | ||||||||||
Box 140 | Production, Color plate proofs | ||||||||||
Box 140 | Production, Manufacturing 1960-1961 | ||||||||||
Box 140 | Project file 1960 - copyright, credit lines, notes on plates, etc. | ||||||||||
Blesh, Rudi and Horst Geldmacher | |||||||||||
O Susanna | |||||||||||
Box 140 | Correspondence 1959-1962 | ||||||||||
Box 140 | Photograph - print and negative | ||||||||||
Box 140 | Project file 1960 | ||||||||||
Box 140 | Royalties, Kiepenheuer & Witsch (GP-242) 1960-1963 | ||||||||||
Blesh, Rudi and Harriet Janis | |||||||||||
De Kooning | |||||||||||
Contract | |||||||||||
See Motherwell : Contract below. | |||||||||||
Box 140 | Correspondence, Harriet Janis (co-author) 1959-1961 | ||||||||||
Box 140 | Correspondence, general 1959-1961 | ||||||||||
Box 140 | Photographs, Color transparencies | ||||||||||
Box 140 | Photographs, Prints | ||||||||||
Box 140 | Production, Color plate proofs | ||||||||||
Box 140 | Production, Galleys | ||||||||||
Box 140 | Production, Manufacturing 1959-1961 | ||||||||||
Box 141 | Production. Miscellaneous 1960 - manuscript and proofs for front matter, captions; permission forms; galleys for plates; etc. | ||||||||||
Box 141 | Publicity 1961 | ||||||||||
Box 141 | Royalties, Harold Ober Associates (E-191) 1959-1963 | ||||||||||
Motherwell | |||||||||||
Box 141 | Contract 1959 - also covers De Kooning and Stuart Davis | ||||||||||
Box 141 | Royalties, Harold Ober Associates 1959-1960, 1963 - also mentions De Kooning, Stuart Davis, Six San Francisco Artists | ||||||||||
They All Played Ragtime | |||||||||||
Box 141 | Contract 1958 | ||||||||||
Box 141 | Copyright 1959 | ||||||||||
Box 141 | Correspondence, Harriet Janis (co-author) - jointly addressed | ||||||||||
Box 141 | Correspondence 1960-1963 | ||||||||||
Box 141 | Production, Manufacturing 1959 | ||||||||||
Box 141 | Publicity 1976 | ||||||||||
Box 141 | Royalties, Harold Ober Associates (E-178) 1959-1963 | ||||||||||
Block, Candace | |||||||||||
[untitled novel] | |||||||||||
Box 141 | Royalties, Annie Laurie Williams 1967-1969 | ||||||||||
Block, Haskell and Herman Sallinger | |||||||||||
The Creative Vision | |||||||||||
Box 141 | Correspondence, Authors 1956-1962 | ||||||||||
Box 141 | Correspondence, general 1957-1960, 1965-1969 | ||||||||||
Box 141 | Project file 1959-1960 - permissions, copyright, etc. | ||||||||||
Box 141 | Royalties (E-224) 1959-1968 | ||||||||||
Bloom, William | |||||||||||
Box 141 | Correspondence, Author 1972-1974 | ||||||||||
A Game for Children | |||||||||||
Box 141 | Correspondence 1972-1973 | ||||||||||
Box 141 | Project file 1973 - includes author bio and jacket from Michael Joseph edition | ||||||||||
Getting There | |||||||||||
Box 141 | Correspondence 1973-1975 | ||||||||||
Box 141 | Production, Manufacturing 1973-1974 | ||||||||||
Box 141 | Publicity, Grove 1974 | ||||||||||
Box 141 | Publicity, General 1974 | ||||||||||
Bluhm, Norman | |||||||||||
[unidentified] | |||||||||||
Box 141 | Transparencies 1960 | ||||||||||
Bocca, Geoffrey | |||||||||||
See Revelli, George [pseudonym]. | |||||||||||
Bock, Audie and Donald Richie | |||||||||||
Great Directors of the Japanese Cinema | |||||||||||
Box 141 | Contract 1974-1975 | ||||||||||
Box 141 | Project file 1975 | ||||||||||
Bogard, Travis and William Oliver | |||||||||||
Modern Dramatic Principles | |||||||||||
Box 141 | Contract 1967 | ||||||||||
Box 141 | Correspondence, Authors 1968-1971 | ||||||||||
Box 141 | Correspondence, general 1969, 1971-1972 - bulk is with authors' attorneys | ||||||||||
Box 141 | Royalties 1967-1971 | ||||||||||
Boles, Robert | |||||||||||
Boise Sculpture, The People One Knows | |||||||||||
Box 142 | Correspondence 1965, 1967 | ||||||||||
Bonaparte, Marie | |||||||||||
Female Sexuality | |||||||||||
Box 142 | Correspondence 1961-1962 | ||||||||||
Box 142 | Production, Camera copy (5 folders) | ||||||||||
Box 142 | Production, Setting copy (2 folders) | ||||||||||
Box 142 | Royalties, International University Press (E-321) 1962-1965 | ||||||||||
Bond, Susan and Sally Trinkle Manion | |||||||||||
Eric, the Red-Tempered Viking | |||||||||||
Box 142 | Contract 1967, 1972 - includes later correspondence regarding reversion of rights to Bond | ||||||||||
Box 142 | Correspondence, Author 1967-1969 | ||||||||||
Box 142 | Correspondence, Sally Manion (illustrator) 1967-1969 | ||||||||||
Box 142 | Correspondence, general 1967-1969 | ||||||||||
Box 142 | Production, Manufacturing - includes book jackets, other artwork | ||||||||||
Box 142 | Publicity, Grove 1968 | ||||||||||
Box 142 | Publicity, General 1968-1969, 1974 | ||||||||||
Bonne, Alfred | |||||||||||
State and Economics in the Middle East: A Society in Transition | |||||||||||
Box 142 | Publicity 1953 | ||||||||||
Boots, Tiffany | |||||||||||
Five Men | |||||||||||
Box 142 | Production, Boards | ||||||||||
Box 142 | Production, Manufacturing | ||||||||||
Box 143 | Production, Page proofs (2 folders) | ||||||||||
Box 143 | Production, Setting copy (2 folders) | ||||||||||
Borchardt, Georges | |||||||||||
New French Writing | |||||||||||
Box 143 | Contract 1960 | ||||||||||
Box 143 | Correspondence 1960-1961 | ||||||||||
Box 143 | Royalties, Criterion (E-280) 1960-1963 | ||||||||||
Borges, Jorge Luis | |||||||||||
Box 143 | Correspondence, Author 1959-1960, 1969 | ||||||||||
Book of Imaginary Beings | |||||||||||
Box 143 | Project file 1969-1970 - correspondence, reviews | ||||||||||
Fictions [Ficciones] | |||||||||||
Box 143 | Contract 1961 | ||||||||||
Box 143 | Correspondence, Anthony Kerrigan (editor) 1961-1963 | ||||||||||
Box 143 | Correspondence, general 1958-1970 | ||||||||||
Box 143 | Production, Manufacturing 1962, 1977-1980 | ||||||||||
Box 143 | Project file 1961-1962, 1968 | ||||||||||
Box 143 | Publicity, Grove 1962-1963, 1966 | ||||||||||
Box 143 | Publicity, General 1962-1966 | ||||||||||
Box 143 | Rights and permissions 1962-1970 | ||||||||||
Box 143 | Royalties, Emeces Editores (GP-268) 1961-1965 | ||||||||||
A Personal Anthology | |||||||||||
Box 144 | Correspondence, Anthony Kerrigan (editor) 1962-1968 | ||||||||||
Box 144 | Correspondence, general 1962-1972 | ||||||||||
Box 144 | Production, Manufacturing 1978 | ||||||||||
Box 144 | Project file 1959-1966, 1977-1978 - partial galleys, list of translations, typescript of foreword, proofs of jacket text, etc. | ||||||||||
Box 144 | Publicity, Grove 1966-1970 | ||||||||||
Box 144 | Publicity, General 1967-1969 (2 folders) | ||||||||||
Box 144 | Rights and permissions 1967-1972 | ||||||||||
Bosch, Juan | |||||||||||
Pentagonism | |||||||||||
Box 144 | Contract 1968 | ||||||||||
Box 144 | Correspondence, Author 1968-1969 - includes carbon of an extremely negative reader response | ||||||||||
Box 144 | Correspondence 1968-1970 | ||||||||||
Box 144 | Photographs, Author | ||||||||||
Box 144 | Production, Manuscript in English (2 folders) | ||||||||||
Box 145 | Production, Manuscript in Spanish (2 folders) | ||||||||||
Box 145 | Production, Setting copy (2 folders) | ||||||||||
Box 145 | Project file 1968-1969 | ||||||||||
Box 145 | Publicity, Grove 1968-1970 - includes jackets for both editions ( GP-504 and B-217) | ||||||||||
Box 145 | Publicity, General 1968-1970 (2 folders) | ||||||||||
Boucourechliev, Andre | |||||||||||
Schumann | |||||||||||
Box 145 | Correspondence and reader's report 1961, 1965-1966, 1969 | ||||||||||
Box 145 | Publicity, Grove 1960 | ||||||||||
Box 145 | Royalties, Borchardt (P-2) 1962-1965 | ||||||||||
Boudin, Kathy | |||||||||||
The Bust Book | |||||||||||
Box 145 | Contract 1969 | ||||||||||
Box 145 | Production, Manufacturing 1969-1970 | ||||||||||
Box 145 | Production, Mechanicals (2 folders) | ||||||||||
Box 145 | Production, Mechanicals (repros) - pp. 1-49 | ||||||||||
Box 146 | Production, Mechanicals (repros) - pp. 50-160 (2 folders) | ||||||||||
Box 146 | Production, Setting copy (3 folders) | ||||||||||
Box 146 | Production, Working copy | ||||||||||
Box 146 | Project file 1969-1970 | ||||||||||
Box 146 | Rights and permissions 1970-1972 | ||||||||||
Bourdon, Sylvia | |||||||||||
Love is a Ball | |||||||||||
Box 146 | Correspondence, Author 1977 | ||||||||||
Box 146 | Correspondence 1977 | ||||||||||
Box 146 | Photographs, Author | ||||||||||
Box 146 | Production, Galleys (2 folders) | ||||||||||
Box 146 | Production, Manufacturing 1976-1979 | ||||||||||
Box 146 | Production, Setting copy 1978 | ||||||||||
Box 146 | Publicity 1977-1978 | ||||||||||
Bourniquel, Camille | |||||||||||
Chopin | |||||||||||
Box 146 | Project file 1959, 1962 - correspondence with Lesley MacDonald (translator), Chopin discographies, cover proofs, etc. | ||||||||||
Box 146 | Royalties, Borchardt (P-8) 1962-1964 | ||||||||||
Bowers, Faubion | |||||||||||
Theatre in the East | |||||||||||
Box 147 | Contract, Bowers 1968 | ||||||||||
Box 147 | Contract, Nelson and Sons 1960 | ||||||||||
Box 147 | Correspondence, Author 1969 | ||||||||||
Box 147 | Correspondence 1960, 1969 | ||||||||||
Box 147 | Photograph, Author | ||||||||||
Box 147 | Photographs, Photocopies - illustrations from book | ||||||||||
Box 147 | Production, Manufacturing 1960, 1969 | ||||||||||
Box 147 | Production, Setting copy | ||||||||||
Box 147 | Publicity 1968 | ||||||||||
Box 147 | Royalties, Nelson and Sons (E-247) 1960-1964 | ||||||||||
Bowles, Patrick | |||||||||||
Bowles translated numerous books for Grove; search the finding aid for "Bowles" to locate additional material on those titles. | |||||||||||
[untitled book of poetry] | |||||||||||
Box 146 | Correspondence, Author 1958-1959, 1970 - includes copy of Bowles' article on Beckett | ||||||||||
Bowles, Paul | |||||||||||
A Life Full of Holes | |||||||||||
See Charhadi, Driss ben Hamed and Paul Bowles. | |||||||||||
Up Above the World | |||||||||||
Box 146 | Correspondence, Author 1965 - includes author photograph | ||||||||||
Bowra, C.M. | |||||||||||
The Creative Experiment | |||||||||||
Box 147 | Contract, St. Martin's 1957 | ||||||||||
Box 147 | Correspondence, Author [1957] | ||||||||||
Box 147 | Correspondence 1957-1958, 1961, 1967 | ||||||||||
Box 147 | Production, Manufacturing 1958-1961 | ||||||||||
Box 147 | Royalties, St. Martin's Press (E-80) 1957-1964, 1967 | ||||||||||
Boyd, Andrew | |||||||||||
Holy War in Belfast | |||||||||||
Box 147 | Correspondence, Author 1973, 1976 | ||||||||||
Box 147 | Correspondence 1971-1972 | ||||||||||
Box 147 | Photographs, Author | ||||||||||
Box 147 | Project file 1972 | ||||||||||
Box 147 | Publicity 1977, undated | ||||||||||
Boyer, William | |||||||||||
Education for Annihilation | |||||||||||
Box 147 | Contract, Executive Systems Corporation 1969-1970 | ||||||||||
Box 147 | Correspondence, Author 1969-1971 | ||||||||||
Box 147 | Correspondence 1969-1970, 1972 | ||||||||||
Box 147 | Project file 1968-1970 - readers' reports, publicity questionnaire, etc. | ||||||||||
Box 147 | Royalties, Executive Systems Corporation 1969-1971 | ||||||||||
Boyle, Kay | |||||||||||
The Long Walk at San Francisco State | |||||||||||
Box 147 | Contract 1970 | ||||||||||
Box 147 | Copyright 1970 | ||||||||||
Box 147 | Correspondence, Author 1957, 1959, 1970-1972, 1977 | ||||||||||
Box 147 | Correspondence, general 1970 | ||||||||||
Box 147 | Photographs, Author | ||||||||||
Box 147 | Production, Illustration blues 1970 | ||||||||||
Box 147 | Production, Manuscript (2 folders) | ||||||||||
Box 147 | Production, Mechanicals - index only | ||||||||||
Box 148 | Production, Plate proofs (2 folders) | ||||||||||
Box 148 | Production, Setting copy (2 folders) | ||||||||||
Box 148 | Project file 1969-1971 - background information, captions, notes, etc. | ||||||||||
Box 148 | Publicity 1970 |