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Finding aid created by: -
Date: unknown
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16 May 2007 | converted to EAD (AMCon) |
26 Oct 2012 | extent revised (MBD) |
Overview of the Collection |
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Creator: | Lucioni, Luigi, 1900- |
Title: | Luigi Lucioni Papers |
Dates: | 1927-1964 |
Quantity: | 3 linear ft. |
Abstract: | Papers of the Italian-American painter, etcher, lithographer. Collection includes correspondence, original drawings, 237 lithographic proofs, exhibition material, photographs of work, and printed material. |
Language: | English |
Repository: | Special Collections Research Center, Syracuse University Libraries 222 Waverly Avenue Syracuse, NY 13244-2010 https://library.syracuse.edu/special-collections-research-center |
Artist Luigi Lucioni, son of Angelo and Maria (Beati) Lucioni, was born in Malnate, Italy, on November 4, 1900. He came to the United States in 1911 and later studied at Cooper Union Art School (1916-1920) and the National Academy of Design (1920-1925). A painter of portraits and still lifes, he is famous for his lithographs of Vermont landscapes.
Mr. Lucioni is represented in the Metropolitan Museum of Art, Whitney Museum of American Art, Denver Art Museum, Nelson Gallery of Art, Pennsylvania Academy of Fine Arts, Nebraska State Capitol, Canajoharie Museum, Phillips Memorial Gallery (Andover, Massachusetts), Library of Congress, London's Victoria and Albert Museum, Williams College, New York Public Library, Carnegie Institute, Seattle Museum, Zaneville (Ohio) Museum, Dartmouth College, Hamilton College, and High Museum (Atlanta, Georgia).
He was awarded the Tiffany Medal, 1928; Allied Artists Medal of Honor, 1929; National Arts Club Prize for flower painting, 1939; First Popular Prize at Biennial, Washington, 1939, 1941, 1949; Purchase Prize, Library of Congress, 1946; First $1,000 prize, Second National Print Exhibition, New York, 1947; Purchase Prize N.A.D., 1959.
The Luigi Lucioni Papers contains correspondence, original drawings, lithographic proofs, exhibition material, photographs of work, and printed material. The collection is divided into five series.
Correspondence is alphabetically arranged. Among the correspondents are Dwight D. Eisenhower and Mrs. (Frances) Henry Fonda.
Subject file consists of exhibitions in which Lucioni participated. There are 20 photographs of Lucioni's portraits, landscapes, and still lifes. Also included is a check stub of the Popular Prize won by Lucioni in 1939 as well as his statement when informed of the award.
Manuscripts and original drawings consists of nine oversize drawings, some of which are ink drawings as well as crayon and charcoal. The drawings are alphabetically arranged by title.
Proof before letter, consists of 237 proofs, dating from 192[ ] to 1965, pulled from individual plates etched by Luigi Lucioni. Many of these proofs are oversize. The proofs are alphabetically arranged by title.
Published material consists of an article, dated 1951, and clippings dated 1955 and 1957.
Access Restrictions:
The majority of our archival and manuscript collections are housed offsite and require advanced notice for retrieval. Researchers are encouraged to contact us in advance concerning the collection material they wish to access for their research.
Use Restrictions:
Written permission must be obtained from SCRC and all relevant rights holders before publishing quotations, excerpts or images from any materials in this collection.
Persons
Lucioni, Luigi, 1900- Archives.
Subjects
Art, American -- 20th century.
Etchers, United States.
Italian Americans.
Lithographers, United States.
Lithography, American, 20th century.
Painters, United States.
Painting, American -- 20th century.
Genres and Forms
Correspondence.
Drawings (visual works)
Exhibition catalogs.
Lithographs.
Photographs.
Occupations
Artists.
Etchers.
Lithographers.
Painters.
Preferred Citation
Preferred citation for this material is as follows:
Luigi Lucioni Papers,
Special Collections Research Center,
Syracuse University Libraries
Correspondence
Subject file
Manuscripts
Proof before letter
Published material
Correspondence | |||||||||||
Box 1 | Incoming 1927-28, 1932, 1934, 1936-1937, 1939-1942, 1946-1948, 1956 |
Subject file | |||||||||||
Box 1 | Exhibits 1934-1936, 1955, undated | ||||||||||
Box 1 | Photos 1930, 1938, 1943, 1945, 1947-1948, 1951-1953, 1955-1956, 1958, 1960-1964 | ||||||||||
Box 1 | "Ethel Waters," Popular Prize 1939 |
Manuscripts | |||||||||||
Original drawings | |||||||||||
Oversize 1 | [Barnyard Perspective] - Ink drawing | ||||||||||
Oversize 1 | The Birches 1940 - Ink drawing | ||||||||||
Oversize 1 | [Dog Asleep] - Ink drawing | ||||||||||
Oversize 1 | [Dogs] - Ink drawing | ||||||||||
Oversize 1 | [Irrigation Project] - Ink drawing | ||||||||||
Oversize 1 | My Feet, Luigi Lucioni - Ink drawing | ||||||||||
Oversize 1 | [Nude] - Crayon drawing | ||||||||||
Oversize 1 | [The Road] - Ink drawing | ||||||||||
Oversize 1 | [Tree] - Charcoal drawing |
Proof before letter | |||||||||||
Apple Orchard | |||||||||||
Box 2 | #1 | ||||||||||
[Barn and Silo] | |||||||||||
Box 2 | #1A | ||||||||||
Box 2 | #1B | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Barn and Hills 1957 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Barns in October 1957 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Barns in Winter 1942 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Between Birches 1947 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2A | ||||||||||
Oversize 1 | #2B | ||||||||||
Oversize 1 | #3 | ||||||||||
Beyond the Elm-Library of Congress 1943 | |||||||||||
Box 2 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Beyond the Pine 1963 | |||||||||||
Oversize 1 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
The Big Elm 1934 | |||||||||||
Box 2 | #1 | ||||||||||
The Big Haystack 1947 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Big Shadow 1951 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Big Willows 1948 | |||||||||||
Oversize 1 | #1A | ||||||||||
Oversize 1 | #1B | ||||||||||
Oversize 1 | #2 | ||||||||||
Birch Group 1944 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Birch Grove 1960 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Birch Processional 1950-51 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
The Birches 1940 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Birches Over Pine 1964 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Classic Pastures 1942 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Clouds Over Manchester 1941 | |||||||||||
Box 2 | #1 (discard) | ||||||||||
Box 2 | #2A | ||||||||||
Box 2 | #2B | ||||||||||
Cypress Path 1957 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Dominating Tree 1964 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Edge of the Birches 1957 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Elms 1954 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Elms by the Lake 1937 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Elm on the Hill 1948 | |||||||||||
Box 2 | #1A | ||||||||||
Oversize 1 | #1B | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Enveloping Shadows 1965 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #1A | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Farm in the Hills 1936 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Hilltop Elms 1955 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Italian Courtyard 1939 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Judson Tower 192[ ] | |||||||||||
Box 2 | #1 | ||||||||||
Lake Pastures 1938 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Lake through the Locust 1936 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Late Shadows 1944 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Leaning Silo 1939 | |||||||||||
Box 2 | #1 | ||||||||||
L. I. Farm Yard | |||||||||||
Box 2 | #1 | ||||||||||
Lombard Street 1939 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Box 2 | #5 | ||||||||||
[Luigi Lucioni] | |||||||||||
Box 2 | #1 | ||||||||||
[Messina] 1945 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Box 2 | #5 | ||||||||||
[Messina] 1949 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Moving Shadows 1941 | |||||||||||
Oversize 1 | #1 | ||||||||||
Box 2 | #2A | ||||||||||
Box 2 | #2B | ||||||||||
My Birthplace 1939 | |||||||||||
Box 2 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Nestled Barns 1949 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
New England Pastoral Barns 1941 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
On the Road 1952 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
On a Vermont Highway 1962 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Pattern of Trees 1944 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Peace in the Valley 1940 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Peaceful Pastures 1941 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Pillars of Vermont 1937 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Pine and Birches 1958 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
The Pine in the Birches 1958 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Box 2 | #4 | ||||||||||
Restful Ruins 1946 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Rhythm in White 1961 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Romantic Ruins 1949 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Route 7 1946 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Shadow and Substance 1944 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Shadows Across the Road 1945 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
[Silo] 1941 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
The Spreading Maple 1947 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Oversize 1 | #4 | ||||||||||
[Steeple] | |||||||||||
Box 2 | #1A | ||||||||||
Box 2 | #1B | ||||||||||
Box 2 | #2 | ||||||||||
Steeple in the Mountains 1946 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Stones and Shadows 1950 | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
The Street | |||||||||||
Box 2 | #1 | ||||||||||
Strong Sunlight | |||||||||||
Box 2 | #1 | ||||||||||
Box 2 | #2 | ||||||||||
Box 2 | #3 | ||||||||||
Summer Shadows 1946 - Prize in Library of Congress | |||||||||||
Box 3 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
[Sun Streak] 1943 | |||||||||||
Box 3 | #1A | ||||||||||
Box 3 | #1B | ||||||||||
Box 3 | #2A | ||||||||||
Box 3 | #2B | ||||||||||
[Sun Streak] 1953 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Box 3 | #3 | ||||||||||
Three Gruces 1950 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Box 3 | #3 | ||||||||||
Oversize 1 | #4 | ||||||||||
Three Trees 1963 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Box 3 | #3 | ||||||||||
Tree Rhythm 1953 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Trees and Shadows 1957 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Box 3 | #3 | ||||||||||
Box 3 | #4 | ||||||||||
Two Silos 1942 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Tree Group 1962 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Box 3 | #3 | ||||||||||
[Trees] | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2A | ||||||||||
Box 3 | #2B | ||||||||||
Trees and Mountains 193[ ] | |||||||||||
Box 3 | #1 | ||||||||||
Tree in Fairway 1942 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Box 3 | #3 | ||||||||||
Vermont Landscape 1931 | |||||||||||
Box 3 | #1 | ||||||||||
Oversize 1 | First Vermont Etching | ||||||||||
Vermont Pastoral 1939 | |||||||||||
Box 3 | #1 | ||||||||||
Vermont Survival 1959 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 | ||||||||||
Weathered Barns 1948 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Box 3 | #3 | ||||||||||
Whites and Shadows 1948 | |||||||||||
Box 3 | #1 | ||||||||||
Box 3 | #2 | ||||||||||
Box 3 | #3 | ||||||||||
Box 3 | #4 | ||||||||||
White Arabesque 1952 | |||||||||||
Oversize 1 | #1 | ||||||||||
Oversize 1 | #2 | ||||||||||
Oversize 1 | #3 |
Published material | |||||||||||
Box 3 | Article 1951 | ||||||||||
Box 3 | Clippings 1955, 57 |