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Finding aid created by: Kelli Kanvin
Date: 2003
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2011 | Converted to EAD |
Summary |
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Creator: | Fleming, William, 1909-2001. |
Title: | William C. Fleming Papers |
Dates: | 1874-1990 |
Size: | 49 boxes (49.75 linear ft.) |
Abstract: | The William C. Fleming Papers consist of personal correspondence, family papers, biographical information and professional academic documents including weekly Post-Standard newspaper columns. |
Language: | English |
Repository: |
University Archives, Special Collections Research Center Syracuse University Libraries 222 Waverly Ave., Suite 600 Syracuse, NY 13244-2010 |
William Coleman Fleming was born in Pomona, California on August 3, 1909 to William Thomas and Theodora Loney Fleming. A musical prodigy, of sorts, Fleming studied piano under Olga Steeb during his adolescent years before continuing his musical studies at Pomona Junior College from 1927 to 1928. Leaving college early, Fleming moved to New York City where he studied piano, music literature, counterpoint, and composition under such notable figures as Paolo Gallico and Leopold Mannes. In 1930 Fleming traveled to Europe where he studied under Tobias Mathay and the noted pianist Artur Schnabel. Between the years of 1932 and 1940, Fleming performed as a concert pianist throughout Europe and America, and made his American debut at Carnegie Hall in 1937.
Upon his return to the United States, Fleming received his masters degree (1939) and his Ph.D. (1942) from Claremont Graduate School in California. He became an instructor in Music and Philosophy at Pomona Junior College for five years before taking a position as an associate professor of Fine Arts at Syracuse University in 1945. A year later Fleming founded the Department of Fine Arts and became its first chair. He held this position until 1969. It was during this time that Fleming accomplished perhaps his most notable feat - a book entitled Arts and Ideas. First published in 1955, this work served as the synthesis of music and art that he had been so desperately seeking. With at least eight subsequent revised editions, and translations into the Spanish and Romanian, Arts and Ideas is used as a text by over 800 colleges and universities worldwide. In 1970, Fleming was named Centennial Professor of Fine Arts, for his outstanding leadership and contributions to his field, by Chancellor John Corbally. Upon his retirement from Syracuse University in 1975 he was named Centennial Professor Emeritus of Fine Arts by Chancellor Melvin Eggers.
Fleming went on to be named a Colum Scholar at Augusta College and an honorary member of the Kappa chapter of Phi Beta Kappa in 1975. He later received an honorary Doctorate of Fine Arts from Baker University, an honorary Doctorate of Humane Letters from Syracuse University, and an honorary Doctorate of Humanities from Westminster College. In 1989, Fleming was awarded the Chancellor's Medal for Distinguished Achievement by Syracuse University Chancellor Melvin Eggers.
A recognized and well-respected scholar, William Fleming held memberships in a number of organizations such as the American Musicological Society, Royal Society of the Arts, and the English Speaking Union. Additionally, Fleming's biography has appeared in publications, including Who's Who in the World, Who's Who in America, and the Directory of American Scholars. He has contributed to and written articles for Encyclopaedia Britannica, World Book Encyclopedia, and other renowned academic reference works. In addition to Arts and Ideas, Fleming authored several other books: Understanding Music (1958); Art, Music and Ideas (1970); Concerts of the Arts (1990); and Musical Arts and Styles (1990). Fleming was also a noted music critic and columnist for the Syracuse Post-Standard for over 30 years.
While not a native to the area, William Fleming continuously supported Syracuse University and made a number of contributions and donations to the library as well as to the Department of Fine Arts. He set up an educational fund to aid students in their studies, both at home and abroad. Fleming maintained his permanent residence in Syracuse and died there on May 4, 2001 at the age of 91.
The William C. Fleming Papers document essentially every aspect of his professional life, and detail much of his personal life. Correspondence, manuscripts, degrees/awards, photographs (both personal and academic in nature), postcards, biographical and autobiographical information, family papers, program notes, clippings, lectures and course exams, college papers, and a complete set of his weekly Post-Standard column are included in the collection.
The Fleming Papers consist of the following series: Family and Personal Papers, Correspondence, Professional Papers, Syracuse University, Writings, and Subject Files. Photographs, clippings, postcards, and other materials make up the Family and Personal Papers series. The Correspondence series is mostly arranged by family, personal, general, and professional. The Professional Papers series consists of articles, lectures and talks by Fleming, and materials on professional associations. The Syracuse University series includes files on undergraduate and graduate courses, the Study Abroad program, lecture transcripts, the Fine Arts department, and other activities. The Writings series contains materials for Arts and Ideas, Concerts of the Arts, Understanding Music, Art, Music and Ideas, Musical Arts and Styles, and articles from the Syracuse Post-Standard. The Subject Files contain information on various topics, such as Fleming's autobiography, composers, Baroque architecture, and Renaissance, Medieval, and Modern art.
Access Restrictions:
Please note that the collection is housed off-site, and advance notice is required to allow time to have the materials brought to the Reading Room on campus.
Use Restrictions:
Written permission must be obtained fromUniversity Archives,
Special Collections Research Center
Syracuse University Libraries and all relevant rights holders
before publishing quotations, excerpts or images from any materials in this
collection.
A number of books authored by Fleming, some annotated, were removed from the papers and given to the Syracuse University Library Special Collections Research Center.
Upon his death William C. Fleming bequeathed materials to the Syracuse University Libraries as well. These items, primarily books and music recordings, may be found in the library general collections, the Special Collections Research Center, and the Belfer Audio Archive.
Names
Fleming family.
Fleming, William, 1909-2001.
Syracuse University.
Associated Titles
Arts & ideas.
Subjects
Art -- History.
Music -- History and criticism.
Syracuse (N.Y.) -- History.
College teachers.
Higher education.
Types of Material
Correspondence.
Preferred Citation
Preferred citation for this material is as follows:
William C. Fleming Papers,
University Archives,
Special Collections Research Center
Syracuse University Libraries
Acquisition Information
Upon his death, William C. Fleming donated all of his personal and professional papers, documents, manuscripts, photographs, clippings, and any old records of the Department of Fine Arts that were still in his possession at the time of his death to Syracuse University Archives.
Processing Information
All the materials in the Fleming Papers were placed in acid-free housing, and original folder headings were kept when provided and legible. Fragile items were encapsulated in Mylar, and photographs and a number of illustrative prints were placed in polyethylene sleeves. Paper clips, straight pins and rubber bands were removed.
Items permanently removed from the Fleming Papers were: duplicates of his doctoral dissertation, a set of road maps with no relation to Syracuse University or Fleming other than the fact that he owned them (destroyed), grade books, a doctoral dissertation of a student whom Fleming advised (already present in Archives collection), and a number of boxes containing personal information such as tax returns, etc. Newspapers and other acidic clippings were photocopied and the originals destroyed. Clippings that had been kept in binders were left "as is" and will need to be photocopied onto acid-free paper at a later date. Binder contents were removed and the binders were destroyed.
Original order was maintained, with some modifications to aid researchers in navigating the collection.
Family and Personal Papers
Correspondence
Professional Papers
Syracuse University
Writings
Subject Files
Family and Personal Papers | |||||||||||
Box 1 | Addresses, old (2 folders) | ||||||||||
Box 1 | Claremont Property (2 folders) | ||||||||||
Box 1 | Data and Adresses 1928-1945 | ||||||||||
Box 1 | Date Books 1935-1945 | ||||||||||
Box 1 | Estate of KFD (Katherine Fleming Deards) | ||||||||||
Box 1 | Fleming Childhood Photographs | ||||||||||
Box 1 | Family Clippings | ||||||||||
Box 1 | Fleming Diary | ||||||||||
Box 1 | Fleming Miscellaneous Personal and Family Papers (3 folders) | ||||||||||
Box 1 | Fleming Personal Clippings | ||||||||||
Box 1 | Fuller Portrait Negatives | ||||||||||
Box 1 | Hamilton | ||||||||||
Box 1 | Miscellaneous Photographs of Fleming | ||||||||||
Box 1 | Photographs of Fleming | ||||||||||
Box 1 | Theodora Fleming Obituaries | ||||||||||
Box 1 | Vita and Photographs | ||||||||||
Box 1 | 75th Birthday | ||||||||||
Box 1 | 80th Birthday | ||||||||||
Box 39 | Marriage license for William Thomas Fleming and Frances Theodora Loney (parents) Oversize | ||||||||||
Box 39 | Communion poster for William Fleming May 13, 1917 Oversize | ||||||||||
Box 40 | Postcards | ||||||||||
Box 41 | Small Prints, Photographs from China | ||||||||||
Box 42 | Small Prints | ||||||||||
Box 43 | Postcards and Small Prints | ||||||||||
Box 44 | Postcards and Small Prints | ||||||||||
Box 45 | Family Papers - Photograph Albums | ||||||||||
Box 46 | Scrapbooks and 1914 Coloring Book | ||||||||||
Box 47 | Blueprints for Harley J. McKee Oversize (4 sheets) | ||||||||||
Box 47 | Blueprints for Professor and Mrs. J. Kwalwasser Oversize (7 sheets) | ||||||||||
MC 12-4 | Three Golfers signed by artist Dave Jones February 20, 1972 Oversize |
Correspondence | |||||||||||
Personal and General | |||||||||||
Box 2 | Letters 1874-1883 | ||||||||||
Box 2 | Miscellaneous 1901-1954 (2 folders) | ||||||||||
Box 2 | To Parents 1930 | ||||||||||
Box 2 | To Parents 1931 | ||||||||||
Box 2 | To Parents 1932 | ||||||||||
Box 2 | To Parents 1933 | ||||||||||
Box 2 | From Father 1932-1933 | ||||||||||
Box 2 | From Mother and Sister 1936-1937 (2 folders) | ||||||||||
Box 2 | To Mother 1945 | ||||||||||
Box 2 | To Mother 1946 | ||||||||||
Box 2 | To Mother 1947 | ||||||||||
Box 2 | To Mother 1948 | ||||||||||
Box 2 | To Mother 1949 | ||||||||||
Box 2 | To Mother 1953 | ||||||||||
Box 2 | To Mother 1954 | ||||||||||
Box 2 | To Mother 1955 | ||||||||||
Box 2 | To Mother 1957 | ||||||||||
Box 2 | Christmas 1965-1970 | ||||||||||
Box 2 | Christmas 1971-1972 | ||||||||||
Box 3 | Christmas 1974 | ||||||||||
Box 3 | Christmas 1982 | ||||||||||
Box 3 | Christmas 1989 | ||||||||||
Box 3 | Christmas 1990 | ||||||||||
Box 2 | General and Personal 1917 | ||||||||||
Box 2 | General and Personal 1934 | ||||||||||
Box 2 | General and Personal 1935 | ||||||||||
Box 2 | General and Personal 1936 | ||||||||||
Box 2 | General and Personal 1937 | ||||||||||
Box 2 | General and Personal 1938 | ||||||||||
Box 2 | General and Personal 1939 | ||||||||||
Box 2 | General and Personal 1940 | ||||||||||
Box 2 | General and Personal 1944 | ||||||||||
Box 2 | General and Personal 1945 | ||||||||||
Box 2 | General and Personal 1946 (2 folders) | ||||||||||
Box 2 | General and Personal 1947 | ||||||||||
Box 2 | General and Personal 1948 | ||||||||||
Box 2 | General and Personal 1949 | ||||||||||
Box 2 | General and Personal 1950 (2 folders) | ||||||||||
Box 2 | General and Personal 1952 | ||||||||||
Box 2 | General and Personal 1953 | ||||||||||
Box 2 | General and Personal 1954 | ||||||||||
Box 2 | General and Personal 1955 | ||||||||||
Box 2 | General and Personal 1956 | ||||||||||
Box 2 | General and Personal 1957 | ||||||||||
Box 2 | General and Personal 1959 | ||||||||||
Box 2 | General and Personal 1960 | ||||||||||
Box 2 | General and Personal 1961 | ||||||||||
Box 2 | General and Personal 1962 | ||||||||||
Box 2 | General and Personal 1963 | ||||||||||
Box 2 | General and Personal 1963-1965 | ||||||||||
Box 2 | General and Personal 1965 | ||||||||||
Box 2 | General and Personal 1965-1966 | ||||||||||
Box 2 | General and Personal 1966 | ||||||||||
Box 2 | General and Personal 1967 | ||||||||||
Box 2 | General and Personal 1968 | ||||||||||
Box 2 | General and Personal 1969 | ||||||||||
Box 2 | General and Personal 1970 | ||||||||||
Box 2 | General and Personal 1971 | ||||||||||
Box 2 | General and Personal 1972 | ||||||||||
Box 3 | General and Personal 1973 | ||||||||||
Box 3 | General and Personal 1974 | ||||||||||
Box 3 | General and Personal 1975 | ||||||||||
Box 3 | General and Personal 1976 | ||||||||||
Box 3 | General and Personal 1977 | ||||||||||
Box 3 | General and Personal 1978 | ||||||||||
Box 3 | General and Personal 1979 | ||||||||||
Box 3 | General and Personal 1980 | ||||||||||
Box 3 | General and Personal 1981 | ||||||||||
Box 3 | General and Personal 1982 | ||||||||||
Box 3 | General and Personal 1983 | ||||||||||
Box 3 | General and Personal 1984 | ||||||||||
Box 3 | General and Personal 1985 | ||||||||||
Box 3 | General and Personal 1986 | ||||||||||
Box 3 | General and Personal 1986-1987 | ||||||||||
Box 3 | General and Personal 1988-1989 | ||||||||||
Box 3 | General and Personal 1990 | ||||||||||
Box 3 | General and Personal 1990-1993 (3 folders) | ||||||||||
Box 4 | Political 1939-1949 | ||||||||||
Professional and Holt | |||||||||||
Box 4 | Professional 1940 | ||||||||||
Box 4 | Professional 1945 | ||||||||||
Box 4 | Professional 1947 | ||||||||||
Box 4 | Professional 1948 | ||||||||||
Box 4 | Professional 1949 | ||||||||||
Box 4 | Professional 1950 | ||||||||||
Box 4 | Professional 1951 | ||||||||||
Box 4 | Professional 1952 | ||||||||||
Box 4 | Professional 1953 | ||||||||||
Box 4 | Professional 1954 | ||||||||||
Box 4 | Professional 1955 | ||||||||||
Box 4 | Professional 1956 | ||||||||||
Box 4 | Professional 1957 | ||||||||||
Box 4 | Professional 1958 | ||||||||||
Box 4 | Professional 1959 | ||||||||||
Box 4 | Professional 1960 | ||||||||||
Box 4 | Professional 1961 | ||||||||||
Box 4 | Professional 1960s | ||||||||||
Box 4 | Professional 1962 | ||||||||||
Box 4 | Professional 1963 | ||||||||||
Box 4 | Professional 1964 | ||||||||||
Box 4 | Professional 1965 | ||||||||||
Box 4 | Professional 1966 | ||||||||||
Box 4 | Professional 1967 | ||||||||||
Box 4 | Professional 1968 | ||||||||||
Box 4 | Professional 1969 | ||||||||||
Box 4 | Professional 1970 | ||||||||||
Box 5 | Professional 1973 | ||||||||||
Box 5 | Professional 1974 | ||||||||||
Box 5 | Professional 1975 | ||||||||||
Box 5 | Professional 1976 | ||||||||||
Box 5 | Professional 1977 | ||||||||||
Box 5 | Professional 1978 | ||||||||||
Box 5 | Professional 1986-1987 | ||||||||||
Box 5 | Professional 1988-1989 | ||||||||||
Box 5 | Professional 1990 | ||||||||||
Box 4 | Holt 1949 | ||||||||||
Box 4 | Holt 1950 | ||||||||||
Box 4 | Holt 1951 | ||||||||||
Box 4 | Holt 1952 | ||||||||||
Box 4 | Holt 1953 | ||||||||||
Box 4 | Holt 1954 | ||||||||||
Box 4 | Holt 1955 | ||||||||||
Box 4 | Holt 1956 | ||||||||||
Box 4 | Holt 1957 | ||||||||||
Box 4 | Holt 1958 | ||||||||||
Box 4 | Holt 1959 | ||||||||||
Box 4 | Holt 1960 | ||||||||||
Box 4 | Holt 1961 | ||||||||||
Box 4 | Holt 1962 | ||||||||||
Box 4 | Holt 1963 | ||||||||||
Box 4 | Holt 1968 | ||||||||||
Box 4 | Holt 1969 | ||||||||||
Box 4 | Holt 1970 | ||||||||||
Box 4 | Holt 1971 | ||||||||||
Box 4 | Holt 1972 | ||||||||||
Box 5 | Holt 1973 | ||||||||||
Box 5 | Holt 1974 | ||||||||||
Box 5 | Holt 1975 | ||||||||||
Box 5 | Holt 1978-1979 | ||||||||||
Box 5 | Holt undated | ||||||||||
Box 4 | Britannica 1958-1960 | ||||||||||
Box 4 | Frank August 1960-January 1962 | ||||||||||
Box 4 | Abraham Veinus 1961-1963 | ||||||||||
Box 4 | Danforth 1962-1964 | ||||||||||
Box 5 | Hampton Institute | ||||||||||
Box 5 | Newlin | ||||||||||
Box 5 | General | ||||||||||
Box 5 | Current | ||||||||||
Box 5 | Unanswered | ||||||||||
Box 5 | Toscanini Letters Photocopies | ||||||||||
Box 5 | Paderneski and Brahms Letters | ||||||||||
Box 48 | Correspondence with Mr. Rosenthal April 20, 1985 |
Professional Papers | |||||||||||
Box 6 | "Creative View of Life" | ||||||||||
Box 6 | "The Creative State of Mind" - talk for American Pen Women | ||||||||||
Box 6 | Augusta College Speech 1974-1975 | ||||||||||
Box 6 | Autobiography: Professional Activities 1930s (2 folders) | ||||||||||
Box 6 | Autobiography: Professional Activities 1940s | ||||||||||
Box 6 | Autobiography: Professional Activities 1950s | ||||||||||
Box 6 | Autobiography: Professional Activities 1960s | ||||||||||
Box 6 | Basic Address | ||||||||||
Box 6 | Brevard Lecture | ||||||||||
Box 6 | Cardinal Yearbook 1940 | ||||||||||
Box 6 | Cardinal Yearbook 1942 | ||||||||||
Box 6 | Cardinal Yearbook 1945 | ||||||||||
Box 6 | College of William and Mary (2 folders) | ||||||||||
Box 6 | College Music Society | ||||||||||
Box 6 | COL 280 Class Records (College of William and Mary) | ||||||||||
Box 6 | Committee on General Education | ||||||||||
Box 6 | Contemporary Cleveland Lecture | ||||||||||
Box 6 | Creative Involvement | ||||||||||
Box 6 | Credentials | ||||||||||
Box 6 | Danforth Foundation | ||||||||||
Box 6 | Danforth 1960 (3 folders) | ||||||||||
Box 6 | Fleming Music Notebook (3 folders) | ||||||||||
Box 6 | Fleming Music Notes | ||||||||||
Box 6 | Fleming Speech Notes | ||||||||||
Box 6 | Florida Talk | ||||||||||
Box 6 | Ford Foundation Annual Report Former Speeches | ||||||||||
Box 7 | Fulbright Information | ||||||||||
Box 7 | Future Talks | ||||||||||
Box 7 | Henry Keck Stained Glass Studio (Exhibition Poster) | ||||||||||
Box 7 | Imports | ||||||||||
Box 7 | Journal Containing Some Student Autographs | ||||||||||
Box 7 | Lecture at UC | ||||||||||
Box 7 | Lectures 1970-1971 | ||||||||||
Box 7 | Lectures 1978-1979 | ||||||||||
Box 7 | Manual Applications | ||||||||||
Box 7 | Minnesota Conference 1949 (2 folders) | ||||||||||
Box 7 | Miscellaneous Degrees and Honors | ||||||||||
Box 7 | Phi Beta Kappa | ||||||||||
Box 7 | Royal Society of Arts | ||||||||||
Box 7 | Senior Fellowship | ||||||||||
Box 8 | Society of Music in the Liberal Arts College (SMILAC) Paper 1954 | ||||||||||
Box 7 | Society of Music in the Liberal Arts College (SMILAC) Papers | ||||||||||
Box 8 | Society of Music in the Liberal Arts College (SMILAC) | ||||||||||
Box 8 | Society of Fellows | ||||||||||
Box 8 | Speech | ||||||||||
Box 8 | Speech at Chicago 1968 | ||||||||||
Box 8 | Speech Notes circa 1970 | ||||||||||
Box 8 | Speech: Old Notes (2 folders) | ||||||||||
Box 8 | Utica Talk 1963 | ||||||||||
Box 8 | Westminster College Talks | ||||||||||
Box 8 | Who's Who in America 1985 | ||||||||||
Box 8 | Travel, Miscellaneous |
Syracuse University | |||||||||||
Course-Related Material - Undergraduates and Graduates | |||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 40-A-1 | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 40 Notes | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 40A Notes | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 40B Notes (2 folders) | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: Introduction to Fine Arts 101 | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 101A | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 101B | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 153 (2 folders) | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 156 | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 157 | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 199 | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 205 | ||||||||||
Box 9 | Fine Arts and Fine Arts Courses: 206 | ||||||||||
Box 9 | Old Exams | ||||||||||
Box 9 | Exams 1947-1960 | ||||||||||
Box 9 | Miscellaneous Art Exams | ||||||||||
Box 9 | Correspondence with Students | ||||||||||
Box 9 | Course Descriptions and Evaluations | ||||||||||
Box 9 | Letters of Recommendation - Old | ||||||||||
Box 9 | Recommendations | ||||||||||
Box 9 | Philosophy of Music Papers 1948-1949 | ||||||||||
Box 9 | Student Papers and Exams | ||||||||||
Box 9 | Summer Sessions | ||||||||||
Box 9 | Typed Transcripts of Letters (6 folders) | ||||||||||
Box 9 | William Fleming Recommendations 1965-1969 | ||||||||||
Box 9 | William Fleming Recommendations 1970-1975 | ||||||||||
Box 9 | Annalee Camp | ||||||||||
Box 9 | Board of Graduate Studies | ||||||||||
Box 9 | Employment Opportunities for Graduate Students | ||||||||||
Box 9 | Former Majors and Graduate Students | ||||||||||
Box 9 | Graduate Assistants - Current | ||||||||||
Box 9 | Graduate Students | ||||||||||
Box 9 | Graduate Overseas Fellowship | ||||||||||
Box 9 | Graduate School | ||||||||||
Box 9 | Letters of Recommendation for Graduate Students | ||||||||||
Box 9 | Prospective Graduate Students | ||||||||||
Study Abroad | |||||||||||
Box 10 | Amsterdam Staff | ||||||||||
Box 10 | Florence Flood | ||||||||||
Box 10 | Florence Graduate Program | ||||||||||
Box 10 | Florence Staff | ||||||||||
Box 10 | Foreign Studies Committee (2 folders) | ||||||||||
Box 10 | Semester in Italy (2 folders) | ||||||||||
Box 10 | Syracuse University Semester in Italy | ||||||||||
Transcripts of Lectures | |||||||||||
Box 11 | Arts & Ideas Course Lectures: Intro-7 | ||||||||||
Box 11 | Arts & Ideas Course Lectures: 8-16 | ||||||||||
Box 11 | Arts & Ideas Course Lectures: 17-25, 2nd Semester 1-4 | ||||||||||
Box 11 | Arts & Ideas Course Lectures: 5-11 | ||||||||||
Box 11 | Arts & Ideas Course Lectures: 12-20 | ||||||||||
Box 11 | Arts & Ideas Course Lectures: 21-27 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 1st Semester: 1-4 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 1st Semester: 5-9 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 1st Semester: 10-13 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 1st Semester: 14-19 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 1st Semester 20-25 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 2nd Semester 1-4 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 2nd Semester 5-8 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 2nd Semester 9-13 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 2nd Semester 14-17 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 2nd Semester 18-20 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 2nd Semester 21-24 1963-1964 | ||||||||||
Box 12 | Art Lectures for Fine Arts Courses, 2nd Semester 24-27 1963-1964 | ||||||||||
Box 12 | Arts & Ideas Course Lectures Transcribed from Slide Lectures 1963 | ||||||||||
Box 13 | Set of taped Lectures - Arts & Ideas, Introductory Lecture Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 19, Chapter 8 November 9, 1972 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 20, Chapter 8 November 14, 1972 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 21, Chapter 9 November 21, 1972 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 22, Chapter 9 November 28, 1972 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 23, Chapters 9 and 10 November 30, 1972 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 24, Chapter 10 December 5, 1972 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 25 December 7, 1972 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 1, Chapter 11 January 16, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 2, Chapter 11 January 18, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 3, Chapter 11 January 23, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 4, Chapters 11 and 12 January 25, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 5, Chapter 12 January 30, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 6, Chapter 12 February 1, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 7, Chapters 12 and 13 February 6, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 8, Chapter 13 February 8, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 9, chapter 14 February 13, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 10, Chapter 14 February 15, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 11, Chapter 15 February 20, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 12, Chapter 15 February 22, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 13, Chapter 16, February27, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 14, Chapter 16 March 1, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 19, Chapter 18 April 3, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 20, Chapters 18 and 19 April 10, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 21, Chapter 19 April 12, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 22, Chapter 19 April 17, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 25, Chapter 20 April 26, 1973 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture on new Chapter 22 April 23, 1974 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 1 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 2, Chapter 1 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 3, Chapter 1 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 4, Chapters 1 and 2 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 5, Chapter 2 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 6, Chapter 3 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 13, Chapter 5 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 14, Chapters 5 and 6 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 15, Chapters 6 and 7 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 16, Chapter 7 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 17, Chapter 16 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, Lecture 18 Audiocassette | ||||||||||
Box 13 | Set of Taped Lectures - Arts & Ideas, New York School April 18, 1974 Audiocassette | ||||||||||
Box 13 | Clippings | ||||||||||
Fine Arts Department | |||||||||||
Box 14 | "Fine Arts in General Education at Syracuse" (2 folders) | ||||||||||
Box 14 | Accreditation Research Committee Report | ||||||||||
Box 14 | Annual Report to Dean | ||||||||||
Box 14 | Budget 1949-1952 | ||||||||||
Box 14 | Budget 1952-1953 | ||||||||||
Box 14 | Budget 1953-1954 | ||||||||||
Box 14 | Budget 1955-1956 | ||||||||||
Box 14 | Budget 1956-1957 | ||||||||||
Box 14 | Budget 1957-1958 | ||||||||||
Box 14 | Budget 1958-1959 | ||||||||||
Box 14 | Budget 1959-1960 | ||||||||||
Box 14 | Budget 1960-1961 | ||||||||||
Box 14 | Budget 1961-1962 | ||||||||||
Box 14 | Budget 1962-1963 | ||||||||||
Box 14 | Budget 1963-1964 | ||||||||||
Box 14 | Budget 1964-1965 | ||||||||||
Box 14 | Budget 1965-1966 | ||||||||||
Box 14 | Chancellor's Report to Trustees 1967 | ||||||||||
Box 14 | Departmental Affairs (2 folders) | ||||||||||
Box 14 | Department Correspondence and Memos 1953-1975 | ||||||||||
Box 14 | Department Meetings | ||||||||||
Box 14 | Department of Fine Arts 50th Anniversary | ||||||||||
Box 14 | Speech at Fine Arts 50th Anniversary | ||||||||||
Box 14 | Department of Fine Arts Annual Report to Dean | ||||||||||
Box 14 | Departmental Publicity | ||||||||||
Box 14 | Fine Arts Departmental Affairs | ||||||||||
Box 14 | Fine Arts Department Correspondence 1946-1950 | ||||||||||
Box 14 | Humanities | ||||||||||
Box 14 | Humanities at Syracuse University | ||||||||||
Box 14 | Humanities Chairmen | ||||||||||
Box 14 | Humanities Program | ||||||||||
Box 14 | Insurance | ||||||||||
Box 14 | Miscellaneous Syracuse Files | ||||||||||
Box 14 | National Planning Studies | ||||||||||
Box 14 | Princeton Evaluation | ||||||||||
Faculty and Staff | |||||||||||
Box 15 | Appointments 1967 | ||||||||||
Box 15 | Fine Arts Department Personnel 1940s | ||||||||||
Box 15 | Faculty Information | ||||||||||
Box 15 | Alexander, Sidney | ||||||||||
Box 15 | Bisanz, Rudolph | ||||||||||
Box 15 | Brown, Clifford | ||||||||||
Box 15 | Carpenter, Nan Cooke | ||||||||||
Box 15 | Chatfield, Judith | ||||||||||
Box 15 | Christofides, C.G. | ||||||||||
Box 15 | Eckelmeyer, Judith | ||||||||||
Box 15 | Grant, Robert | ||||||||||
Box 15 | Henry, William | ||||||||||
Box 15 | Kline, Roger | ||||||||||
Box 15 | Krader, Mrs. Lawrence | ||||||||||
Box 15 | Mahar, William | ||||||||||
Box 15 | Onians, Elisabeth | ||||||||||
Box 15 | Pinnell, Dr. Ruth papers | ||||||||||
Box 15 | Powell, Ann | ||||||||||
Box 15 | Randel, Don M. | ||||||||||
Box 15 | Tatham, David | ||||||||||
Box 15 | Thomas, Sidney | ||||||||||
Box 15 | Veinus, Abraham | ||||||||||
Box 15 | Wynn, William | ||||||||||
Box 15 | Faculty Load Reports | ||||||||||
Box 15 | Letters of Inquiry | ||||||||||
Box 15 | Liberal Arts Faculty Meetings - Minutes (2 folders) | ||||||||||
Box 15 | Newlin Recommendations | ||||||||||
Box 15 | Past Staff Prospects (2 folders) | ||||||||||
Box 15 | Sources for Staff Appointment | ||||||||||
Box 15 | Staff Positions - Ancient | ||||||||||
Box 15 | Staff Prospects - Ancient 1963-1968 | ||||||||||
Box 15 | Syracuse University Faculty and Staff Publications and Creative Work 1967 | ||||||||||
Box 15 | Veinus - Promotion | ||||||||||
Notable Activities | |||||||||||
Box 16 | Arts and Humanities Foundation | ||||||||||
Box 16 | Centennial Address 1970 | ||||||||||
Box 16 | DHL Degree | ||||||||||
Box 16 | Distinguished Service Award, Syracuse University Libraries 1980 | ||||||||||
Box 16 | Endowed Professorship | ||||||||||
Box 16 | Fleming Professorship | ||||||||||
Box 16 | Foundation Proposals | ||||||||||
Box 16 | Kress Foundation Application | ||||||||||
Box 16 | Library | ||||||||||
Box 16 | Proposal for Acquisition of Albert Scweitzer Papers | ||||||||||
Box 16 | Retirement | ||||||||||
Box 16 | Syracuse University Chancellor's Group 1976-1978 | ||||||||||
Box 16 | William Fleming Educational Fund | ||||||||||
Box 16 | William Fleming Educational Fund January 1990-December 1994 | ||||||||||
Box 16 | William Fleming Educational Fund February 1986-December 1989 | ||||||||||
Box 16 | Dead File |
Writings | |||||||||||
General | |||||||||||
Box 17 | Brochures | ||||||||||
Box 17 | Dissertation: "Music in Cultural and Intellectual History: A Study in Historical Musicology" | ||||||||||
Box 17 | Encyclopaedia Brittancia | ||||||||||
Box 17 | Essay on Palestrina, Bach, Haydn, and Debussy | ||||||||||
Box 17 | Fleming Articles | ||||||||||
Box 17 | Fleming Publicity Material | ||||||||||
Box 17 | Fleming Translations | ||||||||||
Box 17 | "Goethe as Educator" (2 folders) | ||||||||||
Box 17 | Graduate Papers | ||||||||||
Box 17 | "Henri Bergson: His Philosophy and Aesthetic Theory" | ||||||||||
Box 17 | Miscellaneous Papers and Lectures | ||||||||||
Box 17 | Miscellaneous Program Notes | ||||||||||
Box 17 | "Newer Concepts of Time and Their Relation to the Temporal Arts" - Journal of Aesthetics and Art Criticism | ||||||||||
Box 17 | "On the Nature and Function of Criticism" | ||||||||||
Box 17 | Photographs for Publicity | ||||||||||
Box 17 | Plato | ||||||||||
Box 17 | Program Notes and Articles, Unsorted (2 folders) | ||||||||||
Box 17 | Programs and Lectures | ||||||||||
Box 17 | Publicity | ||||||||||
Box 17 | Review of Music History and Ideas (Hugo Leichtentritt) and the History of Music (Cecil Gray) | ||||||||||
Box 17 | Review of Books | ||||||||||
Box 17 | Social Music | ||||||||||
Box 17 | "The Element of Motion in Baroque Art Forms" - a paper for The American Society for Aesthetics | ||||||||||
Box 17 | "The Musical Iconography of Two Ambulatory Capitals from the Abbey Church of Cluny" | ||||||||||
Box 17 | "The Philosophy of Music in Ancient Greek Civilization. . ." (2 folders) | ||||||||||
Box 17 | "The Position of Music in Modern 20th Century Society Including an Investigaton of the Problem of Receptivity and Productivity in Music" | ||||||||||
Box 17 | "Receptivity and Productivity in Music" | ||||||||||
Box 17 | Thesis: "The Relation of the Pianoforte to the Romantic Movement in Music" | ||||||||||
Box 48 | The Relationship of the Pianoforte to the Romantic Movement in Music - A thesis presented to the General Faculty of Claremont Colleges in partial fulfillment of the requirements for the Degree of Master of Arts May 27, 1939 | ||||||||||
Box 48 | Extract from SYMPOSIUM, Vol. VI, No. 1 May, 1952 | ||||||||||
Arts & Ideas | |||||||||||
Box 18 | "Arts & Ideas in Motion" Script | ||||||||||
Box 18 | First Edition Manuscript | ||||||||||
Box 18 | First Edition Reviews | ||||||||||
Box 18 | First Edition Typescript (3 folders) | ||||||||||
Box 18 | First Edition Full Typescript (4 folders) | ||||||||||
Box 18 | Second Edition Reviews | ||||||||||
Box 18 | Second and Third Editions - Illustration Lists (2 folders) | ||||||||||
Box 18 | Third Edition | ||||||||||
Box 18 | Third Edition Cover Binding and Index | ||||||||||
Box 18 | Third Edition Reviews | ||||||||||
Box 18 | Third Edition Typescript (4 folders) | ||||||||||
Box 19 | Third Edition Typescript (4 folders) | ||||||||||
Box 19 | Fourth Edition | ||||||||||
Box 19 | Fourth Edition - Used Notes (2 folders) | ||||||||||
Box 19 | Fifth Edition | ||||||||||
Box 19 | Miscellaneous Typescripts and Lists of Illustrations (2 folders) | ||||||||||
Box 19 | Sixth Edition - Annotated Galleys | ||||||||||
Box 19 | Sixth Edition - Final Chapter | ||||||||||
Box 19 | Sixth Edition - Illustrations | ||||||||||
Box 19 | Sixth Edition - Notes for Drafts | ||||||||||
Box 19 | Sixth Edition - Period Introductions | ||||||||||
Box 19 | Sixth Edition - Revision Copy | ||||||||||
Box 19 | Seventh Edition | ||||||||||
Box 20 | Eighth Edition (5 folders) | ||||||||||
Box 20 | Eighth Edition - Second Printing | ||||||||||
Box 20 | Eighth Edition - Adoptions | ||||||||||
Box 20 | Eighth Edition - Chronologies | ||||||||||
Box 20 | Eighth Edition Final Reviews | ||||||||||
Box 20 | Eighth Edition - Holt Correspondence | ||||||||||
Box 20 | Eighth Edition - Illustrations | ||||||||||
Box 20 | Eighth Edition - Preface | ||||||||||
Box 20 | Eighth Edition - Reviews | ||||||||||
Box 20 | Eighth Edition - Revisions | ||||||||||
Box 20 | Ninth Edition - Chronologies | ||||||||||
Box 20 | Ninth Edition - Correspondence | ||||||||||
Box 20 | Ninth Edition - Frank's Changes | ||||||||||
Box 20 | Ninth Edition - Illustrations, Elsa Peterson | ||||||||||
Box 20 | Ninth Edition - Reviews | ||||||||||
Box 20 | Ninth Edition - Revision Material (4 folders) | ||||||||||
Box 20 | Tenth Edition | ||||||||||
Box 20 | "Art" Discards | ||||||||||
Box 20 | Captions | ||||||||||
Box 20 | Dead Chronologies | ||||||||||
Box 20 | Discarded Paste-Up | ||||||||||
Box 20 | "Arts & Ideas in Motion" Early Edition Proof Copies (2 folders) | ||||||||||
Box 20 | Editorial Corrections | ||||||||||
Box 20 | Figure Illustrations (3 folders) | ||||||||||
Box 21 | Figure Illustrations (9 folders) | ||||||||||
Box 21 | Galley Proofs (2 folders) | ||||||||||
Box 21 | Index | ||||||||||
Box 21 | Introduction (2 folders) | ||||||||||
Box 21 | Letters and Reviews | ||||||||||
Box 21 | Manuscripts and Revisions (2 folders) | ||||||||||
Box 22 | Miscellaneous | ||||||||||
Box 22 | Subject Groups: Hellenic | ||||||||||
Box 22 | Subject Groups: Hellenistic | ||||||||||
Box 22 | Subject Groups: Roman | ||||||||||
Box 22 | Subject Groups: Ravenna | ||||||||||
Box 22 | Subject Groups: Romanesque | ||||||||||
Box 22 | Subject Groups: Discards | ||||||||||
Box 22 | Subject Groups: Gothic | ||||||||||
Box 22 | Subject Groups: Early Renaissance | ||||||||||
Box 22 | Subject Groups: Renaissance | ||||||||||
Box 22 | Subject Groups: Florentine Renaissance | ||||||||||
Box 22 | Subject Groups: Neo-Classical | ||||||||||
Box 22 | Subject Groups: Romantic | ||||||||||
Box 22 | Subject Groups: Late 19th Century | ||||||||||
Box 22 | Subject Groups: Twentieth Century | ||||||||||
Box 22 | Subject Groups: Twentieth Century Chapter | ||||||||||
Box 22 | Subject Groups: Twentiety Century Discards | ||||||||||
Box 22 | Musical Examples | ||||||||||
Box 22 | Permissions (2 folders) | ||||||||||
Box 22 | Photo Log Oversized - fitted lengthwise | ||||||||||
Box 22 | Photos and Permissions in Progress | ||||||||||
Box 22 | Preface and Acknowledgments | ||||||||||
Box 22 | Promotional Literature | ||||||||||
Box 22 | Readers Comments | ||||||||||
Box 22 | Reviews | ||||||||||
Box 22 | Revised Chapters | ||||||||||
Box 22 | Revised Edition - Illustrations (4 folders) | ||||||||||
Box 23 | Revision - Modern | ||||||||||
Box 23 | Teacher's Manual | ||||||||||
Box 23 | University Presses of Florida - Book Contracts | ||||||||||
Box 23 | Videotape | ||||||||||
Box 23 | Chapter Discards - Chapter 8 | ||||||||||
Box 23 | Chapter Discards - Chapters 10-12 (3 folders) | ||||||||||
Box 23 | Chapter Discards - Chapters 17-19 (3 folders) | ||||||||||
Box 23 | Chapters - Chapter 9 (2 folders) | ||||||||||
Box 23 | Chapters - Chapter 11 | ||||||||||
Box 23 | Chapters - Chapter 12 | ||||||||||
Box 23 | Chapters - Chapter 1 | ||||||||||
Box 23 | Chapters - Complete 1 | ||||||||||
Box 23 | Chapters - Chapter 2 | ||||||||||
Box 23 | Chapters - Complete 3 | ||||||||||
Box 23 | Chapter Discards - Chapter 4 | ||||||||||
Box 23 | Chapter Discards - Chapter 5 | ||||||||||
Box 23 | Chapters - Complete 6 | ||||||||||
Box 23 | Chapter Discards - Chapter 7 | ||||||||||
Box 36 | Book Covers | ||||||||||
Box 36 | Various Bibliographies and Chronologies (2 folders) | ||||||||||
Box 36 | Miscellaneous | ||||||||||
Box 37 | Various photographs and prints used in "Arts & Ideas" | ||||||||||
Box 38 | Various photographs and prints used in "Arts & Ideas" | ||||||||||
Box 39 | "Arts & Ideas" promotional photographs of Fleming Oversize | ||||||||||
Box 39 | Oversized photographs used in "Arts & Ideas" Oversize | ||||||||||
Box 48 | "Arts & Ideas" - 1955 Signed copy 1955 | ||||||||||
Box 48 | "Arts & Ideas" - Annotated 1957 | ||||||||||
Box 48 | "Arts & Ideas" - Annotated 1960 (2 folders) | ||||||||||
Box 48 | "Arts & Ideas" - Revised edition, annotated 1963 | ||||||||||
Box 48 | arte si idei - volume 1, ("Arts & Ideas" - Romanian) 1974, 1983 | ||||||||||
Box 48 | arte si idei - volume 2, ("Arts & Ideas" - Romanian) 1974, 1983 | ||||||||||
Concerts of the Arts | |||||||||||
Box 24 | Baroque Chapter - Used Materials | ||||||||||
Box 24 | Captions | ||||||||||
Box 24 | Chapter 20 | ||||||||||
Box 24 | Correspondence (2 folders) | ||||||||||
Box 24 | Emendations to | ||||||||||
Box 24 | Illustration Lists | ||||||||||
Box 24 | Prefaces | ||||||||||
Box 24 | Publicity Pamphlet | ||||||||||
Box 24 | Concert of the Arts - Their Interplay and Modes of Relationship 1990 (2 folders) | ||||||||||
Box 48 | Concerts of the Arts - Their Interplay and Modes of Relationships 1990 | ||||||||||
Box 48 | Brochure and Order Form for Concert of the Arts | ||||||||||
Understanding Music | |||||||||||
Box 25 | Third Edition | ||||||||||
Box 25 | Ancient Greek Music | ||||||||||
Box 25 | Conclusion | ||||||||||
Box 25 | Correspondence | ||||||||||
Box 25 | Discarded Material | ||||||||||
Box 25 | Dust Jacket and End Pages | ||||||||||
Box 25 | Examples | ||||||||||
Box 25 | File Set of Proofs (3 folders) | ||||||||||
removed from binder | |||||||||||
Box 25 | Glossary | ||||||||||
Box 25 | Glossary (finished) | ||||||||||
Box 25 | Illustrations (2 folders) | ||||||||||
Box 25 | Introduction to Music | ||||||||||
Box 25 | LPs | ||||||||||
Box 25 | Manuscript | ||||||||||
Box 25 | Medieval Renaissance Music | ||||||||||
Box 25 | Medieval Revival - Chapter 53 | ||||||||||
Box 25 | Miscellaneous | ||||||||||
Box 25 | Miscellaneous (Introduction and General) | ||||||||||
Box 25 | Music Examples | ||||||||||
Box 25 | Music, Fleming and Veinus - Typescript (2 folders) | ||||||||||
Box 25 | Musical Analysis | ||||||||||
Box 25 | Musical Examples (2 folders) | ||||||||||
Box 25 | Musical Form | ||||||||||
Box 25 | Original Revision of Part I | ||||||||||
Box 25 | Outline of Introduction to Music | ||||||||||
Box 25 | Part IV, Before Revisions (2 folders) | ||||||||||
removed from binder | |||||||||||
Box 26 | Parts I, II, III | ||||||||||
removed from binder | |||||||||||
Box 26 | Permissions and Fees Pending | ||||||||||
Box 26 | Permissions | ||||||||||
Box 26 | Preface | ||||||||||
Box 26 | Publicity | ||||||||||
Box 26 | Raw Material | ||||||||||
Box 26 | Shapiro's Notes Acted Upon | ||||||||||
Box 26 | Teacher's Manual | ||||||||||
Box 26 | Texas Reader's Notes Acted Upon | ||||||||||
Box 26 | Usable Material | ||||||||||
Box 26 | Used Material | ||||||||||
Box 26 | Used Manuscripts | ||||||||||
Box 26 | Wheeler Rewrites | ||||||||||
Box 26 | Xerox Discards | ||||||||||
Box 26 | Chapters 1-5 (5 folders) | ||||||||||
Box 26 | Chapters 9-17 (9 folders) | ||||||||||
Box 26 | Chapters 23-25 (3 folders) | ||||||||||
Box 48 | Understanding Music - Fleming and Veinus: Annotated 1958 | ||||||||||
Box 48 | Understanding Music Style, Structure and History (Chapters 18, 20-24) 1958 | ||||||||||
Box 48 | Understanding Music Teacher's Manual 1958 | ||||||||||
Art, Music and Ideas | |||||||||||
Box 27 | Eighteenth Century Panorama | ||||||||||
Box 27 | Amsterdam, Seventeenth Century | ||||||||||
Box 27 | Book Cover and Index | ||||||||||
Box 27 | Book Cover and Index and Partial Chapter 2 | ||||||||||
Box 27 | Captions | ||||||||||
Box 27 | Elsen, Knobler Lists | ||||||||||
Box 27 | Fleming Illustration Lists | ||||||||||
Box 27 | Florence, Fifteenth Century | ||||||||||
Box 27 | France in the time of Louis XIV | ||||||||||
Box 27 | Galley Proof | ||||||||||
Box 27 | Ile-de-France, Late Twelfth and Thirteenth Century | ||||||||||
Box 27 | Illustration Data and Lists | ||||||||||
Box 27 | Italian Panorama, Fourteenth Century | ||||||||||
Box 27 | London During the Restoration | ||||||||||
Box 27 | Monastery at Cuny, Late Eleventh and Early Twelfth Century | ||||||||||
Box 27 | Norman Conquest - The Bayeux Tapestry | ||||||||||
Box 27 | Paris 1830 | ||||||||||
Box 27 | Paris, Early Nineteenth Century | ||||||||||
Box 27 | Paris Late Nineteenth Century | ||||||||||
Box 27 | Pergamon, Second Century | ||||||||||
Box 27 | Permissions | ||||||||||
Box 27 | Photo Orders Executed and Receipts | ||||||||||
Box 27 | Photo Orders Pending (3 folders) | ||||||||||
Box 27 | Ravenna, Late Fifth and Early Sixth Century | ||||||||||
Box 27 | Rome, Second Century A.D. | ||||||||||
Box 27 | Rome, Early 16th Century | ||||||||||
Box 27 | Rome, Late Sixteenth and Early Seventeenth Century | ||||||||||
Box 27 | Spanish Counter-Reformation | ||||||||||
Box 27 | The Age of Isms and Schisms | ||||||||||
Box 27 | Third Edition Rewrite Notes | ||||||||||
Box 27 | Venice, Sixteenth Century | ||||||||||
Box 28 | Chapter 22 and Miscellaneous Material | ||||||||||
Box 28 | Chapters: XX, The Realistic and Impressionistic Styles | ||||||||||
Box 28 | Chapters: XIX, The Romantic Style | ||||||||||
Box 28 | Chapters: XVIII, the Neoclassical Style | ||||||||||
Box 28 | Chapters: XVII, the Eighteenth Century Styles | ||||||||||
Box 28 | Chapters: XVI, The Baroque Synthesis | ||||||||||
Box 28 | Chapters: XV, The Bourgeois Baroque Style | ||||||||||
Box 28 | Chapters: XIV, The Aristocratic Baroque Style | ||||||||||
Box 28 | XIII, the Counter-Reformation Baroque Style | ||||||||||
Box 28 | Chapters: XII, Venetian Renaissance, Mannerism, Early Baroque | ||||||||||
Box 28 | Chapters: XI, The Roman Renaissance Style | ||||||||||
Box 28 | Chapters: X, The Florentine Renaissance Style | ||||||||||
Box 28 | Chapters: IX, The Early Italian Renaissance Style | ||||||||||
Box 28 | Chapters: VIII, The Gothic Style | ||||||||||
Box 28 | Chapters: VII, The Feudal Romanesque Style | ||||||||||
Box 28 | Chapters: VI, The Monastic Romanesque Style | ||||||||||
Box 28 | Chapters: V, Early Roman Christian and Byzantine Styles | ||||||||||
Box 28 | Chapters: IV, The Roman Style | ||||||||||
Box 28 | Chapters: III, The Hellenistic Style | ||||||||||
Box 28 | Chapters: II, The Hellenic Style | ||||||||||
Box 28 | Chapters: I, Genesis of the Arts | ||||||||||
Box 28 | Chapter Discards: Chapter 13 | ||||||||||
Box 28 | Chapter Discards: Chapter 14 | ||||||||||
Box 28 | Chapter Discards: Chapter 15 | ||||||||||
Box 28 | Chapter Discards: Chapter 16 | ||||||||||
Box 28 | Chapter Discards: XVIII, Classical Revival - Paris | ||||||||||
Musical Arts and Styles | |||||||||||
Box 29 | Appendices | ||||||||||
Box 29 | Chapter 18 | ||||||||||
Box 29 | Chapter 19 | ||||||||||
Box 29 | Chapter 20 | ||||||||||
Box 29 | Chapter 21 | ||||||||||
Box 29 | Chapter 22 | ||||||||||
Box 29 | Chapter 23 | ||||||||||
Box 29 | Copyright Agreement and Abe's Release | ||||||||||
Box 29 | Correspondence (2 folders) | ||||||||||
Box 29 | Correspondence Answered - along with that of Concert of the Arts (2 folders) | ||||||||||
Box 29 | Illustration Lists | ||||||||||
Box 29 | Index | ||||||||||
Box 29 | Manuscript Already Typed Up (notes) | ||||||||||
Box 29 | Musical Arts and Styles | ||||||||||
Box 29 | Note Already Written Up | ||||||||||
Box 29 | Permission and Invoices, Past | ||||||||||
Box 29 | Rejected Photos | ||||||||||
Box 29 | Reviews (2 folders) | ||||||||||
Box 29 | Text | ||||||||||
Box 30 | Musical Arts and Styles - Manuscript, Chapters 10 through 13 | ||||||||||
Box 30 | Musical Arts and Styles - Manuscript, Chapters 14 through 16 | ||||||||||
Box 30 | Musical Arts and Styles - Manuscript, Chapters 17 through 22 | ||||||||||
Box 30 | Musical Arts and Styles - Musical Examples | ||||||||||
Box 48 | Musical Arts and Styles - Fleming and Macomber 1990 | ||||||||||
Box 49 | Musical Arts and Styles - Chapter 1 | ||||||||||
Box 49 | Musical Arts and Styles - Chapter 2 | ||||||||||
Box 49 | Musical Arts and Styles - Chapter 3 | ||||||||||
Box 49 | Musical Arts and Styles - Chapter 4 | ||||||||||
Box 49 | Musical Arts and Styles - Chapter 5 | ||||||||||
Box 49 | Musical Arts and Styles - Chapter 6 | ||||||||||
Box 49 | Musical Arts and Styles - Chapter 7 | ||||||||||
Box 49 | Musical Arts and Styles - Chapter 9 | ||||||||||
Box 49 | Musical Arts and Styles - Miscellaneous Art | ||||||||||
Box 49 | Musical Arts and Styles - Slides and Transparencies | ||||||||||
Post-Standard | |||||||||||
Box 31 | Clippings: Programs, Articles, Reviews (2 folders) | ||||||||||
Box 31 | Copland Material | ||||||||||
Box 31 | Letters - Con | ||||||||||
Box 31 | Letters - Pro | ||||||||||
Box 31 | Liberace Letters | ||||||||||
Box 31 | Music Criticisms | ||||||||||
Box 31 | "Overtones," Sunday Columns (13 folders) | ||||||||||
Box 31 | Reviews (2 folders) | ||||||||||
Box 31 | Reviews, Articles, and Programs |
Subject Files | |||||||||||
Box 32 | Eighteenth Century (Germany and Austria) | ||||||||||
Box 32 | Aesthetics | ||||||||||
Box 32 | Aesthetics of Music | ||||||||||
Box 32 | Ahmed | ||||||||||
Box 32 | Aristocratic Baroque | ||||||||||
Box 32 | Aristotle | ||||||||||
Box 32 | ART 313: Renaissance Architecture | ||||||||||
Box 32 | Art Ads | ||||||||||
Box 32 | Arts and Form | ||||||||||
Box 32 | Augustine | ||||||||||
Box 32 | Autobiography (5 folders) | ||||||||||
Box 32 | Bacon, Ernst - Material | ||||||||||
Box 32 | Bailey, Pearl - Autographed Photographs | ||||||||||
Box 32 | Baroque Art (Miscellaneous Already Used) | ||||||||||
Box 32 | Baroque and Rococo Bibliography | ||||||||||
Box 32 | Baroque Book Illustrations | ||||||||||
Box 32 | Baroque Course Notes | ||||||||||
Box 32 | Baroque Lectures | ||||||||||
Box 32 | Baroque LTD. | ||||||||||
Box 32 | Baroque Music | ||||||||||
Box 32 | Baroque Notes | ||||||||||
Box 32 | Baroque Outside Europe | ||||||||||
Box 32 | Beethoven (2 folders) | ||||||||||
Box 32 | Beethoven and Goya Lecture | ||||||||||
Box 32 | Beethoven Course Notes | ||||||||||
Box 32 | Berea College | ||||||||||
Box 32 | Bibliography | ||||||||||
Box 32 | Bibliography (Old) | ||||||||||
Box 32 | Bibliography of Twentieth Century American Art | ||||||||||
Box 32 | Birth of Baroque | ||||||||||
Box 32 | Bourgeois Baroque | ||||||||||
Box 32 | Brahms and Beethoven Notebooks | ||||||||||
Box 32 | Camp, Annalee - Publicity | ||||||||||
Box 32 | Central and South American Music v Chirico Paintings | ||||||||||
Box 32 | Georgio De Chirico | ||||||||||
Box 33 | Classicism | ||||||||||
Box 33 | Cluny | ||||||||||
Box 33 | Cluny Materials | ||||||||||
Box 33 | Cluny: Capitals | ||||||||||
Box 33 | Conceptual Basis of Renaissance Art | ||||||||||
Box 33 | Counter-Reformation Baroque | ||||||||||
Box 33 | Counter-Reformation Literature | ||||||||||
Box 33 | Cultural History Curriculum References | ||||||||||
Box 33 | De Vyver, Dr. Jane: Russian Treasures, Inc. | ||||||||||
Box 33 | Discards | ||||||||||
Box 33 | Dvorak | ||||||||||
Box 33 | Dynamics | ||||||||||
Box 33 | Eden, Myrna | ||||||||||
Box 33 | Engel, Marting - Keynote Address | ||||||||||
Box 33 | Fairweather, Floyd | ||||||||||
Box 33 | Famous Non-Musicians on Music | ||||||||||
Box 48 | Film reels, 7" (2 items) | ||||||||||
Box 33 | Fine Arts Survey | ||||||||||
Box 33 | Fingering | ||||||||||
Box 33 | Florida Course Based on Arts and Ideas | ||||||||||
Box 33 | Gestalt Psychology and Music | ||||||||||
Box 33 | Goethe | ||||||||||
Box 33 | Gombrich, E.H. | ||||||||||
Box 33 | Gothic (used material) | ||||||||||
Box 33 | Greek Chapter | ||||||||||
Box 33 | Hegel | ||||||||||
Box 33 | Hennig, Calvin | ||||||||||
Box 33 | History of Aesthetics and Bergstraesser Seminar Notes | ||||||||||
Box 33 | Horowitz, Vladimir | ||||||||||
Box 33 | Illustration Data for Reference Only | ||||||||||
Box 33 | Images of Man | ||||||||||
Box 33 | Kant | ||||||||||
Box 33 | Late Nineteenth Century Paris Lecture | ||||||||||
Box 33 | Latin American Churches | ||||||||||
Box 33 | Lessing | ||||||||||
Box 33 | Mann, Thomas | ||||||||||
Box 33 | Masque Research and Bibliography | ||||||||||
Box 33 | "The Maske of Flowers" | ||||||||||
Box 33 | "The Song That Induced the Charme" | ||||||||||
Box 33 | Michelangelo | ||||||||||
Box 33 | Miscellaneous Notes | ||||||||||
Box 33 | Miscellaneous Notes on Art (untitled) | ||||||||||
Box 33 | Monmouth College; Skidmore and Bethany | ||||||||||
Box 33 | Motion | ||||||||||
Box 33 | Mozart | ||||||||||
Box 33 | Music 157 Romantic Period | ||||||||||
Box 33 | Music 199 Seminar | ||||||||||
Box 33 | Music 91 Syllabus | ||||||||||
Box 33 | Music and Architecture (2 folders) | ||||||||||
Box 33 | Music in Cultural History | ||||||||||
Box 33 | Music, Society and Patronage, etc. | ||||||||||
Box 33 | Musical Historiography | ||||||||||
Box 33 | Music - Social Occasion | ||||||||||
Box 33 | Musicians on Music | ||||||||||
Box 34 | Neo-Classic | ||||||||||
Box 34 | Neo-Classical | ||||||||||
Box 34 | Neo-Medieval Lecture | ||||||||||
Box 34 | New Position | ||||||||||
Box 34 | Nietzche vs. Wagner | ||||||||||
Box 34 | Northern Renaissance | ||||||||||
Box 34 | Piper, Dr.: Aesthetics Course Syllabus (PHI 117-118) | ||||||||||
Box 34 | Relativistic Mode | ||||||||||
Box 34 | Renaissance Mannerism, Birth of Baroque | ||||||||||
Box 34 | Rhythm | ||||||||||
Box 34 | Roman Renaissance | ||||||||||
Box 34 | Romanesque | ||||||||||
Box 34 | Romanesque and Gothic | ||||||||||
Box 34 | Romanesque Period: Monastic | ||||||||||
Box 34 | Romantic and Modern | ||||||||||
Box 34 | Romantic Nationalism | ||||||||||
Box 34 | Romanticism | ||||||||||
Box 34 | Schenker, Heinrich | ||||||||||
Box 34 | Schoenberg Anecdote | ||||||||||
Box 34 | Schrader, Lynn | ||||||||||
Box 34 | Schubert | ||||||||||
Box 34 | Schubert Songs | ||||||||||
Box 34 | Scripps College, Humanities Outlines | ||||||||||
Box 34 | Spenglar | ||||||||||
Box 34 | Stravinsky and Picasso Material | ||||||||||
Box 34 | Sturm and Drang | ||||||||||
Box 34 | Syracuse Artists and Events 1955-1956 | ||||||||||
Box 34 | Teacher Training Article | ||||||||||
Box 34 | Troubadours | ||||||||||
Box 34 | University of Chicago, Humanities Outline | ||||||||||
Box 34 | University of Nevada, Humanities Syllabus | ||||||||||
Box 34 | Veinus' Seminar: Twentieth Century Music | ||||||||||
Box 34 | Twentieth Century Seminar | ||||||||||
Box 34 | Venetian Baroque | ||||||||||
Box 48 | VHS tapes (unlabeled) (2 items) | ||||||||||
Box 34 | Viennese | ||||||||||
Box 34 | Violoncello Steps Forward in Classical Period | ||||||||||
Box 34 | Wayne State University, Humanities Syllabus and Student Information | ||||||||||
Box 34 | Whitehead | ||||||||||
Box 34 | Wilck, Sidney - Brevard Community College | ||||||||||
Box 34 | Wynn Philosophy Notes | ||||||||||
Printed Works | |||||||||||
Box 35 | Albrecht, Theodore: "Dika Newlin: Friend and Mentor, A Birthday Analogy" | ||||||||||
Box 35 | The Art Bulletin June 1985 | ||||||||||
Box 35 | The Art Bulletin March 1985 | ||||||||||
Box 35 | Art Today | ||||||||||
Box 35 | Bach's Cantata 140 | ||||||||||
Box 35 | Bergstraesser, Dr.: Nineteenth Century European Culture Seminar 1939 | ||||||||||
Box 35 | Bergstraesser, Dr.: 19th Century Seminar | ||||||||||
Box 35 | Book Reviews | ||||||||||
Box 35 | Dell' Arte, Gloria: "A Renaissance Perspective" | ||||||||||
Box 35 | Felicien David Book | ||||||||||
Box 35 | Fischer, Dr. Wilhelm: "On the Evolution of the Vienna Classic Style" | ||||||||||
Box 35 | Gattuso, John: "Spatial Concepts of the Baroque Period" | ||||||||||
Box 35 | Glass, Philip: "Akhnaten" | ||||||||||
Box 35 | Gombrich, E.H.: "In Search of Cultural History" | ||||||||||
Box 35 | Heaton, Eloise K.: "Henry Purmont Eames: Educator, Critic, Musician" | ||||||||||
Box 35 | Humorous Article on Music | ||||||||||
Box 35 | Miscellaneous Critiques | ||||||||||
Box 35 | Miscellaneous Music Articles | ||||||||||
Box 35 | Senior Music Humanities Book | ||||||||||
Box 35 | Silenas | ||||||||||
Box 35 | Thomson Dissertation | ||||||||||
Box 35 | Thompson and Haggins Criticism | ||||||||||
Box 48 | Typed program for William Fleming, Pianist | ||||||||||
Box 35 | Van Der Leen: "Les Aspects Musicaux des Chansons de Geste" |